Picardías estudiantiles

Fast Times at Ridgemont High (1982)

Cameron Crowe's script for `Fast Times at Ridgemont High' has totally held up in the nearly 20 years since it's release, in its portrayal of teenage life. Virtually plotless, the movie just follows the stories of a group of teenagers as they go about life in high school. And like so many 80's teen movies, it rightfully takes place for quite a bit of its run at the local mall. I find this movie to be extremely realistic, even in its somewhat exaggerated depictions of what some of the characters do (Jeff Spicoli ordering a pizza in the middle of class, or Charles Jefferson's winning of the football game by venting his anger at the school that supposedly trashed his car). But this is, after all, a movie, and a pretty good one too. And check out all those kick-ass 80's arcade games! *drools*

I'll try and give my best recollection of each of the main character's basic storylines. Let's see, Jeff Spicoli is the ideal surfer dude, empty-headed, sporting Hawaiian shirts, and talking in irresistible slang. He dislikes the uptightness of school, particularly personified by his history teacher, Mr. Hand. The two begin to have a battle of the wills. Brad Hamilton is a senior who goes from one fast-food job to the next, who has no idea what he is supposed to do with his life, even though everyone, including his guidance counselor, expects a lot from him. Stacy Hamilton is a guy-crazy chick who is sensitive but who wants sex and attention, leading her first into the arms of an older man, and eventually into those of Mike Damone, a cocky hustler, when the only guy who genuinely cares for her is nerdy Mark Ratner. Damone is a shady character, a charming sweet-talker who scalps tickets and does what he can for a quick buck. He tries to help Ratner score with Stacy, but then steals the girl. Ratner is an insecure nerd-type who is good at heart, who works at the mall movie theater, and who just wants his shot with Stacy. He finds himself broken-hearted when he uncovers Damone's betrayal. Linda Barrett is Stacy's best friend and confidante, a sexy, confident girl who is constantly moving from one guy to the next and sort of becomes a quasi role model for Stacy. That's the basic premise for all of what goes on.

Probably the most famous line is that uttered by Sean Penn's Jeff Spicoli: `Aloha, Mr. Hand.' I'm not sure if it's the Hawaiian talk or the idiocy of the teacher's name that has made this line so supremely quoted over the years. Anyone who has seen the movie recognizes it immediately. I can say immediately that I have never, ever seen Penn play a part like this, and I don't think I've ever seen a surfer personified with such grace. Even though the conflict between Spicoli and Mr. Hand is light-hearted, I always wanted to see them having a fist-fight in the halls. Stacy's story is actually pretty serious.she winds up being the victim of a teenage pregnancy, which is not often addressed in a teen comedy. Her eventual realization that Mark is the guy for her seems natural and not scripted. And thankfully, they're only starting to date by the end of the movie, and not getting engaged or married or something equally stupid as in some lesser movies. Damone is such a weird off-beat character, and his friendship with Ratner so unusual, that I have to give Cameron Crowe credit for making it all work. Brad seems to have the least to do with the other characters but as an unsuccessful go-getter, I can definitely relate to him.

In conclusion, this is one of my favorite 80's teen movies. It goes a lot deeper than `The Breakfast Club' and its adult characters, though not well-sculpted, are treated with more warmth and humanity than many of teen comedies. It's a required viewing for teens, young adults, and anyone with a fondness for 80's culture.

Grade: A

I was a few years out of high school when this came out, and really hit close to home for me. After I saw it, I looked up some of my old friends, most of them also saw it too, and we said to each other, "that's us!"

Many of the characters were a lot like the people I went to school with. I knew my share of stoners, studs, and girls who getting guys wasn't the biggest hang up in their life. Even today, I can sit, and watch this and I get fond memories of my old friends, and the fun we used to have.

This was made during the post-disco, pre-greed era of the 80s that was far too short. I'm surprised to find out this movie is still popular considering it is far from being politically correct. I'll admit, I wouldn't want my kids to some of the things these high school kids did, but it is a reminder how much fun the era was.

A fast-paced film with its share of laughs, Fast Times also takes time to sensitively handle many of the tough issues teens face. Abortion, trust, abandonment and sexual fears are all dealt with fairly and believably. An interesting snapshot into the world of teenagers--the great thing about this film is that it's not too stereotypically Californian. It could have been set anywhere in Canada or USA and still have been just as accurate. In addition, there are many scenes that will just have you doubled over with laughter--the carrot scene, as well as the interaction between rebel Sean Penn and angry Mr.Hand are just fantastic.

This teen movie set in the 1980s and sending up the 1980s was actually made in the 1980s. Well as teen movies goes it has the following

Hooters Virgin who loose their virginity Teenage sex Slightly crazy teacher Hooters A stoner Virgins who remain virgins And of course more hooters.

But like Saturday night fever it also has a story that has true elements and characters that you really care about.

The crazy teacher is someone you like as much as you like to make fun of. The virgins don't delve don't go into a long self analysis before having or not having sex, they just do or do not have sex. There are no horrible jocks to be destroyed, only one jock hero who is fooled into being an even greater hero.

And except one scene with bare breasts the nudity is integral to the story.

Why is this, because Cameron Crowe wrote a book based on his time in school as a young looking 25 year old journalist.

The movie hasn't aged because it takes the characters journey's very seriously and many of these themes still exist today. In addition it does not take the 1980s seriously. In fact as I watched it I had to check the release date to make sure it wasn't a late 1990s movie sending up the 1980s.

Some disappointments come from some of the characters and their relationship never really developing but this is a result of an author documenting what he sees around him rather than projecting himself into the characters.

Certainly one of the more interesting teen movies to be made, real in an unpretentious way..."It is like if Crowe didn't write it as he saw it, it would be bogus and then the movie would be bogus too."

: I was encouraged to see this because it was hailed as one of the best `teen comedies', a genre revived more recently by `American Pie'. This is an amusing but also touching tale of a bunch of teenagers caught between childhood and adulthood (as teenagers tend to be..).

The characters are, naturally, disparate (they always are). You've got the geek, the tender one, the surfing one, the `cool cat' one, et cetera. All these stock types can be bland but, when done well, really flesh out a movie. As in `American Pie', this is an example of the combination working to good effect. The issues dealt with, mild enough by today, were quite controversial for its time. They touch on concepts of underage sex, drugs, employment and so on and their relevance still resonates - despite its founding in 80s culture, the movie still has something to actually say. Cameron Crowe's script - based on his own book - is sharp. The characters actually have a depth (rather than being a one line joke as it is too often) and the humour is gentle, rather than of the bodily-fluid nature. The film is never preachy, merely saying, `This is how it is' and moving on. The structure is fairly conventional - follow a set of characters over a long period, and see how they fare in a final big event, but again that's okay.

Acting is quite good here, especially considering the genre. This is of course helped by some of these actors, such as Sean Penn and Nicholas Cage, having gone on to do bigger and better things with their talents. They all have a warmth and even Mike (Robert Romanus), who could appear sleazy if portrayed poorly, comes across as an ultimately affable man who is a good guy. The non-teen cast, principally the teacher Mr. Hand (Ray Walston) are all good as well and the only problem I may have is the occasional eighties styling (principally the haircuts and outfits) which tend to make me feel one step removed from the characters (but that's not a fault of the actors).

`Fast Times at Ridgemont High' surprised me with its depth. I had expected farce, but I got some genuine thought and characterisation, along with the requisite humour. It's not quite the laugh-fest I expected but it was good viewing. It still has meaning for today, although time has dulled its sharpness somewhat. Not a must, but certainly - given its short length - a good maybe. 6.9/10.