The Salamander

The ingredients are here for a passable political-thriller but the approach used to tell the story is numbingly routine. Investigator Franco Nero pursues his case simply through a series of interviews, thus allowing the movie to present its roster of marquee-names -- Christopher Lee, Eli Wallach, Claudia Cardinale, etc. -- in a succession of talky, static scenes that lack interest and vitality. (Though these interviews provide an opportunity to show off a series of impressively furnished and decorated rooms.) And then, when it comes time for Nero to present his solution to the case, he does so by showing to a group of people a movie which simply re-caps information gleaned from his interviews!

Attempts to liven up the proceedings with spurts of action merely serve to emphasize the overall dullness of the movie. For example, when Nero falls into the clutches of a villain known as "the Surgeon" who is determined to torture information from him, we only see Nero -- stripped to a jockstrap and strapped to a chair -- being given an injection with a hypodermic needle. Surely this is one of the most boring forms of torture ever shown on the screen.

one of films of my childhood. maybe, the most fascinating, because all was new, strange, bizarre, cruel out of words and... confuse. after decades, the perspective was different. but not profound different. because , after its end, the questions are about a bizarre,silly ,full of clichés, superficial, confuse film, guided by good intentions, with an impressive cast, a not so bad story , excellent premises but who remains only one of commercial films from the many others , predictable, with few good scenes, but nothing more. and this seems be its only sin.

When the Chief of the Italian Defence Staff is found dead, it is put down to an heart attack and the nation mourns. Colonel "Dante Mattuci" (Franco Nero) is drafted in to handle what ought to have been a peremptory investigation, but it is soon clear to him that there is much more going on here than meets the eye. Pretty quickly, he is enveloped in a conspiracy to take over the state - but who might be behind it? His boss "Prince Baldasar" (Christoher Lee); the General who succeeded him "Leporello" (Eli Wallach) or perhaps the wealthy kingmaker "Manzini" (Anthony Quinn). The production is a bit all over the place, here, but the cast work well on this quite well paced story of internecine politics. Nero is efficient, as are Wallach and Quinn, and the story moves along quickly amongst some beautiful surroundings. The ending lets it down a bit - it is just too implausible given what has gone on before, but though flawed it is still a decent thriller that pulls together some good supporting stars - Claudia Cardinale and Anita Strindberg provide the glamour, if not a great deal else - and is still worth watching on the telly on a wet Tuesday afternoon.

How did it go so wrong? How can a film with such an impressive cast (Franco Nero, Christopher Lee, Eli Wallach, Sybil Danning, Claudia Cardinale, Martin Balsam, Paul Smith - the torturer in "Midnight Express" - as, you guessed it, a torturer, etc.) and such colorful location filming around Italy (Rome, Milan, Venice, etc.) be such a bore? Probably because the story is slow-moving and unengaging, and has no real climax. Another obstacle for the viewer is the difficulty to buy people like Lee and Balsam as Italians. Nero is always likable, and Danning is stunning (even if she's in completely "unrevealing" mode here), but these two are barely enough to keep you focused on what was excellently described by another reviewer as "a political thriller without thrills". (*1/2)

THE SALAMANDER had so much potential, especially with an all star cast of supporting actors like Anthony Quinn, Martin Balsam, Eli Wallach, Christopher Lee, Cleavon Little, Paul Smith, and Claudia Cardinale. The leads were Franco Nero, who had such a strong Italian accent that his English was hard to understand and Sybil Danning, who played her character with the personality of a roof shingle who was always dressed like a nun or the wife of the Quaker Oats guy so she was playing against type and her persona. She was suppose to be a spy and the mistress of the assassinated General but the conservative and bland way she was dressed indicated to me that he might just have committed suicide.......On the DVD extra's one of the men associated with the film referred to Sybil with this disrespectful comment, " " which I found shocking because there was no cleavage displayed at all with that Puritan wardrobe in the movie. There is very little action in the film, basically one car chase and then the torture scene which turned out more like comedy then anything else where Paul Smith was to torture Franco Nero to get information and what made it funny is it turned out to look like Franco Nero was torturing Paul Smith by sexually assaulting him hanging on his back with Paul Smith screaming and Nero with his bare arse hanging out of his jock strap. The scene was so absurd and ludicrous that it came off as comical rather then scary. The best acting was done by Martin Balsam who played Nero's father figure like partner, who gets killed midway so you lose the most interesting character in the film. Anthony Quinn was 2nd to Balsam in performance and he made the most of the material he worked with. Cleavon Little has a small part and did a great job but you wonder why he was not given more and the most disappointing part of the film were the two villains, Eli Wallach and Christopher Lee who barely had any screen time and just a few lines. They just weren't utilized and neither was Claudia Cardinale who was so stunning in ONCE UPON A TIME IN THE WEST but had the same wardrobe designer as Sybil so she looked like an Amish farmer or Quaker Oats girl with maybe two lines of dialog. It was not the worst film, it just did not live up to its potential