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6.2/10
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Agrega una trama en tu idiomaA down-and-out American boxer becomes involved in a feud between two Japanese brothers.A down-and-out American boxer becomes involved in a feud between two Japanese brothers.A down-and-out American boxer becomes involved in a feud between two Japanese brothers.
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A down-and-out American boxer (Scott Glenn) becomes involved in a feud between two Japanese brothers.
This is one of those hidden gems you never hear about. A great blend of American and Japanese cinema, some action and some grit. The film really ought to be a cult classic, and yet I feel like very few people have ever heard of it. Most surprising to me is how the film did not seem to get a bump after the Netflix series "Daredevil" took off. In some ways, Scott Glenn's character on that show is very much a continuation of his character here.
Thanks to Kino, the film is available on Blu-ray though it does not seem to have any features. That is too bad. I am always ready for an audio commentary.
This is one of those hidden gems you never hear about. A great blend of American and Japanese cinema, some action and some grit. The film really ought to be a cult classic, and yet I feel like very few people have ever heard of it. Most surprising to me is how the film did not seem to get a bump after the Netflix series "Daredevil" took off. In some ways, Scott Glenn's character on that show is very much a continuation of his character here.
Thanks to Kino, the film is available on Blu-ray though it does not seem to have any features. That is too bad. I am always ready for an audio commentary.
Geez, I kinda like this one. It's an interesting look at Japanese culture from an outsider's viewpoint (compare it to The Hunted, with Christopher Lambert and Joan Chen). It makes good use of the same hotel as the one used for the Tyrell Corporation in Blade Runner, and the office/swordfight at the end is a hoot as Scott Glenn turns mere office equipment into deadly kung fu weaponry! Glenn's always worth seeing, even in this, one of his earlier works.
This action film from 1982 is pretty long in running time but the film is interesting and it is skillfully directed. (Sword)fighting scenes are great but not as great as in Hong Kong or Japan films.
Scott Glenn plays an American boxer who is thrown in the middle of a fight for two old swords. Two men who are enemies want the swords and Glenn has to decide on whose side he is..
This is not a classic but definitely not a bad film especially for fans of this kind of films. Action scenes and training scenes are great and Glenn is okay with his strong presence. He is great in Michael Mann's masterpiece The Keep, too.
6 out of ten and recommended to action fans only.
Scott Glenn plays an American boxer who is thrown in the middle of a fight for two old swords. Two men who are enemies want the swords and Glenn has to decide on whose side he is..
This is not a classic but definitely not a bad film especially for fans of this kind of films. Action scenes and training scenes are great and Glenn is okay with his strong presence. He is great in Michael Mann's masterpiece The Keep, too.
6 out of ten and recommended to action fans only.
Very interesting movie. Say it when I was much younger and remember vividly the live lobster eating part as well as the eels in Sake. Scott Glenn plays a very believable Gaijin blundering around in Japan. The Lead Actress (Donna Kei Benz) threw me for a bit. I suspected that she was not Japanese but the name leads me a bit to wonder. Looked very Filipino.
A very classic representation of action movies around that time. I do admit that is does do a bit more homage to the way things were like in Japan at the time. The Office complex was as I would envision the offices of the Zaibatsu of that era. Worth a bowl of popcorn!
A very classic representation of action movies around that time. I do admit that is does do a bit more homage to the way things were like in Japan at the time. The Office complex was as I would envision the offices of the Zaibatsu of that era. Worth a bowl of popcorn!
What seems to be just another "east meets west" actioner is given the John Frankenheimer treatment and comes up a winner. Scott Glenn is fantastic as a loser boxer recruited to help escort a priceless family heirloom back to Japan, and by the end o f the film he rediscovers his worth as a human being and man. Frankenheimer has always dealt extremely well with themes of "manliness" and this one is no exception. For a good companion piece, check out his even better "round-eye on the loose in Japan" flick THE YAKUZA.
¿Sabías que…?
- TriviaAccording to Scott Glenn, the original script was about a ruthless club fighter from California with no family and no real background who gets involved in bringing a sword to Japan, and through a lot of crazy adventures he winds up with a martial arts sensei. The core of the movie would have been about father and son finding each other from completely different cultures. After shooting started, Glenn became aware very quickly that all those character-driven scenes were either being cut or shortened to almost non-existence, and that he was doing a martial arts movie. Toshirô Mifune came to him and told him: "Look, this is what's happening. I'm disappointed, and I know you are, but this is what it is. So you can either have your heart broken every day, or you can use this experience as an opportunity to be spending an interesting time in Japan with me as your tour guide." Glenn accepted Mifune's offer.
- ErroresAfter Akiko disappears at the street festival, Rick runs into a guy with a walkie-talkie. As they're talking, people passing in the background look at the camera, duck, and run out of frame.
- Versiones alternativasThe movie was renamed "Sword of the Ninja" for the U.S. Television version shown and was drastically reedited by about ten minutes due to it's graphic violence (decapitations, gun play, etc.) It also features commercial interludes that go into a silver portrait that would stop the film where the commercial break would begin and then return to the film after the commercial with the same interlude fading back into the film. This version of the film has rarely been seen since the late 90's and has been shown it's original 108 min. uncut version on cable networks since then.
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- Wenn er in die Hölle will, laß ihn gehen
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- Total en EE. UU. y Canadá
- USD 2,977,706
- Total a nivel mundial
- USD 2,977,706
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