Ragtime. Tiempo tempestuoso

'Ragtime' by E.L. Doctorow was one of those important ground breaking books.

It deserved a better translation to film. Having read the book numerous times over the years, what struck me about the film was that it was largely undecipherable if you had not first read the book. The book is a rich tapestry of American society, its values, behaviour and so on of the day. The film focuses on 2 sub-plots only - Nesbit Thaw and Coalhouse Walker Jr. The character - mother's Younger Brother was largely sacrificed - this introverted complex character - was portrayed only as Nesbit-Thaw's lover and a terrorist - with no development of how he became to be these. The relationship between Father and Mother too was badly handled, especially the Mother's leaving with the Russian film maker (silhouette artist).

The film simply does not even begin to scratch this surface. The film is a major disappointment.

Ragtime has emerged as a classic film. Its astonishing array of great performances--literally a score of them, from Howard Rollins's truly tragic stand for human dignity at the film's center to James Cagney's historic return to film at the end of his life and the end of this motion picture--would almost alone qualify this as a great motion picture. But Michael Weller's breathtakingly complex and complete dramatization of Doctorow's sprawling novel, the gorgeous production and costume designs and the superb direction of Milos Forman seal the deal. This is a magnificent tapestry of American life at the beginning of the American century.

Lavishly entertaining, genuinely heartbreaking and a dandy history lesson to boot, Ragtime has joined the pantheon of great, epic movies.

I never saw this film until 2005 and after I had become a big James Cagney fan and wanted to see the movies of his I had missed. Thus, I had to check this out, especially since it was his first film he had made in over 20 years.

En route to getting a glimpse at the 80-year-old star, I found out (1) he wasn't on screen until 45 minutes were left in this 155-minute movie; (2) his absence didn't upset me that much because I was absorbed in this interesting story (plus, to be fair, I was told in advance he didn't appear until the last part!), (3) the sets, clothing, etc. of this "period piece" were fantastic to view.

Anyway, in my opinion, the star of the film was a guy who hardly got any billing: James Olson. He is the key figure in this story and very interesting to watch. Actually, just about everyone is interesting which makes for good storytelling. Nonetheless, Olson's fine performance is unfairly overlooked.

Howard Rollins was good as the black "victim" of the profane slob Kenneth McMillian and Elizabeth McGovern certainly kept ones attention although I wasn't quite sure how her character tied into the story.

By the way, to rate this movie "PG" is ludicrous since McGovern is seen in a 3- to-4-minute scene casually talking away with bare breasts for all to see. And - contrary to a popular rumor - nothing of her was cut out of the DVD.

Meanwhile, Cagney showed he hadn't forgotten how to act. It was a pleasure to see him again, just a few years before he would pass away. It's a cliché, but I doubt if anyone was in his class as an actor and a dancer, a tough guy or a comedian. He was the best and went out in style here, too, although he did do one last made-for-TV film a short time after this.

Ragtime is a movie that has obvious aspirations to the epic, but never quite makes it. Multiple plot lines go nowhere, only to be neatly resurrected at some random time in the future, just to remind us that everything is 'linked'. Characters go off on random tangents for no apparent reason, things just happen, you get the idea. The central subplot is actually reasonably compelling, but even then it suffers from being slightly haphazard, with all but the very central characters basically behaving in a completely random manner. All this being said, Ragtime is not a bad movie per se, it's sumptuously shot and the acting is mostly pretty good, once the main subplot gets moving, it's pretty engaging.

Ragtime is based on the book of the same name, I didn't know this when I was watching the movie, but it's pretty obvious that the script has suffered from attempting to compress the book, even then, the movie still weighs in at a hefty two and a half hours, one can't help feeling that they should have just concentrated on developing the main story properly, instead of trying to throw in the kitchen sink.

In conclusion: Well done, a little bit of a mess, probably worth a go if you're looking for a period drama.

This a truly terrific period piece directed by Milos Forman(Cuckoo's Nest, Amadeus) and starring terrific cast. The film takes place in the very early 1900's and follows the lives of at least four different people/families. As the movie gets going, it begins to focus mostly on an African American man and his struggle to be heard in society after he is mistreated by a group of firemen. Everything that follows is equally powerful and fascinating as the man tries to find justice in the turn of the century America. This fine film is richly textured with turn of the century atmosphere, music and actual newsreels from the period which all contribute to this fascinating story. Also nice to see James Cagney one more time. This is a film that I would recommend to anyone who is interested in what life was like at the turn of century. A fantastic film. ***3/4 out of ****.