CALIFICACIÓN DE IMDb
5.5/10
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TU CALIFICACIÓN
El apacible estilo de vida suburbano de un hombre tranquilo se ve amenazado por la odiosa nueva pareja que se muda a la casa de al lado.El apacible estilo de vida suburbano de un hombre tranquilo se ve amenazado por la odiosa nueva pareja que se muda a la casa de al lado.El apacible estilo de vida suburbano de un hombre tranquilo se ve amenazado por la odiosa nueva pareja que se muda a la casa de al lado.
- Premios
- 2 nominaciones en total
Sherman G. Lloyd
- Fireman #1 (DOC)
- (as Sherman Lloyd)
Edward S. Kotkin
- Additional Fireman
- (as Edward Kotkin)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
‘Snow White’ Stars Test Their Wits
Argumento
¿Sabías que…?
- TriviaJohn Belushi was originally cast in the role of Vic and Dan Aykroyd in the role of Earl. The two decided to switch roles just prior to filming the movie. As such, Belushi and Aykroyd starred in this movie acting against type, loud-mouthed Belushi played a quiet character whilst the meeker Aykroyd played an over-the-top character.
- ErroresAt the 10-minute mark, Elaine's photo partly shown at the bottom of the screen shows a portrait shot. Before that, it was a body shot.
- Citas
Vic: In light of Earl's feelings, I think it would be best if we left.
Enid Keese: Oh, no, no. Sit down, sit down. Let's finish this magnificent meal. Don't worry about Earl. He'll get over his feelings.
Vic: He spurned my sauce!
Enid Keese: No, he loves your sauce. He's just jealous, he can't cook.
- Créditos curiososA gunshot can be heard after the end credits.
- Versiones alternativasThe movie's original cut had a very dark ending with Earl getting killed, but the studio re-edited the film with a happy ending with Earl leaving home and joining Vic and Ramona on their adventures.
- Bandas sonorasHello, I Love You
Written by Jim Morrison (uncredited), Robby Krieger (uncredited), Ray Manzarek (uncredited) and John Densmore (uncredited)
Performed by The Doors
Courtesy of Elektra Records
Opinión destacada
My memories of real youth, like from five to ten years old are completely blurred for the most part but for some reason I remember watching John Belushi movies. I remember going to see `Neighbors' and `Continental Divide' in the theater! I haven't really examined this but basically since I was born I have adored John Belushi. I remember renting `Neighbors' when the VCR was a new item and I'd watch it over and over again. I guess I was a pretty strange ten-year old. Memories of watching his movies, his death and whatever else are still with me in strange little flashes.
I find `Neighbors' to be his best work. This is a controversial opinion! I've recently reread Woodward's `Wired' and it seems John detested everything about this movie. He had sincere hatred for the director, Alvidsen- he continually asked to replace him. Yet, John's biggest concern for `Neighbors', again citing from Woodward's book, was the soundtrack. He wanted it to be punk rock and Holy Christ did it ever wind up the antithesis. Of course I would love to have seen `Neighbors' done the way John would have intended it but I still am very fond of this movie as is. I think Alvidsen did a great job of bottling all of John's manic energy and I think he summoned his best performance. It's such a strange contradiction that, again from reading `Wired', John wanted desperately to lose the `Bluto' stigma and prove he could be a versatile actor. This role reversal gave him that chance and yet he was against this film from the beginning.
I think `Neighbors' is fantastic. It's like `Who's Afraid Of Virginia Woolf' on acid or something. This film should be examined by future filmmakers as an example of how what seems like all the wrong ingredients can make a positive and an unforgettable piece of cinema in the end.
I find `Neighbors' to be his best work. This is a controversial opinion! I've recently reread Woodward's `Wired' and it seems John detested everything about this movie. He had sincere hatred for the director, Alvidsen- he continually asked to replace him. Yet, John's biggest concern for `Neighbors', again citing from Woodward's book, was the soundtrack. He wanted it to be punk rock and Holy Christ did it ever wind up the antithesis. Of course I would love to have seen `Neighbors' done the way John would have intended it but I still am very fond of this movie as is. I think Alvidsen did a great job of bottling all of John's manic energy and I think he summoned his best performance. It's such a strange contradiction that, again from reading `Wired', John wanted desperately to lose the `Bluto' stigma and prove he could be a versatile actor. This role reversal gave him that chance and yet he was against this film from the beginning.
I think `Neighbors' is fantastic. It's like `Who's Afraid Of Virginia Woolf' on acid or something. This film should be examined by future filmmakers as an example of how what seems like all the wrong ingredients can make a positive and an unforgettable piece of cinema in the end.
- Docterry
- 10 jun 2003
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- How long is Neighbors?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Neighbors
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 29,916,207
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,481,386
- 20 dic 1981
- Total a nivel mundial
- USD 29,916,207
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By what name was Los vecinos (1981) officially released in India in English?
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