Mil y 45 noches

This was the oldest movie so far that I have seen of Tommy Lee Jones and it surpassed all my expectations. Here I was thinking that he got better with age, but he really was that good all along! He plays this role exceptionally well and I have even more respect for him as an actor now. Rosanna Arquette was very good indeed. I always thought her to play in brainless Hollywood movies, but this film was a good decision on her part. This film is another example of an unempowered woman who is alone and desperate for any attention that she can get. Unluckily for Nicole(Rosanna) this attention comes in the form of Gary (Tommy Lee), who is a very disturbed young man who sees human life as something that can be discarded of easily and without any hesitation on his part. Be it for money, or simply because he felt like it, Gary kills people without blinking. At the end of the movie Gary changes somewhat and it is welcome in an absurd kind of way? He makes peace with his lot and with himself and only then you feel sorry for him. If you are a Tommy Lee fan like me, then you definitely have to see this one. Hasta luego

I thought this was a very good dramatization of Mailer's huge book. Tommy Lee Jones does an excellent job of portraying psychopathic killer Gary Gilmore and Rosanna Arquette is terrific as his teenage girlfriend, Nicole. While it was a made for TV movie, some R-rated footage was added in when the movie had a European release. If you can get that version on tape, do so. Rosanna is dynamite in the more adult scenes.

Christine Lahti (who later won a short-film Oscar as a filmmaker) and Eli Wallach provide solid support. Jones shows the same brooding intensity that years later translated into an Oscar for him in "The Fugitive." Look for Ron Howard's father, Rance Howard, in a small part as the police detective who first interrogates Gilmore after his arrest.

It says something about the culture when a loser like Gilmore can be transformed into a sort of folk legend which is what the book and movie ultimately do. He had an enormous impact in 1977 by demanding that Utah go forward with his execution, the first execution in the US since the 1960s and the first since 1972 when the Supreme Court ruled that all death sentences prior to that date were unconstitutional. After Gilmore faced the firing squad hundreds of executions have been carried out. I would wager though that most Americans couldn't name more than two or three of those who have been executed but they will remember the small-time loser Gary Gilmore.

In the summer of 1976, my husband was a 25 year old full-time student at Brigham Young University, and we were renting a tiny house in Orem, Utah. Orem was generally a quiet town, where one could lie in bed on a summer night, with windows wide open, and hear only the noise of a few crickets chirping and dogs barking, and the occasional buzz of a car driven by someone who was working a night shift.

In the middle of the night of 19 July, I awoke to the sounds of sirens...lots of them. I knew there must have been some very significant event, for there to be multiple sirens blaring, and wondered if it might possibly have been a house fire. I didn't find out what those sirens we all about until two days later, when a neighbor commented that there had been another murder the night before. That was when I learned that the sirens I had heard were because of a murder at a gas station just a few blocks away. Soon after, the name of the victim became known. He was a 25 year old BYU student, who had actually served in the mission field with my husband, in Brazil. The young man also had a wife and a new baby, and had been working the night shift at the gas station to support his family, while attending college full-time. The victim of the second murder was another 25 year old BYU student, who was working nights to support a pregnant wife and baby, while attending the university.

I will refrain from using the names of the two fine young men whose lives were ended in such a brutal and senseless manner, out of respect for the privacy of their families. But their names remain, in my mind, and I have often thought of them, over the years, and wondered how they were doing; the wives, now in their fifties, as I am, and also the children, now around 30 years old, who were deprived of their fathers by Gary Gilmore's senseless rampage.

I will never forget the first images I ever saw of Gary Gilmore, taken when he was very first apprehended. He looked like a wild man, with an unkempt beard and long hair flying everywhere, with a crazed look in his eyes. Soon after, however, he took on a clean cut look, which certainly would have increased the general public's sympathy. That started America's interest in Gary Gilmore. In the weeks that followed, it seemed that many Americans couldn't get enough of the story of the ex-con and his little girlfriend, Nicole. The media turned it into a Romeo and Juliette story, about the young man from a tough background, down on his luck, and his beautiful young sweetheart. I'll never forget the time that television programming was interrupted for a special report, stating that Gilmore and Nichol had both been found unconscious, following a suicide attempt, with pictures of the two, side by side. It made me ill to see the way the story was romanticized, while two young widows grieved the loss of their husbands.

When Gilmore was finally executed, I was relieved. There had been local talk of him possibly being released from prison on a technicality, if the sentence of execution was not carried out soon, and I was terrified that he might set out to murder another young BYU student. After the news from the execution finally died down, I did my best to avoid thinking of anything to do with Gary Gilmore.

When I heard about the made-for-TV movie, The Executioner's Song, I was appalled that someone would give Gilmore MORE attention. It took me nearly 20 years to finally watch the film. I will say that Tommy Lee Jones and Rosanna Arquette were brilliant in their roles, and the supporting roles were also well portrayed. I think it did a fair job of presenting the story with a minimum of glorification of Gilmore, while calling attention to the victims of his crimes, at least to some extent. I only hope that Gilmore's victims' wives and children benefited from any money made from the film.

you may also be interested in the Mikhal Gilmore biography about his brother, Gary, and how they grew up in Oregon, being brutally abused by their father. Apparently, Gary Gilmore spent more time in juvenile detention homes than could be counted, and these institutions promoted the violent and hostile behavior which came to be seen by Gilmore as normal, even acceptable.

This film is primarily a documentary; look for Eli Wallach as Gilmore's Uncle Vern, trying to help his nephew function in the world. In Salt Lake City, Utah, where most of the film takes place, there is a cold unforgiving environment, similar to the environment Gilmore grew up in. As he grew up during the depression, options were scarce. Hostility, anger and frustration led to physical abuse, acting out, and eventually, murder. Rosanna Arquette is believable as the long-suffering girlfriend of Gilmore, who refuses to face reality.

This is an excellent film, due for a remake; perhaps Mikhal Gilmore could translate his book version into film. In real life, Gilmore's mother was devastated and traumatized, living in a trailer, mourning the horrible life her son had endured, a child who had no options, who grew up as an armed robber, and who finally demanded the state of Utah execute him in Draconian fashion. 9/10.

There seems to be a little confusion regarding the various versions of The Executioner's Song. I read the book written by Norman Mailer in 1980 and looked forward to seeing the film. The original film version was a made for TV mini series which aired in 1982. That version was much longer and also had numerous period songs included. Those songs were listed in the credits at the end. The TV mini-series version did not contain any profanity or full nudity. Some scenes were darkened and some were eliminated while extra scenes with additional dialogue were included. The second version was aired on cable television. It was the same version that was released in Europe in 1985. It was also released on "USA Home Video" on VHS tape. That version was much shorter; however it contained profanity, more violence and several nude scenes of Rosanna Arquette and Tommy Lee Jones. Those scenes seemed a little bit dark however. Also, several period songs were removed from the film even though they are still listed in the credits. The newest version of the film which I watched on Net Flix recently is also referred to as "The Director's Cut". I own the original 1985 "Big Box" VHS tape of the European version and compared those two versions scene by scene. The newest version includes all of the profanity, violence and all of the nude scenes from the European version. The content is exactly the same. The main difference in the two versions is that the newer DVD is much brighter, has more clarity and the colors are superior by far. The nude scenes are not darkened at all. The sound is a bit louder on the old VHS version though. The period songs that were taken out of the film are no longer listed in the end credits with the exception of one Neil Young song only. Waylon Jennings is given credit for all of the original songs he wrote for the film. I do not own the original TV mini-series version from 1982 and have to rely upon my memory to compare it to the newer versions. With that said, I prefer the new high quality version to the older, longer made for TV mini-series and also to the inferior quality European VHS release. Basically what you get with the newest release is a much higher quality European version. Did I mention that a much younger Rosanna Arquette is nude in several scenes?