Una mujer cae al vacío tras ser atacada por un asaltante vestido de negro. Su hermana llega a la ciudad y empieza a salir con un detective, que es amigo de un extraño comisario de cine, mien... Leer todoUna mujer cae al vacío tras ser atacada por un asaltante vestido de negro. Su hermana llega a la ciudad y empieza a salir con un detective, que es amigo de un extraño comisario de cine, mientras otras mujeres caen presas del asesino.Una mujer cae al vacío tras ser atacada por un asaltante vestido de negro. Su hermana llega a la ciudad y empieza a salir con un detective, que es amigo de un extraño comisario de cine, mientras otras mujeres caen presas del asesino.
- Chris Howlett
- (as Christine Tudor)
- Susan Theresa 'Sooty' Lane
- (as Jere Lea Rae)
- Bob Bailey
- (as Bill Johnson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Aggravating! Here's another case where the video artwork does a good enough job selling what is a generically spineless and tedious slasher fare of the 80s, where it deserves to languish in obscurity. It's a mystery story at heart, but director Scott Mansfield looks like he was influenced by the slasher craze (with certain set-pieces) that formulated in this period to deliver an indistinguishable feature of too many spontaneous changes in its patchwork direction. This would go on to devoid the structure of tension.
What starts off amusingly decent (some lady stripping and fondling her breasts in the front doorway of her house?!), transcends in to a sluggish (if peculiar) melodrama of redundant sequences involving endless interactions (like a playing a board game, while sharing the good times with a trite sounding song accompanying) and vacant characters, only to be broken up by some tame and non-suspenseful killings. The two elements never entirely gel together. The premise is cluttered with predictable and perplexing details, which only made me yawn and look at the clock. The mystery/or the slasher side of the story is half-baked that when it comes to the reveal of our ski-masked, glove wearing killer it's quite unsatisfactory. That's if you've made it that far, but the ending is an unusual choice.
Not helping the slight story and turgid script, was that the visuals were poorly lit and cinematography looked dusky (however there are moments like the pointless football game that's extremely well shot). I thought maybe it was the video, but the lighting in certain scenes was non-existent, which leads to the assumption that it was due to the production's low-budget. Was this the case of trying to rally up mood and atmosphere? If that was so, it didn't always work despite the best efforts by director Mansfield. Were it seemed to pay off was the choice of some eerie, high-pitched sound effects and music score. These were well executed.
The performances are somewhat acceptable with leading actress Jo Ann Harris making head-way with her quick-witted attitude and sincere appeal, even with that somewhat squeaky voice. Colleen Camp is fine, Sam Groom is laughably unconvincing in his role and a disinterested Steven Railsback is pretty much wasted.
This mundane and diluted effort can only roll up a 2 on this dice and leaves you thinking maybe it should have discarded it's slasher strokes.
The movie is not for everyone, not just because of the lack of blood (it does contain some nudity though, if that is something that makes it "better" for you). But just how it is told, the way it is actually resolved (or is it?) ... and generally trying to be way too clever for its own good. Leaving us mostly without any explanation ... not satisfying ones that is.
Weird choices, like talking with the audience at one point - at least that's how it feels, unless he is auditioning or rehearsing ... but for what? Again, a very weird and confused movie. But still has a lot of influences - well very likely had. Like on Scream - and it is not just the phone call thing at the beginning but other things that Scream sort of adapted. If it was on purpose or not is another things alltogether of course.
The aspect that I did like about it was the characters, especially the core female cast which I did find rather interesting and blossoming romance between the female lead and the cop, which was actually kind of sweet and they had decent chemistry together. But after a while it did get rather tedious, like for a start none of the other murders had any real spark or tension to them. But the lead actress Jo Ann Harris was rather likable as the female lead, and quite refreshing to have someone real and plucky in the role.
It's just everything else in this movie just lacks, for a start the killer was just too easy to figure out and when it came down to the final scenes, it was just well dull and total lack of proper motive, just made everything that came before it rather disappointing.
All in all there are glimmers here and there of a decent slasher movie, but sadly not enough of anything special with a mystery element that just doesn't work, despite good performances, this movie was just way too boring to keep me that interested.
¿Sabías que…?
- TriviaDick Butkus played for the Chicago Bears and wore #51, same jersey his character wears when the play football in the park.
- Citas
Clarissa Jane Louise 'Keegan' Lawrence: Do you always kiss strange people?
Roger Lane: No, you're the strangest.
- ConexionesFeatured in 13 pasos al terror (1980)
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