CALIFICACIÓN DE IMDb
7.0/10
17 k
TU CALIFICACIÓN
Un dramaturgo de Broadway comete un asesinato para atribuirse el mérito de la obra de un estudiante.Un dramaturgo de Broadway comete un asesinato para atribuirse el mérito de la obra de un estudiante.Un dramaturgo de Broadway comete un asesinato para atribuirse el mérito de la obra de un estudiante.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 nominaciones en total
Francis B. Creamer Jr.
- The Minister
- (as Rev. Francis B. Creamer Jr.)
Jon-Erik Hexum
- Theater audience
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Okay,it recalls "Sleuth" (1972).Okay ,it borrows the first part from Clouzot's 'Les Diaboliques" .But forget "sleuth"and "Diaboliques" and you can enjoy this armchair thriller:after all,Sidney Lumet has always been fond of these stories which take place in an enclosed space,and from the very start of his career,"twelve angry man" ,but also "the hill" "murder on the orient express" and his towering achievement "dog day afternoon".And anyway it's based on a play by Ira Levin ("the Stepford wives" and of course the brilliant "Rosemary's baby") Besides,in his preface to Agatha Christie's plays ,Levin mentions Anthony Shaffer .And Michael Caine's presence makes us think of Mankiewicz's celebrated movie.
The main difference with "sleuth" lies in the fact that almost any social comment has disappeared:it's detective story for the sake of detective story.The actors overplay and their lines are a bit tongue-in-cheek (speaking of Reeve's character,Caine mumbles :"don't you think HE's one of them?)Actually,it's grand guignol,Punch and Judy all over the place and if you like the genre,you will not be disappointed. Reeve particularly proves he was much more than Superman.
The ending , on a stage ,is another nod to "sleuth" :the whole movie looks like a filmed stage production,but where's the problem?So did "twelve angry men".When Lumet comes back to "true" cinema,is he so convincing with the likes of "the firm"?
People who enjoy a murder mystery peppered with humor should see this.
The main difference with "sleuth" lies in the fact that almost any social comment has disappeared:it's detective story for the sake of detective story.The actors overplay and their lines are a bit tongue-in-cheek (speaking of Reeve's character,Caine mumbles :"don't you think HE's one of them?)Actually,it's grand guignol,Punch and Judy all over the place and if you like the genre,you will not be disappointed. Reeve particularly proves he was much more than Superman.
The ending , on a stage ,is another nod to "sleuth" :the whole movie looks like a filmed stage production,but where's the problem?So did "twelve angry men".When Lumet comes back to "true" cinema,is he so convincing with the likes of "the firm"?
People who enjoy a murder mystery peppered with humor should see this.
This film is criminally underrated. I love this film to pieces. It keeps you guessing to the very end and refuses to travel in a straight line at all times. If you havent seen this, watch it immediately.
As one reviewer said "It's hard to talk about this film without giving too much away" - and I do agree with this statement about the film. This is a movie one just has to simply watch for themselves because if you are told to much about the film then it would ruin the entire movie.
Is Deathtrap good? Yes it is a very good mystery dramedy (comedy-drama). It has it's comical moments but the film also has it's times of drama. If you like mysteries then you may enjoy this film.
Are you wanting a double feature? I would recommend this movie (Deathtrap) along with movies like: "Dead Men Don't Wear Plaid", "Clue", "Sleuth", or "Murder by Death".
8/10
Is Deathtrap good? Yes it is a very good mystery dramedy (comedy-drama). It has it's comical moments but the film also has it's times of drama. If you like mysteries then you may enjoy this film.
Are you wanting a double feature? I would recommend this movie (Deathtrap) along with movies like: "Dead Men Don't Wear Plaid", "Clue", "Sleuth", or "Murder by Death".
8/10
10konover
The comparison to Sleuth, the earlier stage-play-turned-film, is obvious and upon my first viewing I too thought Sleuth was better, but Deathtrap has, at least for me, many more repeat viewings in it than Sleuth.
I purchased Deathrap in the bargain bin at Wal-Mart, figuring that it had Caine and the underrated Reeve and was worth the 6 bucks. It was one of the finest DVD purchases I could've picked up.
It's one of those best-kept-secrets that movie buffs always are always delighted to discover. And it's totally worth repeat viewings.
Though Laurence Olivier and Michael Caine turned in bravado performances in Sleuth, I was doubly impressed with Christopher Reeve as Clifford Anderson. Reeve, rightfully associated with his now legendary portrayal of Superman, stole the show in what should've been an Oscar worthy performance. I've always felt Reeve was a type-cast actor who didn't get much of a chance to shine outside of the Superman films and a few other flawed but entertaining films like Somewhere in Time, but this film shows that his potential was truly tapped and put to use, thank goodness.
I absolutely relished Michael Caine's performance. He was glib, deliciously manipulative and sadistic. And watching him work with Reeve and Dyan Cannon was an absolute pleasure. In fact, it was thanks to this movie that I got into a "Michael Caine phase" and started renting as much of his stuff as humanly possible.
As for Deathtrap, there's enough juicy dialogue in here to fill up its "memorable quotes" section. (Unfortunately, much of the dialogue would inherently spoil the immensely entertaining plot).
It's really, really hard to talk about the movie without spoiling important plot points that are infinitely more fun to discover on your own. Needless to say, it's a must-see. But for me, it was the greatest and most rewarding blind purchase of all time.
Repeat viewings are a must.
And it deserves to sit alongside Sleuth on your DVD shelf.
I'll leave you with this beautifully written quote from the film: "I wonder if it wouldn't be...well...just a trifle starry-eyed of me to enter into such a risky and exciting collaboration...where I could count on no sense of moral obligation...whatsoever."
I purchased Deathrap in the bargain bin at Wal-Mart, figuring that it had Caine and the underrated Reeve and was worth the 6 bucks. It was one of the finest DVD purchases I could've picked up.
It's one of those best-kept-secrets that movie buffs always are always delighted to discover. And it's totally worth repeat viewings.
Though Laurence Olivier and Michael Caine turned in bravado performances in Sleuth, I was doubly impressed with Christopher Reeve as Clifford Anderson. Reeve, rightfully associated with his now legendary portrayal of Superman, stole the show in what should've been an Oscar worthy performance. I've always felt Reeve was a type-cast actor who didn't get much of a chance to shine outside of the Superman films and a few other flawed but entertaining films like Somewhere in Time, but this film shows that his potential was truly tapped and put to use, thank goodness.
I absolutely relished Michael Caine's performance. He was glib, deliciously manipulative and sadistic. And watching him work with Reeve and Dyan Cannon was an absolute pleasure. In fact, it was thanks to this movie that I got into a "Michael Caine phase" and started renting as much of his stuff as humanly possible.
As for Deathtrap, there's enough juicy dialogue in here to fill up its "memorable quotes" section. (Unfortunately, much of the dialogue would inherently spoil the immensely entertaining plot).
It's really, really hard to talk about the movie without spoiling important plot points that are infinitely more fun to discover on your own. Needless to say, it's a must-see. But for me, it was the greatest and most rewarding blind purchase of all time.
Repeat viewings are a must.
And it deserves to sit alongside Sleuth on your DVD shelf.
I'll leave you with this beautifully written quote from the film: "I wonder if it wouldn't be...well...just a trifle starry-eyed of me to enter into such a risky and exciting collaboration...where I could count on no sense of moral obligation...whatsoever."
Playwright Sidney Bruhl (a wonderfully over-the-top Michael Caine) would kill for a hit play. Enter young wonder kid (a solid Reeve) who's just written such a play. Weave into this Bruhl's overly hysterical wife (superbly played by Cannon) and a German psychic (a very funny Irene Worth) and you've got yourself a wonderfully funny suspense flick.
While not up to "Sleuth" standards, "Deathtrap" is none the less a very capable, twist filled comical suspense ride based on a terrific play by Ira Levin. The performers are obviously having a field day with the material, with Caine in particular delivering top notch lines with gusto.
The film loses a bit of steam midway through and the ending is a lot less satisfying than the hilarious one in the original play but overall "Deathtrap" is solid, well acted and suspenseful fun.
While not up to "Sleuth" standards, "Deathtrap" is none the less a very capable, twist filled comical suspense ride based on a terrific play by Ira Levin. The performers are obviously having a field day with the material, with Caine in particular delivering top notch lines with gusto.
The film loses a bit of steam midway through and the ending is a lot less satisfying than the hilarious one in the original play but overall "Deathtrap" is solid, well acted and suspenseful fun.
¿Sabías que…?
- TriviaThe exteriors of the beautiful house of Sidney (Sir Michael Caine) and Myra Bruhl (Dyan Cannon) in this movie were portrayed by a home on Long Island, complete with its own windmill. It has since been bought by Robert Downey Jr.. Interiors of the house were filmed at the "Pathé" Studios in New York City's East Harlem. The stage scenes that bookend this movie were filmed at Music Box Theatre on 239 West 45th Street, New York City, where the original "Deathtrap" stage play the movie was based upon was still running. The play's set was used for the two theatrical stage sequences in this movie.
- ErroresWhen Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit.
- Citas
Myra Bruhl: Is it really that good?
Sidney Bruhl: I'll tell you how good it is. Even a gifted director couldn't hurt it.
- Créditos curiososMurderous weapons by Eoin Sprott.
- Versiones alternativasCBS added 4 minutes to this film for its 1986 network television premiere.
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- How long is Deathtrap?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,282,134
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,238,977
- 21 mar 1982
- Total a nivel mundial
- USD 19,282,134
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