CALIFICACIÓN DE IMDb
6.5/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaPolice compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 6 nominaciones en total
Jean-Paul Comart
- Le Belge
- (as Jean-Paul Connart)
Tchéky Karyo
- Petrovic
- (as Tcheky Karyo)
Galia Salimo
- Sabrina - la prostituée
- (as Galia Dujardin)
Opiniones destacadas
A small time ex-con (Phillipe Leotard as Dede) and his prostitute girlfriend Nicole (Nathalie Baye) are relentlessly pressured by an aggressive and at time brutal police squad led by Mathias Palouzi (Richard Berry) to inform on the mob. Using any means necessary, playing one off against the other, humiliation, beatings, or threats, the couple is forced to become informants on underworld leader Roger Massina (Maurice Ronet). The love story is at the heart of the film, while the cops and crooks make up opposite ends, though they often employ similar means. Berry seems to flourish in the middle, beating up on Dede while playing a little softer with his girlfriend Nicole. A fast pace takes us whizzing through some great Paris locations, through a stagey looking though fairly impressive shootout on a crowded street, and several seedy dead end alleyways. Many of the underworld characterizations are terrific, and the classy soundtrack (especially the ending) is perfect for the mood.
...of a different Paris, different love story and images of cops. a precise and impressive film. for the portraits of characters. for the science to escape from cliches circle, for the inspired way to tell a dirty, insignificant, ordinary story, using each of its nuances in admirable manner. a woman. and her man. and the Police as the shark in the essence of relationship who could be normal. it is easy to define it as a film with a great cast , from Maurice Ronet and young Tcheky Karyo to Nathalie Baye. but the authentic star of film remains Phililipe Leotard, giving a dramatic performance. so, a revelation. at each new view. because it represents the realistic portrait of a world who seems, from so many (American) films, well known.
Set in the cobbled, mean streets of the Belleville quarter in París , it deals with a Police brigade led by Inspector Mathias : Richard Berry that compels a couple formed by a prostitute named Nicole : Natalie Baye and her pimp called Dede : Philippe Leotard . The latter on the outs with his gangster boss because of a quarrel over Nicole. The cops force to the crook to be an informer - or Balance in French language or Mule - by leaning on the prostitute he very much loves. As the police officers scramble for a substitute
deciding on Dede. As he must double-cross a dangerous gangster : Maurice Ronet and henchman : Tcheky Karyo.
A French thriller , nicknamed "Polar" , with all the usual requisites as betrayals , dispute , shootouts , car chases and lowlife infighting are delivered with great verbe , action-packed and well-paced . It results to be a decent thriller , but what really distinguishes this Polar is the enjoyable strength on the emotional front . Detailing equally a strong police corruption with cops scrambling for a replacement using nasty methods, as coercing and violence to put a heinous squeeze on the starring to be an informant. Develoving a complex intrigue in which loyalties become more and more crossed until treason is the only means to salvation . Main and support cast are pretty good . Philippe Leotard at last breaks his traditional acting to give us a superb interpretation as the racketeer pimp with a heart of glass , while Nathalie Baye is also top-notch as the Parisian streetwalker prostitute in distress. They are well accompanied by a fine French cast, such as : Richard Berry as tough police inspector, Maurice Ronet as mob boss , Tcheky Karyo as a ruthless hoodlum , Christopher Malavay, Francois Berleand, among others.
It contains an evocative and realist cinematogrphy of the French slums and police station by Bernard Zitzermann. The motion picture was well directed by a good craftsman called Bob Swain who has made a few agreeable films with nice casting as "Half Moon Street" with Michael Caine, Sigourney Weaver, "Masquerade" with Rob Lowe, Kim Cattrall , Atlantide, and "Climb" with John Hurt, Gregory Smith . Rating 6/10 . Acceptable and passable , it it will appeal to French thrillers aficionados .
A French thriller , nicknamed "Polar" , with all the usual requisites as betrayals , dispute , shootouts , car chases and lowlife infighting are delivered with great verbe , action-packed and well-paced . It results to be a decent thriller , but what really distinguishes this Polar is the enjoyable strength on the emotional front . Detailing equally a strong police corruption with cops scrambling for a replacement using nasty methods, as coercing and violence to put a heinous squeeze on the starring to be an informant. Develoving a complex intrigue in which loyalties become more and more crossed until treason is the only means to salvation . Main and support cast are pretty good . Philippe Leotard at last breaks his traditional acting to give us a superb interpretation as the racketeer pimp with a heart of glass , while Nathalie Baye is also top-notch as the Parisian streetwalker prostitute in distress. They are well accompanied by a fine French cast, such as : Richard Berry as tough police inspector, Maurice Ronet as mob boss , Tcheky Karyo as a ruthless hoodlum , Christopher Malavay, Francois Berleand, among others.
It contains an evocative and realist cinematogrphy of the French slums and police station by Bernard Zitzermann. The motion picture was well directed by a good craftsman called Bob Swain who has made a few agreeable films with nice casting as "Half Moon Street" with Michael Caine, Sigourney Weaver, "Masquerade" with Rob Lowe, Kim Cattrall , Atlantide, and "Climb" with John Hurt, Gregory Smith . Rating 6/10 . Acceptable and passable , it it will appeal to French thrillers aficionados .
I knew I was in for a treat when the crunchy new wave title track for "La balance" started playing, and the next 100 minutes didn't disappoint. I'm accustomed to French crime movies with a bit of an arty or philosophical bent, but this one is all pulp, all action. Proudly wearing its influences on its sleeve with several references to Steve McQueen, this will greatly appeal to fans of movies like "Bullitt" and "The French Connection." It must be said that the cops here are seriously ethically dubious: they're misogynistic, xenophobic and constantly pushing the limits of legality to get their man, but these aspects are presented matter-of-factly rather than in a purely glamorizing light.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
Somewhat in the tradition of literary realism, this is a police story with much drama and a hint of tragedy. When the determined police officer Palouzi (Berry)decides to get the mob boss in his district by replacing a blown up informer, his choice is a hooker, Nicole (N. Baye) and her pimp, Dédé (P. Léotard). Both are rather humane, likable and loyal to each other. Perhaps a bit of a cliché in the character Nicole. Palouzi will put ruthless pressure on them to get their reluctant collaboration. Given this scenario, things will be necessarily difficult for them. Very good performances of Berry, Baye and Léotard, and some violence scenes well staged and played. Interesting denouement with somewhat ambiguous (to me) ending. The character of the efficient, driven and street-wise officer Palouzi has interest and psychological depth. Maybe he will be devious and tough to make Nicole and Dédé to play his game, but also maybe he will try to keep them out of harm's way, if possible. In sum, no clear-cut heroes and villains, good story and script, good actors, intense action, credible ambiance, with some interesting characters.
¿Sabías que…?
- TriviaThis film is the second French crime movie made by an American director after RIFIFI, back in 1953, and directed by Jules Dassin.
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- How long is La balance?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 43 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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