Un héroe en apuros

After five years as a POW in Hanoi, Army Corporal Richard Pryor is rescued and returns to the States a hero (he makes the evening news after a journalist suggests he bend and kiss the ground). Still, heroes don't linger long in a busy world, and soon Pryor is fighting for his self-worth after the government turns their back on him and his wife admits she's moved on with her life. Serio-comic adaptation of James Kirkwood Jr.'s novel by Kirkwood and Robert Boris makes an uneasy vehicle for the star, who is encouraged to go deeper as an actor yet still retain his naughty persona and signature foul mouth. The character's imprisonment under the Vietcong takes up thirty minutes of screen-time (far too long), while the limply dramatic stuff with the unfaithful Mrs. chews up another ten. Pryor has some strong scenes here and there, but he's relying on externals to get him through. He allows himself to be vulnerable and loving, and this works up to a point, yet the feel-good ending is a cheat (larceny cures all!) and a romance with Beverly Hills hooker Margot Kidder (who appears to have no other clients) is rather unlikely. ** from ****

Who already follow the Pryor's career will be surprised about this serious role in this anti-war movie, based on a book this picture bring to us an another and hidden Pryor's profile, without losing focus of course, he takes all bitter experience from a soldier who was at Vietinam's POW and all this is handling by USA's Army.

When he is back, the real problem begin when he realizes that he isn't a hero anymore, he has judgment after he'd signs a complete confession to save a soldier's life, forgotten by his wife and worst by own country is too much for him, all mixed with good jokes and con behavior takes the picture as a pleasant entertainment!!

Resume:

First watch: 1992 / How many: 3 / Source: TV-DVD-R / Rating: 7.

I enjoyed the movie, but it made me feel disgusted about how the army and the citizens of America treated a POW.

In this film, it starts off great and it kinda sizzles after a while, but it is at least put together well by one guy- Richard Pryor. He rises above the material here like no other and actually gives a good dramatic/comedic performance (his best dramatic one besides Blue Collar). While the prison camp scenes are quite intriguing, it becomes a little undone at home. That's my complaint. B-

This film starts off like an extremely poignant drama. The bond between Richard Pryor and Ray Sharkey in the POW camp is seamlessly acted. The musical score by Patrick Williams is outstanding and very sad. The films middle is just as good, with very moving parts with Pryor returning from war to deal with problems with his mother, his wife, and his life. However, after this the film goes awry. The films keeps its respectability however, because Pryor is such a good actor.