Mad Max 2: el guerrero de la carretera

After the enormous success of "Mad Max" in 1979, it was predictable that a sequel would follow. In fact, two sequels followed, and the first of these is "Mad Max 2: The Road Warrior".

Released in the U.S. simply as "The Road Warrior", "Mad Max 2" begins with a narration re-introducing us to wandering ex-cop Max (Gibson) ... and then we're off. In post-apocalyptic Australia, Max wanders the nuclear waste lands in search of Earth's most precious resource: gasoline. When he discovers a band of people guarding a large deposit of fuel, he lends his services as a driver to help them escape from a vicious group of bandits intent on taking the gas for themselves.

"Mad Max 2" is one of the best sequels ever. It's everything the original was and more. Mel Gibson is great, and the cast performs very well. Brian May's skills as a composer have improved, and he gives a very fast-paced score. George Miller's directing skills have also improved, and he deals us out some intense car sequences that have yet to be rivaled.

This film is special because, although it was very popular when released and is even more popular now, it is unique in that it is not afraid to be just that. If that confused you, let me put it this way: George Miller has created a film that, while trying to improve the flaws from past films, is not afraid to be original and un-Hollywood. And I must say, Mr. Miller pulls it off excellently.

I love "The Road Warrior" as well as the rest of the "Mad Max" series. I would say that "Mad Max 2" is quite possibly the greatest film to come out of Australia. It is one of Mel Gibson's best and one of the best sci-fi films ever. "Mad Max 2" is essential.

Seriously, what happened to movies? Modern Hollywood sucks. This film is EPIC AF. Great world building. Awesome bad guys. Great hero.

Mad Max 2 (1981)

*** 1/2 (out of 4)

A post-apocalyptic wasteland in Australia is the setting for this riveting sequel that finds Max (Mel Gibson) being a drifter who is constantly on the look out for rare gasoline. Gas has become a battling ground for a vicious gang but Max finds out about a location where a group of survivors have been able to produce it. The only problem is transporting it, which Max agrees to help with in exchange for enough to get him to his next location.

MAD MAX 2 is a very rare sequel that actually manages to be better than the original film. This here really doesn't happen too often but director George Miller takes everything that made the original so good and adds a ton of adrenaline to the action and makes for quite a memorable movie. Fans of the original film are going to be happy that the rawness also gets carried over here but with even more wicked stunts and more action, it's impossible not to fall for this film.

What makes it so memorable are the incredible action scenes. As with the first film, you can't help but watch them with your jaw on the floor as you wonder how no one was killed during the production. These action scenes aren't made through editing but instead they're just downright dirty and dangerous stunts that are incredible to watch in full speed. I'm not going to ruin the most memorable stunts but the finale is just one miraculous scene after another as Max goes speeding down a road in a semi followed by countless bad guys. The amount of destruction on display is enough to please any action fan. It's these scenes here that make this movie a classic and one of the best action films of its era.

We're also given a great supporting cast with everyone fitting their roles quite nicely. Of course, the main star is Gibson who manages to be even better here than he was in the first film. He isn't given too much dialogue but he manages to really come across in a believable fashion as this drifter who once again finds himself with nothing and a reason to fight. Everything else from the wonderful score to the terrific cinematography just takes the material and raises it to new levels. MAD MAX 2 is a pure adrenaline rush from start to finish and with the borrowed elements of YOJIMBO, one can't help but be entertained.

But most of all, I remember the Road Warrior. By this time, many people have forgotten that this set the standard for kinetic action on the roadways. The memories fade as the years go by, new action films are released, such as "Speed"(94), which seem to set new standards. But, it's not really the case. The Road Warrior has yet to be bested, and no amount of money, computer technology or loud noises will ever accomplish the deed. Nothing will ever capture the apocalyptic intensity or, most of all, the sheer elegance of combat on the roads, as depicted here. "Raiders of the Lost Ark"(81), for example, captured a more frenetic goofy-style action, also relentless, but not with the level of tension. It's exciting, sure, but it doesn't tie your stomach up in knots, leaving you drained yet begging for more.

The sequel to "Mad Max"(79) - also a unique, tense experience - begins with an unusual prologue, giving the viewers a historical background on only half the screen. We are set up for a bombastic adventure, created as a new mythology for our perusal. Iconic figures abound, beginning with Max (Gibson) himself, of course. Here is the quintessential wandering loner hero/cowboy/samurai: he is striking - damaged both physically & mentally - but an ultimate survivor. Here are his foes: a scarred, massively-muscled atomic-age conqueror and his dogs, garbed in battle-dress for instant death and destruction. Here is his conscience: the last vestiges of civilization grouped in a makeshift fort for a final gasp of decency. When these three factions clash, it's the end of the world as we know it. Welcome to the new world of The Road Warrior.

The Road Warrior influenced the sub-genre of post-holocaust science fiction throughout the eighties. There were numerous imitators, mostly low-budget efforts, and none of them came close to succeeding at this level. I hope not too many people continue to forget where it all began for this thrilling corner of the sci-fi adventure genre. It is to our downfall and regret that we forget.

*** 1/2 out of ****

After so many years The Road Warrior still remains one of the most exhilarating action films to ever grace the screen. The car chases are as excitingly pulse-pounding as ever and no film has yet to surpass the final chase as the best in movie history. Yes, in terms of pure action, not many films have been able to equal The Road Warrior's thrills.

The film takes place presumably years after the conclusion of Mad Max. The world has been devastated by a third world war and has suffered a setback by he rarity of gasoline. The loner, Max Rockatansky (Mel Gibson) is still wandering around the Australian wasteland, thousands of miles from civilization, in search of gasoline. He comes across a gyro-pilot (Bruce Spence), who tells him of a compound that's producing fuel.

Max brings the pilot along with him and studies the compound from atop a cliff. It seems a large gang also wants the gasoline and has been besieging the refinery for a long time now. They are a pack of madmen, led by the Humungus, a hugely muscular man who wears a hockey mask to cover his face. An attempt is made by the people inside the compound to find a rig large enough to haul the fuel but the effort is brought down when Humungus' men take down all the cars.

Max, finding a perfect moment to strike a bargain, makes a deal with one of the survivors and makes it to the compound. Eventually, he makes another deal there, as he tells the people inside that in return for as much gasoline as he can carry, he'll bring the rig to them. What follows is classic edge-of-the-seat action entertainment.

Having inspired dozens of rip-offs, The Road Warrior still remains the best of the bunch due to the great lead performance from Mel Gibson and the unrivalled car chases, which are very much worth mentioning. The movie begins with a rousing commentary over the events that led to the destruction of government. What follows next is a short and exciting car chase. True, the following half-hour does move by a bit slowly, but it all builds up to a lightning paced final 45 minutes.

The final chase, in particular, is an exercise in action craftsmanship. Director George Miller has staged one of the most brilliant and downright exciting action scenes ever. So many spectacular stunts and on-road carnage occur during this sequence, to describe it simply wouldn't do it justice.

Miller's cinematography is decidedly Un-Hollywood. He gives us many breathtaking camera angles, some of which are sometimes a bit shaky, which serves to make the action even more involving. Looking back at the film now, it might not appeal to a wide range of viewers. The odd characters (mainly the villains), ultra-violence, dark tone, and the sparse dialogue may seem a little too offbeat for some people.

Mel Gibson remains the only world-renowned actor in the whole film. He does a terrific job as the character Max, one of his best and most interesting characters. The development of Max is another intriguing component of The Road Warrior, and serves the film by giving it a human edge by featuring Max's slow transformation from loner to savior. Not only that, Gibson also creates a great action hero. There's not a moment in the film when we aren't rooting for Max to smash Humungus and his gang. Bruce Spence as the gyro-pilot is decent in his role and offers the film's few humorous moments.

Virginia Hey is also pretty good as the Warrior Woman, and though the script doesn't exactly give her a lot to do, she plays the part well. Mike Preston also shows a lot of honor as the compound's leader.

On the other side of the equation are the actors who portray the villains. Surprisingly enough, though the characters are outlandish, no one ever goes over-the-top. Vernon Wells and Kjell Nilson are absolutely menacing and frightening as the lead villains, Wez and Humungus. They personify evil itself, creating characters who we truly grow to despise.

To be honest, I am a little surprised that the critics enjoyed this every bit as much as I did. The film doesn't delve very deeply into philosophical issues and doesn't exactly have a lot of grand things to say. I suppose with the acclaim this film received goes to show that critics do truly watch movies primarily for entertainment.

As I mentioned before, the film was the benchmark of a genre that grew in popularity. The premise of a loner helping a group of people in need has been used a bit too much now. Most notably is the big-budget flop, Waterworld (which is a good movie I recommend), though none have yet to match the outright intensity of The Road Warrior.