Eureka

I had never heard of Ed Lauter until he died a few months ago, even though I had seen him in a number of movies; he simply hadn't registered in my mind. While watching Nicolas Roeg's "Eureka", I was surprised to see that Lauter co-starred. I had also never heard of Harry Oakes until I read about the movie. The movie had a good plot but seemed as though it could've been shorter. In the end, I think that the main point to derive from the movie is that prestige makes people go crazy. Gene Hackman's character struck gold and it made him rich, causing him to go nuts, and the insanity extends to his acquaintances. As shown in "It's a Mad, Mad, Mad, Mad World" and "The Wolf of Wall Street", people will do anything for money.

Anyway, it's an OK not great movie.

Eureka is the kind of film you think you'll hate unless you give it a fair shake. It is a interplay between many characters, much like a soap opera. It works only if you take a general interest in the trivialities of each character. Jack McCann (Hackman) is the center of the film. His life is all about the gold he felt he earned, and the principle that he will never have any partners to share a percentage with. His life is ravaged by Mayakofsky (Pesci) and his henchmen. Charles Perkins, a friend of Jack's spent much of the movie trying to warn him that these men were dangerous. Jack's dilemma wasn't that he was waiting for his death, but the fact that he thought he was invincible. Being stubborn and set in his ways, Jack refused to give in to Mayakofsky. Jack was a man preoccupied with gold, but not loveless. He seemed to love all the women in his life. Also his daughter, Spacey Tracy. A loose young woman married to Claude (Hauer). Tracy had her head in the clouds, and wanted to live in a fantasy world. She did not provoke the fights between her father and Claude, but instigated them. She wanted Claude to fight as a proof of his love. Claude was most elusive. You never get his angle. If he loved Tracy or was just using her. She even used the witness stand as a way of finding out where Claude stood with her instead of pinning for the guilty ones involved in the tragic end of her father. (Claude did his own defense in court!) The movie has it's funny points. Like the dinner table scene at the McCann's where Jack makes some insulting remarks to the guests. Some of the best scenes involve Aurelio D'Amato, played by Mickey Rourke. He's cast in another glossed over film where he is perfect, but forgotten. D'Amato is a yiddish associate of Mayakofsky. And one of the main guys pestering Jack to sign the Luna Bay deal.(Mayakofsky wanted to build a casino on it.) There are scenes where D'Amato is begging Jack to sign. His baby face and soft voice should have gotten the devil to sign the document, but Jack wasn't so easy. Rourke's performance alone is reason enough to see this movie. And its not surprising he has a night with Tracy. Tracy loved Claude, but how could she resist D'Amato? Eureka is more of a film about the desires of man. Each character wants something, and they spend the entire film in pursuit of those things.

Rarely has a film had so much potential, that goes unrealized. Gene Hackman and his gold discovery is beautifully photographed, yet so unlikely and unrealistic, that it seems surreal. From the moment things shift to the island, the movie plays like a beautiful montage, with story continuity only an afterthought. It becomes merely a series of images strung together with philosophical messages, huge time jumps, flashbacks, and metaphysical nonsense. Yet, the images of ultra violence, nudity, snow, gold flakes, and the Victorian splendor, will linger long after the movie ends. From that standpoint at least some of "Eureka"s potential is realized, but not enough to grab the greatness that was within grasp. - MERK

I remember watching this movie a couple of times on cable over a decade ago. I don't know if it was supposed to be a mystery or noir but one of the things that struck me was the poor picture (perhaps it was intentional to keep up the mystery) Generally, the actors did a very good job. I just feel the script was poor.

Eureka is an undertaking where the director has a vision and, against all odds, follows it through.The downside was the woeful distribution of the film on completion, resulting in lack of audience participation due to a delayed release and scant showings (it played in just two London cinemas); just goes to show that certain distribution companies are flummoxed when they have a unique picture to promote. Eureka boasts a great across-the-boards cast, with Gene Hackman giving his customary all in a driven and committed performance, ably supported by Theresa Russell, Rutger Hauer, Joe Pesci and in a minor role, Mickey Rourke. Director Roeg's use of locations, his skill in cutting, the harnessing of atmosphere and the adroit use of music add up to an intriguing whole, loosely based on fact. It was made at the start of the 80's after an astonishing run of films by Roeg.

Actually, this is a very quirky film, immersed in other things; in this case it is the Kabbalah. (This is made clear when Rutger Hauer wears a shirt with the Tree of the Kabbalah drawn on the front to a formal dinner in the middle of the film.) I found this release of the film both impressive and a let-down. It is impressive because of its ambition as a film; it is a let-down because (the way it is edited) most sense of "suspense" is replaced by puzzlement; this is The Zohar meeting Hollywood and suffering from the meeting. In the end, I don't feel this movie has any grand message for the world, except perhaps the pointlessness of having so much wealth if you don't do anything with it.

Overall rating: 7 out of 10.