CALIFICACIÓN DE IMDb
7.3/10
2.9 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.The intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.The intertwined lives of three generations of musicians and dancers from Russia, Germany, France and the U.S., from before World War II through the war and the Holocaust, to the 1980s.
- Premios
- 1 premio ganado y 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Wow. I had seen a pared-down version of this amazing film when it was called BOLERO a decade or two back. Now that I have seen the uncut film, I'm in awe. As I grow older I seem to appreciate Claude Lelouch more and more. This one may be his masterpiece. Weaving together three generations and four families (German, French, American and Russian), the writer/director manages to run the gamut from wildly romantic to elegantly subdued (note the distanced reconciliation scene between mother and son late in the film) offering up whatever is called for at a given moment. Music is paramount to this movie--it is ever-present and holds the diverse threads together. The cast is amazing, too. What a coup. This is the kind of film I'll recommend to everyone, and now that it is out on DVD, movie lovers are all the luckier for it.
Just viewed this movie on a DVD from Netflix. This movie is what a motion picture can be in the hands of an intelligent and talented director.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
I happened to be in Paris when this film was released. I was able to see it three times in 2 weeks at a theater who did English Subtitles. What an incredible movie. Unfortunately, it was released within months of Blake Edwards "10" which also used "Bolero" as it's main theme and that movie went over big time in the US, so distributors had a problem getting this film out. I wish they would re-release it. The thing I enjoy the most about it is the director's multiple uses of the actors. Many play their characters children and grandchildren. It is also an incredible look at a time when the world was trying to blow each other up and it shows that people everywhere just want the same things. A brilliant film.
10tj-moore
I am a professional musician. This film, in VHS, was presented to me by friends after my comments on the music I listened to on a cassette tape. I do not know how they did it as we were living in Southern Mexico at the time. I thank them profusely. All the music and, that dance at the end, is just simply outstanding. I do not know how any music lover could ever lessen a 10+ rating. I hope to find it on DVD someday. My two VHS tapes are good but what a blast it would be on DVD. The cast includes some great actors who seem to actually perform their musical parts. I get emotional with the story line, particularly the return of James Cahn to his Sarah. I recommend this to all.
10ericibe
I may not remember everything, but this film has been on my mind since I saw it 23 years ago. I was in high school in a small town in Iowa. One of our band directors had a large collection of film on tape and laser disc. He would have movie parties for kids he taught. I showed an interest in film and he would screen some films I would have otherwise never have seen. I remember watching Bolero. (I do not think I knew it was known by any other name) I was in absolute awe of this film. The music, the story, the pacing - everything you couldn't get from popular American films.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
¿Sabías que…?
- TriviaFrancis Lai: The composer appears as the blind accordion player.
- Errores(at around 1h 21 mins) The soldiers are playing cards on the train and the game they are playing changes between shots.
- Créditos curiososThe grand majority of the opening credits are spoken by the narrator. The narrator stops after crediting the choreographer. Only the film's production company, title and the name Claude Lelouch appear in writing before the Bolero dance at the opening (when the writing is onscreen, the orchestra is warming up). Also, a quote by Willa Cather appears at the very beginning.
- Versiones alternativasPresented on French television in a 6 hours version quite clearer then the shortened American release. Richard Bohringer and Fanny Ardant's characters, for example, are better developed.
- ConexionesEdited into Les uns et les autres (1981)
- Bandas sonorasFolies Bergère
Music by Francis Lai
Lyrics by Boris Bergman
Performed by Catherine Russell and Ginette Garcin
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- How long is Bolero?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Bolero
- Locaciones de filmación
- Garancières, Yvelines, Francia(Railway crossing and station scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 3h 4min(184 min)
- Color
- Relación de aspecto
- 2.35 : 1
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