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5.3/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThree female reporters find themselves staying overnight in a house occupied by a hostile being that lurks in the basement.Three female reporters find themselves staying overnight in a house occupied by a hostile being that lurks in the basement.Three female reporters find themselves staying overnight in a house occupied by a hostile being that lurks in the basement.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
"The Unseen" has Barbara Bach as one of three female Los Angeles news reporters who are in Northern California to cover a local festival. They end up boarding at an old farmhouse after finding all the hotels in town to be booked, and each individually come face-to-face with a sinister presence lurking in the basement of the home.
Given the credentials of its makers, one would think that "The Unseen" would excel as a genre picture— an early directing credit of cult filmmaker Danny Steinmann, director of "Savage Streets" and "Friday the 13th: A New Beginning," it was also co-written by Kim "Texas Chain Saw Massacre" Henkel, and even featured crew members fresh off of John Carpenter's "Halloween." What could possibly go wrong, right? Well, sort of.
"The Unseen" is a visually appealing film; the cinematography is slick and there is a fair amount of atmosphere here (never mind the overuse of slow-motion shots at peak suspense sequences); it does have a fair share of problems though. Not only is is it staggeringly predictable, but it's also incredibly dull for the first hour. Mind, this is not a body count film by any means, but what it lacks in visual carnage, it fails to make up for in adequate suspense.
There are two key scenes that occur in the film's first hour that kept me drawn in, and they are admittedly well-executed. That's really all to be had here though. Family hysterics abound as the loopy couple who own the farmhouse exhibit their own neuroses, and the familial drama reaches its peak point in the film's goofy climax where the "unseen"'s true identity is revealed (not to much surprise). The film is in many ways similar to Denny Harris' "The Silent Scream," which was made the same year— they share very similar tonal elements, and also complement each other in terms of architectural dwellings of the villains; "The Unseen" lurks in the basement, while the villain in "The Silent Scream" resides in a secret attic. They actually would make a fantastic double feature, though "Silent Scream" is a bit more engaging of a film.
The performances here are actually decent, though Barbara Bach is lacking in the emotive department; she does make up for this though with a great performance during the finale sequences, letting some impressive screams loose. Stephen Furst deserves attention for a disturbing turn as the "unseen," and Sydney Lassick and Lelia Goldoni are madcap mad and wildly hysterical, respectively.
Overall, "The Unseen" is a decent offering from the genre, but doesn't seem to know whether it wants to be a suspense film or a slasher film. Its victim list is far too short to qualify it as a slasher picture, but it lacks the cohesive tension of a suspense film. What we end up with is a dull and ultimately predictable horror flick that is just enough to be slightly memorable, but not enough to truly stand out. There are some well-played sequences and a decent climax, but the majority of the picture is too plodding to truly engage with. 5/10.
Given the credentials of its makers, one would think that "The Unseen" would excel as a genre picture— an early directing credit of cult filmmaker Danny Steinmann, director of "Savage Streets" and "Friday the 13th: A New Beginning," it was also co-written by Kim "Texas Chain Saw Massacre" Henkel, and even featured crew members fresh off of John Carpenter's "Halloween." What could possibly go wrong, right? Well, sort of.
"The Unseen" is a visually appealing film; the cinematography is slick and there is a fair amount of atmosphere here (never mind the overuse of slow-motion shots at peak suspense sequences); it does have a fair share of problems though. Not only is is it staggeringly predictable, but it's also incredibly dull for the first hour. Mind, this is not a body count film by any means, but what it lacks in visual carnage, it fails to make up for in adequate suspense.
There are two key scenes that occur in the film's first hour that kept me drawn in, and they are admittedly well-executed. That's really all to be had here though. Family hysterics abound as the loopy couple who own the farmhouse exhibit their own neuroses, and the familial drama reaches its peak point in the film's goofy climax where the "unseen"'s true identity is revealed (not to much surprise). The film is in many ways similar to Denny Harris' "The Silent Scream," which was made the same year— they share very similar tonal elements, and also complement each other in terms of architectural dwellings of the villains; "The Unseen" lurks in the basement, while the villain in "The Silent Scream" resides in a secret attic. They actually would make a fantastic double feature, though "Silent Scream" is a bit more engaging of a film.
The performances here are actually decent, though Barbara Bach is lacking in the emotive department; she does make up for this though with a great performance during the finale sequences, letting some impressive screams loose. Stephen Furst deserves attention for a disturbing turn as the "unseen," and Sydney Lassick and Lelia Goldoni are madcap mad and wildly hysterical, respectively.
Overall, "The Unseen" is a decent offering from the genre, but doesn't seem to know whether it wants to be a suspense film or a slasher film. Its victim list is far too short to qualify it as a slasher picture, but it lacks the cohesive tension of a suspense film. What we end up with is a dull and ultimately predictable horror flick that is just enough to be slightly memorable, but not enough to truly stand out. There are some well-played sequences and a decent climax, but the majority of the picture is too plodding to truly engage with. 5/10.
This scared the hell out of me when i was a teenager. Now I find it more amusing than scary, but with some pretty unsettling moments and with a kind of sleazy quality to it that I like. And, come to think of it, the plot is rather disgusting actually...but handled with some kind of taste. If there is a problem with this movie, it is that there are HUGE gaps where nothing exciting or interesting happens. Also, the ending goes on forever, making a potentially tense climax seem silly after a while with Barbara Bach screaming and screaming. The "monster", after it is exposed, isn't very scary either unfortunately. The somewhat drab look of the movie also works against it, making it appear as a TV-movie more than something made for theaters. But it is an example of films that are rarely made nowadays so I urge horror fans to watch it and feel a bit nostalgic...
This is not a film for the typical horror fan; this movie appeals to those who enjoy a little mental disturbance with their terror. Or even a laugh or two. I can't believe they didn't know that it was funny to watch Stephn Furst acting like a mentally challenged mutant monster, ala "The Goonies," it HAD to be intentional, and as such I applaud the filmmakers!
The story is about something horrible in the basement and Barbara Bach finds out what it is, after the usual set-up story points. There's little more to it than that. The reason to seek this film out is if you are a lover of mutants and like a little madness in your scary movies.
Otherwise, stick to something more safe and traditional.
The story is about something horrible in the basement and Barbara Bach finds out what it is, after the usual set-up story points. There's little more to it than that. The reason to seek this film out is if you are a lover of mutants and like a little madness in your scary movies.
Otherwise, stick to something more safe and traditional.
This starts off with an incredibly unsettling atmosphere and quickly dives into a smorgasbord of perversity before ending on a balls-out, insane final act.
I'm honestly pissed that I'd never heard of this one before today. If you enjoy your horror a little more on the depraved side, do yourself a favor and watch this flick. You won't be disappointed.
I'm honestly pissed that I'd never heard of this one before today. If you enjoy your horror a little more on the depraved side, do yourself a favor and watch this flick. You won't be disappointed.
Freelance reporter Jennifer (Barbara Bach)and her friends Vicki (Lois Young) and Karen (Karen Lamm) come visit a farmhouse owned by a shady museum owner. Little do they know is that there is something living underneath the house-and it's not very nice.
Director Danny ("Savage Streets", "Friday the 13th V") Steinmann and co-writer Kim ("The Texas Chainsaw Massacre") Henkel give you "The Unseen", a little known but watchable early 80's horror tale that has garnered something of a cult following. On one hand, it's easy to see why-Henkel and Steinmann's involvement is hard to ignore, though it's reliance on eerie, Gothic scares instead of gore (quite different from the slasher movies of the time), a plot that's part "Texas Chainsaw" and part "Psycho", some impressive atmosphere, and creepy score are all factors that work-well, for the most part.
The acting unfortunately, isn't that stellar, particularly Bach, who in spite of being in some great movies, is far from interesting here. The biggest problem though, is the third act, which just feels like the writer and director ran out of ideas in the last minute. While Stephen ("Animal House") Furst is good as the disfigured monster, his character isn't that scary, and feels a bit underdeveloped, as do other characters.
"The Unseen" is a decent but hardly perfect forgotten 80's horror flick that would make a nice watch on a rainy weekend afternoon, and would also make a nice double bill with Jeff Lieberman's underrated "Just Before Dawn." If you want to see it, then get it on DVD, though I doubt that it really deserves the 2-Disc treatment Code Red has given it.
Director Danny ("Savage Streets", "Friday the 13th V") Steinmann and co-writer Kim ("The Texas Chainsaw Massacre") Henkel give you "The Unseen", a little known but watchable early 80's horror tale that has garnered something of a cult following. On one hand, it's easy to see why-Henkel and Steinmann's involvement is hard to ignore, though it's reliance on eerie, Gothic scares instead of gore (quite different from the slasher movies of the time), a plot that's part "Texas Chainsaw" and part "Psycho", some impressive atmosphere, and creepy score are all factors that work-well, for the most part.
The acting unfortunately, isn't that stellar, particularly Bach, who in spite of being in some great movies, is far from interesting here. The biggest problem though, is the third act, which just feels like the writer and director ran out of ideas in the last minute. While Stephen ("Animal House") Furst is good as the disfigured monster, his character isn't that scary, and feels a bit underdeveloped, as do other characters.
"The Unseen" is a decent but hardly perfect forgotten 80's horror flick that would make a nice watch on a rainy weekend afternoon, and would also make a nice double bill with Jeff Lieberman's underrated "Just Before Dawn." If you want to see it, then get it on DVD, though I doubt that it really deserves the 2-Disc treatment Code Red has given it.
¿Sabías que…?
- TriviaDirector Danny Steinmann was upset with the final cut of the film because it missed most of the major scares. He had his name removed from the movie and was credited under the pseudonym "Peter Foleg".
- ErroresWhen Jennifer dislodges the power box, it short circuits and begins arcing over several inches. However, regular household power is 110/220 volts (the 220 being two independent 110-volt feeds). Under normal conditions, it takes approximately 1000 volts to arc one inch. Therefore, the voltage on the power box would have to be around 3-4000 volts in order to arc that far. Household power does not have the voltage necessary to produce a 3 to 4-inch arc.
- Citas
Ernest Keller: I wonder what Junior's fate would be... I wonder... Seems obvious to me, my dear, they would not treat him so kindly. He would suffer greatly.
- ConexionesFeatured in The Unseen: Interview with Make-up Effects Artist Craig Reardon (2008)
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