El amante de Lady Chatterley

Lady Chatterley's Lover is understandably controversial but it is also a compelling read, though not a personal favourite. This film is not exactly terrible as there are some good things to see on display but the maligning it has gotten is as understandable as the book being controversial. The photography mostly has a nostalgic quality to it while the costumes and sets are exquisite in colour and detail. The score is seductive and hauntingly beautiful, Sylvia Kristel is a real beauty, the second half is an improvement over the first half with some appropriately steamy moments and Nicholas Clay as well as being astonishingly handsome and sexy is quite good as Oliver. Unfortunately Kristel's acting talents do not translate here, throughout she is very wooden and bland, while on the other side of the scale Shane Briant's hammy over-acting grates after a while. The supporting cast, and there are some talented actors here, are unable to do much with characters that are written to caricatures(blander than that in some cases). Some of the sexy moments are sensual but too many and most of them verge on lowbrow and too much like a porn film, the book is an explicit one but it's not that trashed up. The script is very underwritten and banal, it is difficult to take seriously anything that the actors say, while the storytelling is really dull with non-existent passion in the first half, the main reason being that while the basic story of the book is intact, the prose, characterisations and passion(mostly) are barely scarce. Some of the editing looks hastily-put together too. All in all, Lady Chatterley's Lover looks good but it is dull and underwritten, and takes the sexual nature of the book to extremes, well at least to me it did. 4/10 Bethany Cox

Pretty typical Golan & Globus production with better than average art direction and cinematography. The estate is beautiful--as is Sylvia Kristel--but the adaptation is flat and whole thing feels flabby.

A bit of sex goes with the story, of course, and it's done well enough; but it's nothing like Kristel's soft core films. The acting is competent thruout, and the filmmakers take pains to maintain the essence of the English class struggle. But some of the jealousy and social indignation feels contrived.

I loved Lord Chatterly's gas-powered wheelchair for zipping around the grounds, altho why he didn't install an elevator in the mansion is a mystery.

I haven't read the book in over 50 years but I remember it as boring and pretentious. This movie appears to be a very accurate adaptation, which is its main flaw. It is boring and pretentious. There are some very romantic scenes, especially the scene where Oliver decorates Constance's naked body with flowers. This film could never have a high rating but I feel it has been underrated by most of the reviewers.

From the makers of "Emmanuelle: The Joys Of A Woman"...not exactly D. H. Lawrence territory! Still in all, this low-budget sex-capade has decent locales and very steamy leads (Sylvia Kristel and Nicholas Clay), neither of whom are shy about appearing in the buff. It is noteworthy that this is one of the few R-rated movies from this period to show the man undressed as well as the woman, and their sex in the forest has animal heat to it. But those looking for an adept cinematic translation of the famous novel will be embarrassed...or perhaps shamefacedly tickled. The weakest link is the editing, which darts around leaving scenes unfinished, such as the finale (which is really just a bushel of footage posing as an ending). Pruriently amusing on a softcore, soft-headed harlequin level. ** from ****

The plot of D.H. Lawrence's famous novel of passion and mores is lifted mostly intact, but everything has a dumbed-down and trashed-up quality that makes the resulting adaptation anything but faithful. Sylvia Kristel once again proves inadequate to the task of carrying a movie, and what's more looks much older than her real age (28), as well as that of the even younger character Lady Chatterley. Instead of smoldering with forbidden passion, she seems listless and uninterested in the affair that is central to the story's power. Nicholas Clay also seems unconvincing as the virile but coarse Mellors. Why he would be the object of romantic fascination for any woman of class seems a mystery not worth investigating. The pastoral look of the film is pretty nice, plus it also features good period detail and costumes, but the script is extremely weak and the dramatics - especially among the supporting performances - are just not sharp enough to properly drive a story of class betrayal and social scandal.

Approach with extreme caution.