My Dinner with Andre

MY DINNER WITH ANDRE is one of the greatest movies of all time because it works on a seemingly infinite number of levels. Yet at the same time it is one of the biggest failures in film because it only succeeds in connecting to the most insightful of its audience. The resulting paradox only serves to prove the film's lesson to be true. Brilliant!

This is either a movie you will turn off after fifteen minutes, or it is a movie you will watch over and over again to pick up all the things you missed in previous screenings. The former will be bored and lost by the endless, meaningless talk. The latter will find gold in every word, and veins left to be mined time after time.

In simple terms, the question is understood "If life is a stage, are you going to be an actor, a director, or a playwright?" It is the viewer's choice. Wally is a struggling playwright who has fallen back on acting. Andre is a former actor and director who has left the theatre entirely. Wally and Andre meet for dinner, and Andre recounts his experiences since leaving the theatre.

But one of the ironies is that their dinner itself is theatre, and both Andre and Wally have roles to fill. [Notice they wrote the script and use their real names. They are not playing characters. They are necessarily playing themselves.] And summarily the viewer also has a role to fill. If life is a stage, viewing the theatre is in itself theatre. The viewer is now in a place of choosing the role. And will that choice be made mechanically or deliberately? Mechanics is acting. Deliberation is playwrighting.

This is a brilliant, brilliant film. One of the greatest movies of all time. And its resolve is purely subjective to the individual viewer. The goal is to deliberate and come away enlightened (literally). Unfortunately the majority of viewers will act mechanically and turn it off.

I saw this movie in 1981 when it first came out. I was 31. (Don't know if that matters but it might.) I could barely stay in my seat. I wanted out so bad. All this taking. (I was not a talker. I didn't like talking. I didn't want to tell anyone anything about me.) No action in it. I like action. This movie went in my list of "good movies" (received well in the press) that I did not like.

It has bothered me for a long time that I didn't get what this movie was about and just watched it again at 71. I loved it. I could relate to both these guys. I enjoyed watching them react to one another. That's just me. Nothing wrong with hating it.

My Dinner with Andre is one of those films you may well hear about, because it is really pretty different. This is the kind of film where you have to have (or have had) a lot of existential curiosity to be able to enjoy it. The less you think you know about this world, the more interesting you will find Andre's tales to be. Beyond that, you may still find it interesting if you can relate to the quest for meaning and happiness and you think of yourself as a student of human interactions. On the other hand, if you have low tolerance for weirdness and fancy, then you are likely to find yourself to be irritated by it all. There is a question of how high to rate it as a film since it seems to be just a recorded conversation. I rate it down just a bit on that account (seems unfair to other films), though I find there are some subtleties to be picked up on, and I found Wallace Shawn to give a pretty good performance with his sincere and mildly intense reactions to Andre (and at one point finds something to be INCONCEIVABLE!). Recommended to artist- and entrepreneurial types that find themselves often wondering over the edge of the World of Appearances.

This is a very strange film, indeed. There are moments of profoundness, but for the most part there is a lot of nothing. However, I feel like it is worth watching for those few minutes that are absolute gold.

Just because a movie deals with philosophical and intellectual themes does not mean it's a great movie. While Gregory is great story teller his tales of psydo-pychadellic adventure get tiresome quickly. Had any of the scenes actually been acted out the audience would likely have found them too outlandish and unrealistic to be believable. Gregory's stories do however offer a much needed reprieve from Shawn's annoying world view and even more annoying voice. While I think that there are lessons in this film and think there's a lot of interesting points made, it's still not a great movie. The acting when not just expounding dialog is awful and awkward. Any part of the script that is not part of a story being told is very heavy handed.