CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Un policía de Nueva York investiga una serie de brutales fallecimientos que parecen ser obra de ataques de animales.Un policía de Nueva York investiga una serie de brutales fallecimientos que parecen ser obra de ataques de animales.Un policía de Nueva York investiga una serie de brutales fallecimientos que parecen ser obra de ataques de animales.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 5 nominaciones en total
Reginald VelJohnson
- Morgue Attendant
- (as Reginald Vel Johnson)
Opiniones destacadas
I first saw this in the late 80s on a vhs. Found it to be a lil dull then but after revisiting few days back I found it to b a very different take on the wolf genre with theme of ecological imbalances n deforestation.
The movie suffered cos it released in the same year as The Howling and An American Werewolf in London.
While the latter two became very famous werewolves flicks, Wolfen became an obscured one.
Wolfen also lacked the transformation scenes.
The plot - A rich man, his wife n their tall n heavy built chauffeur r killed in a gruesome manner. The driver has his hand severed before he can shoot.
A burnt out detective (Albert Finney) is called in to investigate along with a female reporter.
Forensic evidence points towards wolf species but authorities r suspicious with a terrorist organisation n our detective gets curious with Native American theories on shapeshifting creatures.
The director being a cinematographer, some scenes r shown thru the pov of the creatures with mounting tension.
There is a very lousy voyeuristic sex scene again thru the pov of the creatures.
The film does get a lil tensed towards the ending with the revelations n a decapitation scene.
Werewolf movies were big in the early 80's and this is one of the good ones. This horror/thriller has striking cinematography and sound, fine direction, and a good script, and very good Special Effects.
A series of seemingly unrelated murders are being committed in New York City, from the penthouses of the super-rich, to the bombed out appearing South Bronx. Burned out detective Dewey Wilson (Finney) and terrorism expert Rebecca Neff (Venora) are brought in to solve the case. Coroner Whittington (Hines) finds a common thread.
Wolfen is one of the rare cases where lots of people working on one element improved the film, instead of hurting it. Four people are credited with the photography, six for the script, and eleven people worked on the Visual Effects. James Horner did the score for the film; a theme heard in another film he scored can be heard here, in an understated form.
Finney is good as the burned out detective. Venora isn't believable as a terrorism expert, but very believable as someone who doesn't have the sense to stay away from odd noises in the South Bronx. Hines is cynically funny as the coroner.
"Wolfen"is strong on technique, fair on acting. I'd recommend it.
A series of seemingly unrelated murders are being committed in New York City, from the penthouses of the super-rich, to the bombed out appearing South Bronx. Burned out detective Dewey Wilson (Finney) and terrorism expert Rebecca Neff (Venora) are brought in to solve the case. Coroner Whittington (Hines) finds a common thread.
Wolfen is one of the rare cases where lots of people working on one element improved the film, instead of hurting it. Four people are credited with the photography, six for the script, and eleven people worked on the Visual Effects. James Horner did the score for the film; a theme heard in another film he scored can be heard here, in an understated form.
Finney is good as the burned out detective. Venora isn't believable as a terrorism expert, but very believable as someone who doesn't have the sense to stay away from odd noises in the South Bronx. Hines is cynically funny as the coroner.
"Wolfen"is strong on technique, fair on acting. I'd recommend it.
Unusual film that takes a very different path from the traditional werewolf movie. Low budget in feel, which is good, this starts incredibly well with horror, gore and bewilderment. The use of the negative image when we see through the eyes of the wolves is great, its less plastic than ordinary SFX and far more realistic than CGI, its also cheap (I've used it myself!) but the best thing about it is that it is literally an inversion of reality, which is just what you want here. Finney is fine but maybe should have been encouraged to put a little more effort in. As for his co-star, Diane Venora, in her first film, her lack of presence is worrying. I guess first time director (apart from Woodstock work) Michael Wadleigh was not used to getting the best out of his actors and indeed never made another film. Not to take away from this little gem though, not perfect by any means but different enough and occasionally startling enough to make at least one viewing essential.
"They can hear a cloud pass overhead, the rhythm of your blood. They can track you by yesterday's shadow. And they can tear the scream from your throat. There is no defense." I love it when you can tell a movie is gonna be great just from it's tagline. Wolfen is one of the most thoroughly underrated films of the 80's if not film history. From moment one with it's dreamy, monochromatic, animalistic tracking shots Wolfen sets itself up as a different kind of werewolf film. With Wolfen you get three movies in one a Dirty Harry-esquire cop investigation movie with Albert Finney and Gregory Harrison turning in fine performances as the ones investigating. A graphically intense horror film, with a menacingly sadistic, creepily cool performance from Edward James Olmos and of course the barely there "Wolfen" creatures. Lastly you get a statement on environmental issues and the hierarchy of society. Tom Noonan in his pre-Manhunter existence gives the movie a touch of class as an animal lover who wants to study the "Wolfen." If you're expecting a comedic werewolf movie such as "The Howling" or "An American Werewolf in London" this film isn't for you. But if you want a great suspense mystery, with dazzling visuals and one of the greatest endings in history check Wolfen out.
When a famous tycoon, his wife, and his bodyguard are brutally murdered in Battery Park, a cynical detective (Albert Finney) is assigned to the case. With help from a police psychologist (Diane Venora), a colorful coroner (Gregory Hines), and a weirdo zoologist (Tom Noonan), his investigation leads him to suspect a Native American connection to the killings.
A great thriller with horror overtones that's a different kind of werewolf film than any other (certainly at the time of release). Many argue it isn't really a werewolf film at all. I can see why they'd say that but I think it obviously counts as one. The film is directed by Michael Wadleigh, whose only other directorial effort was the Woodstock documentary. It's a shame he didn't do more because he does show a good deal of talent here. Predator fans will notice this movie uses a similar visual technique for the wolves' point of view, including similar sound effects, years before the first Predator movie. The cast is excellent and the script is pretty good, if a little packed. Nice cinematography from Gerry Fisher and use of actual Bronx locations helps in creating a fine atmosphere. It's a very interesting film that tackles a number of subjects (probably too many). Monster movie fans might balk at the lack of any "wolf men," but the strength of the movie is not in its special effects or gore, but in its story and how it's presented. Keep an open mind and give it a shot and I'm sure you'll find something to like about Wolfen. I've seen it a few times now and each time it gets better.
A great thriller with horror overtones that's a different kind of werewolf film than any other (certainly at the time of release). Many argue it isn't really a werewolf film at all. I can see why they'd say that but I think it obviously counts as one. The film is directed by Michael Wadleigh, whose only other directorial effort was the Woodstock documentary. It's a shame he didn't do more because he does show a good deal of talent here. Predator fans will notice this movie uses a similar visual technique for the wolves' point of view, including similar sound effects, years before the first Predator movie. The cast is excellent and the script is pretty good, if a little packed. Nice cinematography from Gerry Fisher and use of actual Bronx locations helps in creating a fine atmosphere. It's a very interesting film that tackles a number of subjects (probably too many). Monster movie fans might balk at the lack of any "wolf men," but the strength of the movie is not in its special effects or gore, but in its story and how it's presented. Keep an open mind and give it a shot and I'm sure you'll find something to like about Wolfen. I've seen it a few times now and each time it gets better.
¿Sabías que…?
- TriviaComposer Craig Safan wrote an original score for this film and was replaced at the last minute by future Academy Award winner James Horner, who had only 12 days to write and record his score.
- ErroresMoments before the first murder, the killers stalk their victim (using the "night vision" effect) and pass behind a parked car, revealing the reflection of a bright sunny day in the rear hood of the car when it is supposedly taking place at night.
- Citas
Edddie Holt: It's not wolves, it's Wolfen. For 20,000 years Wilson- ten times your fucking Christian era- the 'skins and wolves, the great hunting nations, lived together, nature in balance. Then the slaughter came.
- Versiones alternativasA cameo (about 15 seconds) by Tom Waits as a bar owner playing the piano and singing his song "Jitterbug Boy" was included in theatrical prints and early TV versions, but had to be removed from the film for video and DVD releases due to copyright reasons.
- ConexionesFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
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- How long is Wolfen?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Wolfen: lobos
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 17,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,626,725
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,037,911
- 26 jul 1981
- Total a nivel mundial
- USD 10,626,725
- Tiempo de ejecución1 hora 55 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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