La vida de Elvis Presley relatada en películas caseras, imágenes de conciertos y dramatizaciones. Los temas incluyen las primeras presentaciones, el matrimonio, el regreso en 1968, el deteri... Leer todoLa vida de Elvis Presley relatada en películas caseras, imágenes de conciertos y dramatizaciones. Los temas incluyen las primeras presentaciones, el matrimonio, el regreso en 1968, el deterioro de la salud y la muerte.La vida de Elvis Presley relatada en películas caseras, imágenes de conciertos y dramatizaciones. Los temas incluyen las primeras presentaciones, el matrimonio, el regreso en 1968, el deterioro de la salud y la muerte.
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Opiniones destacadas
This movie is separate from all of that, as it reveals the man inside the myth. Anyone with even a casual interest in Elvis would find this interesting, but to a fanatic like myself this is immeasurably important. I enjoyed seeing him in the later years practising karate, to the song "Kung Fu Fighting".
In my humble view, this film accurately portrayed the heavy toll that enormous fame can take on a gentle human being. While other famous people have been able to overcome the constant pressures and hardships of a constant, unforgiving public eye, they may not have possessed the humanity and decency of an Elvis Presley. As exemplified by his extraordinary generosity with the Cadillac gifts, he wanted more than anything else to please others, including his adoring audiences, and when the world demanded so much from him, how could he constantly live up to their expectations?
Ed Sullivan was not condescending when he showered Elvis with praise at the end of the earth-shattering 1956 appearance on his enormously popular television show. Sullivan had been extremely reluctant to sign Elvis because he allowed others to develop his opinion of Elvis before he realized who Elvis was on his own. It was to Sullivan's credit that he finally gave the green light to Elvis, but he was also bowing to public pressure as he sought the most sensational musical performers at the time. First and foremost, Ed Sullivan was a very shrewd businessman.
As in the case of the Beatles, I never understood what all of the screaming and shrieking was about, but I always loved the music of Elvis Presley. For me, Elvis will always be the king of rock n roll. In spite of all of his flaws as a human being, he will live as one of the greatest musical performers of my time. Not only did this film provide a very deep insight into the life and challenges of one of the greatest stars in modern music, but it also highlighted some of my favorite Elvis tunes, including "Always on My Mind", "Suspicious Minds", and "Don't Be Cruel". Even when Elvis messed up the lines of "Are You Lonesome Tonight", he could sing a song like no other. As "An American Trilogy" plays in the background, the white Cadillac funeral procession through the streets of a bereaved Memphis, the city he loved so dearly, will always leave an indelible impression on my mind. Rest in peace, Elvis. We will never forget you.
The problem is that the recreation footage comes off as bad TV movie of the week, standing in stark contrast to the original, compelling material presented in the piece.
The success of "This is Elvis" was the impetus behind the current style of historical documentaries that attempt to recreate drama where no original footage exists to illustrate it. In that sense, "This is Elvis" looks a bit embarrassing at times, since it doesn't have the slickness of more contemporary "docu-drama-documentaries" in the genre.
What I'm waiting for is an Elvis documentary done with the taste and skillfullness of the "Beatles: Anthology" mini-series aired on ABC.
While some people complain about the recreations and say they "don't work," I didn't have a problem with them, at least not the ones where actors play Elvis as a youth. After all, without these sequences we wouldn't get to picture Elvis playing in front of a high school class or playing with black friends on the industrial side of Memphis, etc.
The original theatrical version runs 101 minutes while the later TV version added 43 minutes. The former is less "family friendly," depicting the way it really was without censure. For instance, Elvis is shown saying a couple off-color things about his sexual escapades with women on the road. A short time later the narration depicts him lamenting his divorce from Priscilla in 1973, four years before his death in 1977. The made-up monologue makes it sound like Elvis wasn't sure what caused them to grow apart and eventually split. Gee, he might want to quit having adulterous liaisons on the road. That might help. Anyway, the 144-minute TV version cuts these types of things and homogenizes the film for family viewing. It even omits the blubbering "Lonesome Tonight" song from his final concert, which is a must-see. The shorter version is just more gritty and authentic, the way a rock n' roll documentary should be.
One great scene is the interview with Elvis' former body guards who wrote a book dissin' him. They were like family for years and understandably felt betrayed. One testifies in the interview that he confronted Presley about his ongoing drug dependency and Elvis finally admitted that he "needed them." A minute later you see the ex-body guard wiping the tears from his eyes.
As he aged Elvis was on a spiritual quest and was quoted saying to his hairdresser: "I mean there has to be a purpose ... there's got to be a reason ... why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." He thus was preoccupied by such matters for much of the rest of his life, taking trunk-loads of books with him on the road.
In his last performance in the documentary it shows Elvis playing for the first time after gaining weight and, for some reason, I was expecting a really fat Elvis, but that wasn't the case at all. Yes his face is bloated and sweaty, but he's clearly only about 25 pounds overweight. Maybe he was heavier before the show and got in shape a bit before the event, I don't know, but he was by no means grotesquely overweight, not at all. Last night I went to a concert and saw some middle-aged men; now they were grossly overweight.
Despite Elvis' bad movies, drug addiction and adulteries, he was an amiable, fascinating and talented individual and "This is Elvis" fully demonstrates why he was and is "The King of Rock & Roll."
GRADE: A-
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- TriviaAt the time of its release, the film included lots of very rare and never-before-seen footage of Elvis Presley.
- ErroresWhen Elvis pulls up to the house in the beginning, his girlfriend gets out of the car wearing a maroon pantsuit. When he opens the door and they enter the house, she is wearing blue shorts and a blue workout suit jacket. This was due to scenes that were not used in the film, as this scene also shows Elvis going in the front door; then the next scene shows him coming through Graceland from the back entrance, passing the front door from the inside before heading upstairs. This can be explained by noting Elvis's last hours. He came home, played racquetball in the racquetball building before entering Graceland from the rear entrance and then retreating to his room. This also explains the different clothes that the Ginger Alden character wears.
- Citas
Pauline Nicholson: [Elvis and Ginger prepare to go upstairs to his bedroom, passing the kitchen doorway, where Pauline is seated at the table] Mr. P, can I get you some sandwiches?
Elvis at 42: [waves] That'd be fine, Pauline.
- Créditos curiososCertain sequences in this film were recreated.
- Versiones alternativasHome video and some cable TV versions run 143 minutes and contain additional material not in theatrical release, such as censored footage from Elvis' 1968 comeback special, and an additional number from his final concert. It does, however, delete "Are You Lonesome Tonight".
Selecciones populares
- How long is This Is Elvis?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Life of Elvis Presley
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,028,612
- Fin de semana de estreno en EE. UU. y Canadá
- USD 429,146
- 12 abr 1981
- Total a nivel mundial
- USD 2,028,612
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1