Shao Lin yu Wu Dang

The instant appeal of this film is that I was a fan of the Wu Tang Clan's debut album "Enter The Wu Tang" and the sound clips from the film that the gang used . " You really think your Wu tang style can defeat me ? " , "if what you say is true , the Wu tang and the Shao Lin..could be dangerous " and so forth , so for myself and the mate who I shared a domino's pizza with, we had the delight of hearing those famous quotes on screen and repeating them in true Shao Lin style.

The second major appeal of this cult classic was the star, Mr.Gordon Liu , you may know him better as Pai Mei in Kill Bill volume 2 (who was basically the hardest man in the world) . Gordon is in superb form and emerges from talented but gentle nice guy (if not a bit camp ) jun kip to bald Shao Lin warrior tat chi .

I have a feeling that this would be the 2 main appeals of most potential viewers and for my money they are the only reasons to watch , the Kung Fu is superb and the audience is given the treat of both highly skilled martial arts in equal dosage , it just seems a shame that it is poorly used in a bizarre plot , from point A to point B , it reads as simple , two friends , one of the Shao Lin school and one of the Wu tang school must eventually meet each other in a fight to the death , to determine who's style is best . What lies in between is a plot that can only be described as mesmerising , characters seem to vanish , objectives of characters change through out for no apparent reason , men are locked up in prison with shrieking women , it's all one giant bizarre mess to fill the cassam between the start and the finish .

Watch because you love kung fu (the kung fu is excellent) , watch because your a fan of Gordon liu, watch because your a fan of the Wu tang clan album "enter the Wu tang " but don't watch because you like a good story.

I liked the classic plot of this one and didn't find it too convoluted or forced. There's not much elaborate choreographed kung-fu through most of the movie (you get little snippets and teases throughout), but the end fight sequence is elaborate (they saved all their choreography for here) and quite good and exciting to see the two styles get combined to overcome the main baddie. You can really feel the chemistry between the two opposing stars, friends with conflict, and when they fight, it's a lot of fun.

I'd love to see a better print of this, as I watched an old VHS copy with lots of scanlines and cropping that I'm sure take away from it all.

Grab it and see it if you have the chance and like kung fu movies.

5.7 stars!

This 1983 actioner marks kung fu superstar Gordon Liu's directorial debut. Unfortunately, it also commemorates the moment at which the Shaolin trend in Hong Kong cinema became a schtick. Several of the training sequences from "The Thirty-Sixth Chamber of Shaolin" are re-enacted (Li Hai-sheng even returns as the contentious monk who, with his butterfly swords, challenges Gordon Liu's character), but they're divorced from the emotional impact they had in the earlier film. "Thirty-Sixth Chamber" was a martial arts movie, yes, but also a story about the triumph of the human spirit; "Shaolin and Wu Tang" is just a series of fight scenes woven together by a thin plot. Great fight scenes, certainly, but only that.

Gordon Liu plays the senior pupil of a Shaolin-style master. His best friend, the senior pupil of a master of the Wu Tang sword, is portrayed by Adam Cheng. A treacherous Manchu lord (Wang Lung-wei) pits the young friends against one another: Liu's resolve takes him to Shaolin Temple, where he becomes a monk, trains in the Buddhist fighting arts (first-hand this time) and vows to wipe out the Wu Tang school; Cheng, meanwhile, is detained at a Taoist monastery and learns the finer points of his sword style from the priests there. Will the two friends realize that they have been manipulated by the Manchu lord before they injure or even kill each other?

Characterization is sketchy, the drama almost entirely unconvincing. People die, but no one ever seems particularly distraught about it. Because the tragic events in the film are handled so awkwardly, I couldn't shake the feeling that I was watching mediocre community theatre. Granted, this isn't going to bother most viewers...but, on the basis of its reputation, I expected something more from "Shaolin and Wu Tang." Six stars for the fight scenes, dazzlingly choreographed by Liu Chia-liang.

First, watch original English Dub. It just... has this charm that will grow on you. Both characters, the villain, and both sisters are just awesome. Johnny Wang as the villain is hilarious. He has NO tact! Idy Chan is also excellent in her role as Gordon Liu's sister. She steals every scene she's in! Li Ching is also great. You're honestly never sure if she's in it for herself, the villain, or some other purpose. And Gordon Liu & Adam Cheng are phenomenal as always. One of my favorite roles of Adam Cheng & Gordon Liu during this time period. The action & fight choreography is top-notch and still stands the test of time. Ever since I first saw it as a child in NY on Fox 5 after Saturday Morning Cartoons, I've been a fan of the film and the genre!

Shaolin and Wu Tang is pretty good, and fairly entertaining overall. It's a movie that's stuffed with so many martial arts movie narrative conventions it almost feels like a parody. It's got rival martial arts schools, spies, a shadowy villain, revenge, and intensive training scenes playing a part at just the point you'd expect them to be. It crams it all into a runtime of under 90 minutes, but doesn't feel silly enough to be a parody. It's more like a greatest hits compilation; all the good stuff you'd want from a martial arts story (arguably too much).

The action's really good, which is the main thing. It's not as frequently peppered with big scenes as some other martial arts movies, but there's enough. The less action-focused parts of Shaolin and Wu Tang are just fine. It doesn't waste time, and throws enough at you to make sure it's always interesting. The story isn't always charging forward, but non-action scenes tend to be brief in duration, which I think helps with the pacing.

Gordon Liu is also great here, as always. Some sites say he directed this, and some don't, so maybe he co-directed? Or did some scenes? There's not as much reliable info as there should be for a movie this solid, and similarly disappointing is how bad all the versions of it seem to be. This could really do with a remaster, and would deserve it.

Also, goes without saying, but it's definitely easy to recommend for anyone who likes Wu-Tang Clan's music.