CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Un joven vaquero se relaciona con un legendario forajido, y al poco tiempo ambos están huyendo de la ley.Un joven vaquero se relaciona con un legendario forajido, y al poco tiempo ambos están huyendo de la ley.Un joven vaquero se relaciona con un legendario forajido, y al poco tiempo ambos están huyendo de la ley.
- Dirección
- Guionista
- Elenco
Alma Martinez
- Juanita
- (as Alma Martínez)
Roberto Contreras
- Cantina Owner
- (as Luis Contreras)
Sonia de León
- Old Prostitute
- (as Sonia DeLeon)
Joanelle Romero
- Young Prostitute
- (as Joannelle Nadine Romero)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
We've have seen all of the formula Westerns; evil cattle baron, reformed gunslinger, alcoholic sheriff,damsel in distress, kind but shrewd gambler. It goes on and on. How about real history-like the way Texas was in the 19th century. It was a center of lawlessness and the golden rule, "them that has the gold makes the rules" more interesting than any screen writer could imagine. How about this? Gary Busey playing a second generation German American farm boy being pursued by Old World family members to avenge a death. Ironically, he teams up with Willie Nelson to escape his executioners only to find that Willy is being pursued by Mexicans who call him "Barbarosa".
Busey is excellent as the farm boy and Nelson just plays himself in this unique Western that appears to utilize great scenery to include authentic 19th century farmhouses and a great plot. Gilbert Roland, in a classic supporting role, plays the elder of the Mexicans who utilizes his respect in the Mexican community to whip up hatred towards "Barbarosa".
This acknowledges that Texas, like the rest of the U.S., was formed and shaped by many ethnic groups. A great movie and entertainment.
Busey is excellent as the farm boy and Nelson just plays himself in this unique Western that appears to utilize great scenery to include authentic 19th century farmhouses and a great plot. Gilbert Roland, in a classic supporting role, plays the elder of the Mexicans who utilizes his respect in the Mexican community to whip up hatred towards "Barbarosa".
This acknowledges that Texas, like the rest of the U.S., was formed and shaped by many ethnic groups. A great movie and entertainment.
Back when this film came out (1982), a friend told me it was no good, Willie Nelson can't act, blah, blah, blah. I took that at face value, and blew the film off. Well, 22 years later, 'Barbarosa' is on cable on American Movie Classics on a hot July afternoon, there isn't nothing' else on, so I say, okay, I'll give it fifteen minutes to get my attention.
Well, I gotta say, 'Barbarosa just BLEW ME AWAY!
I am Texan born and bred, and have done a fair amount of inquiry into old Texas lore, and this film is just SO RIGHT in so many details. In recent films like 'Cold Mountain', 'Open Range', and 'The Missing', it is much in vogue to get the 19th century period details exactly right. Well, 'Barbrosa' knocked that ball out of the park 22 years ago!
The basic feel of the old Texas homesteads and the horse race and barbecue, they still existed much like that out in West Texas when I was a kid.
The basic plot line is about two converging family blood feuds, one Spanish, the other German American, that is so TOTALLY authentic for this period! Also, the Big Bend scenics are superb!
While some may question Willie's talent for treading the boards, he has no problemo playing himself, and doesn't miss a beat. Gary Busey is one of my favorite actors, despite a habit of making tons of low budget el crappo films. He is at the top of his game in 'Barbarosa'.
While the film does have it's quirky moments, it is basically believable, and some of those old-timers were indeed quirky.
(Warning! As for eating armadillos, don't try this at home! They CAN carry leprosy.) My only beef is that the musical score didn't always seem to match the dramatic action, the music is wry and whimsical at the wrong time, possibly aping some spaghetti Western, but is fine when it sticks to Spanish guitar.
Some have labeled 'Barbarosa' a spaghetti Western. I don't agree, though it may seem so in the historical sequence of film-making. This was a successful attempt to make an authentically period Texas border film, by folks who knew what they are doing.
Some find the gunplay subdued and 'unrealistic', but 'Barbarosa' rightly shows the reality of old west killing where setting up the bushwhack and sniffing the ambush were far more decisive than actually pulling of the trigger.
In the old man's tale, you learn that Barbarosa was originally a Texas Ranger, who were often called los diablo's (the devils) by border Mexicans. This was a REAL legend, indeed a reality, down on the border.
Well, I gotta say, 'Barbarosa just BLEW ME AWAY!
I am Texan born and bred, and have done a fair amount of inquiry into old Texas lore, and this film is just SO RIGHT in so many details. In recent films like 'Cold Mountain', 'Open Range', and 'The Missing', it is much in vogue to get the 19th century period details exactly right. Well, 'Barbrosa' knocked that ball out of the park 22 years ago!
The basic feel of the old Texas homesteads and the horse race and barbecue, they still existed much like that out in West Texas when I was a kid.
The basic plot line is about two converging family blood feuds, one Spanish, the other German American, that is so TOTALLY authentic for this period! Also, the Big Bend scenics are superb!
While some may question Willie's talent for treading the boards, he has no problemo playing himself, and doesn't miss a beat. Gary Busey is one of my favorite actors, despite a habit of making tons of low budget el crappo films. He is at the top of his game in 'Barbarosa'.
While the film does have it's quirky moments, it is basically believable, and some of those old-timers were indeed quirky.
(Warning! As for eating armadillos, don't try this at home! They CAN carry leprosy.) My only beef is that the musical score didn't always seem to match the dramatic action, the music is wry and whimsical at the wrong time, possibly aping some spaghetti Western, but is fine when it sticks to Spanish guitar.
Some have labeled 'Barbarosa' a spaghetti Western. I don't agree, though it may seem so in the historical sequence of film-making. This was a successful attempt to make an authentically period Texas border film, by folks who knew what they are doing.
Some find the gunplay subdued and 'unrealistic', but 'Barbarosa' rightly shows the reality of old west killing where setting up the bushwhack and sniffing the ambush were far more decisive than actually pulling of the trigger.
In the old man's tale, you learn that Barbarosa was originally a Texas Ranger, who were often called los diablo's (the devils) by border Mexicans. This was a REAL legend, indeed a reality, down on the border.
After accidentally killing his brother-in-law in a fight a young farmer by the name of "Kurt Westover" (Gary Busey) rides away from his small German immigrant village in Texas and heads for the Mexican border in an effort to escape the vengeance of his father-in-law "Herman Pahmeyer" (George Voskovec) and his other two sons "Otto Pahmeyer" (Kai Wulff) and "Floyd Pahmeyer" (Wolf Muser). However, not being used to the life of a fugitive, Kurt soon finds himself out of his element and it's then that he meets a notorious outlaw by the name of "Barbarosa" (Willie Nelson) who reluctantly takes him under his wing and teaches him how to survive against both nature and ruthless people in general. It's also during this time that it's revealed that Barbarosa has met a similar situation with his father-in-law "Don Braulio Zavala" (Gilbert Roland) who has also sent family members after him to avenge the murder of two of his sons as well. But what neither Don Braulio nor Herman Pahmeyer realize is that-based on the mutual support of their two intended targets--gaining their revenge is going to be even more difficult from that point on. Now rather than reveal any more I will just say that this turned out to be a surprisingly better film than I initially realized due in large part to the acting of Willie Nelson who seemed quite suitable for his specific role. Admittedly, a couple of the scenes could have used a bit more substance here and there but all things considered I found this to be an enjoyable film for the most part and I have rated it accordingly. Slightly above average.
I've seen this movie several times over the years, since it first came out on VHS. All of the people in and behind this movie should do more movies like this, again...Schepisi has the confidence to let this story tell itself at its in own pace. Although the plot may seem to skip over key details, I really feel that Schepisi was only trusting in the audience's intelligence and ability to piece the puzzle together. The way he presents the different approaches of the families' blood rivalries is particularly subtle . Busey is amazingly lively. Nelson and Roland each have great screen presences, are good throughout, but particularly in their one scene together. I enjoy this movie everytime I see it.
The title role of Barbarosa is played by Willie Nelson and he's a former Texas Ranger turned outlaw who's on the run from his various crimes and from his in-laws who don't like him very much. They resent this Anglo marrying into their family and family patriarch Gilbert Roland got his leg shot off while trying to break up that marriage. He's lost several other family members in trying to kill Nelson to avenge that.
But Nelson picks up Gary Busey a farm kid on the run from a feud himself because he accidentally killed his brother-in-law. Busey takes up with Nelson and his outlaw ways and the two become an amiable pair.
Judging by the other reviewers Barbarosa seems to have a bit of a following. I wouldn't call it great by any means, still it's certainly entertaining enough for the discriminating western fans.
Barbarosa's significance to me is that it is the farewell performance of Gilbert Roland whose career went back six decades into the silent era when he was touted as a would be Valentino successor. His career never quite fit that mold, but he was always a favorite of mine. The part as the family patriarch is not the usual carefree, but tough Gilbert that we usually see. He's an understandably bitter man in this film and it was a good performance to go out on.
Western fans won't mind this one and Nelson and Busey have a nice chemistry between them.
But Nelson picks up Gary Busey a farm kid on the run from a feud himself because he accidentally killed his brother-in-law. Busey takes up with Nelson and his outlaw ways and the two become an amiable pair.
Judging by the other reviewers Barbarosa seems to have a bit of a following. I wouldn't call it great by any means, still it's certainly entertaining enough for the discriminating western fans.
Barbarosa's significance to me is that it is the farewell performance of Gilbert Roland whose career went back six decades into the silent era when he was touted as a would be Valentino successor. His career never quite fit that mold, but he was always a favorite of mine. The part as the family patriarch is not the usual carefree, but tough Gilbert that we usually see. He's an understandably bitter man in this film and it was a good performance to go out on.
Western fans won't mind this one and Nelson and Busey have a nice chemistry between them.
¿Sabías que…?
- TriviaThe production camp was in a little known western Texan backwater township of Latijas which had a population of around only twelve people. The Texas town was a former desert trading post stop and was General "Black Jack" Pershing's headquarters during military campaign fighting against the Mexican revolutionary Pancho Villa. The production shoot in Latijas went for four weeks. That's Lajitas, TX.
- ErroresThere is no tractor pulling something as the horse racers round the home stretch. It is clearly a wagon pulled by horses. They actually did a good job of having it in the background in the three quick shots that showed the racers.
- ConexionesEdited into Voskovec & Werich - paralelní osudy (2012)
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- How long is Barbarosa?Con tecnología de Alexa
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Detalles
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,736,123
- Fin de semana de estreno en EE. UU. y Canadá
- USD 285,312
- 21 feb 1982
- Total a nivel mundial
- USD 1,736,123
- Tiempo de ejecución1 hora 30 minutos
- Relación de aspecto
- 2.35 : 1
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