Jaws of Satan

In this legendary trashy flick called "Jaws of Satan" the priest played by Fritz Weaver battles Satan in a form of a giant cobra snake.I must say that "Jaws of Satan" has to be one of the most idiotic horror films of 80's.It mixes the theme from "The Exorcist" with the-nature-run-amok plot in the vein of "Jaws" or "Grizzly".All the death scenes in "Jaws of Satan" look exactly the same.Poor victim gets bitten by a reptile,screams and falls down.On a train.In the forest.The acting is passable and the photography by Dean Cundey is professional."Jaws of Satan" marks the big-screen debut of Christina Applegate.5 out of 10.For 80's horror completists only.

Imitating the success of a certain horror classic is quite easy. Everybody did it back in the early 80's. All you had to do was steal the basic concept of a great film and/or box office hit, add more nastiness and preferably some sleazy sequences as well, and you had yourself an insignificant but enjoyable horror movie. Ain't nothing to it. One thing that does require a lot of courage (and tasteless insanity, for that matter), however, is to simultaneously rip off TWO legendary horror classics even though their plots have absolutely nothing in common! The title of this shameless piece of 80's cheese reveals it all: we are dealing here with a cash-in of both "Jaws" AND "The Exorcist". How can you possibly blend the concept of animals on the rampage with satanic possession, I hear you ask? Well, you can't… Surely the first draft of the screenplay made this clear as well, but they went along and made the movie anyways. In a godforsaken rural town in Alabama, Satan suddenly and for no apparent reasons possesses a rattlesnake. Or maybe He simply just appears in the form of a virulent snake? Actually, that would explain why it suddenly turns into a King Cobra. I don't know, either that part of the script didn't get explained properly or I wasn't paying enough close attention. Numerous dead bodies, mutilated with giant gaping holes in their faces, have to pop before the local priest decides to come into action. He's a direct descendant of a family of Druids, so if anyone can exorcise this slithery venomous demons, it's him. In good old Jaws tradition the town's prominent council members also refuse to admit there's a problem, since they just opened a fancy dog-racing track and hope to lure many tourists with this attraction. "Jaws of Satan" is a delightfully inept and imbecilic low-budget horror flick, typical for the early 80's, with clumsy effects and laughable "stunts". This is the type of movie that wants us to believe one of the characters comes into face to face contact with a deadly snake, even though you can clearly spot the dirty Plexiglas that separates them. Another character, the female lead heroine, spends an incredibly long time on the bed with a snake whilst nothing happens. She calls her boyfriend for help, and even though he's in his motel room a couple of streets away and still needs to get dressed first, the snake patiently awaits his arrival before launching attack. There are a bunch of underdeveloped sub plots that lead nowhere, like a rapist biker chasing the heroine or a spiritual medium lady that can't even predict her own death. On a slightly more positive note, the snake-bitten faces of the victims are quite cool (although it's the exact same make-up repeated 6 times) and the rural Alabama filming locations are very enchanting. And yes, that cherubic little blond girl is indeed the future Kelly Bundy in her very first appearance.

Jaws of Death (1981)

1/2 (out of 4)

It's common knowledge that THE EXORCIST and JAWS made a lot of money at the box office. It's common knowledge that both films had countless, needless rips that would follow throughout the decade. What isn't common knowledge is why it took so long for someone to try and take both films and mix them into one. The film starts off on a train as a large snake breaks free and lands in a small Alabama town where it starts to kill people. We then flash forward to a Priest (Fritz Weaver) whose father happened to have been fighting Druids or something and it turns out that Satan himself has taken over the body of this snake. This true excitement leads to a dingy cave where the Priest must perform an exorcism on the snake. I'm fairly convinced that Satan's an evil guy but if The Rolling Stone's Sympathy for the Devil thought me anything, it would be that evil Satan would be ashamed to be associated with this film. There are bad movies then there are movies like this that make no sense at all and will leave you scratching your head every few minutes. It should be noted that Dean Cundy (HALLOWEEN, THE FOG) did the cinematography here and Christina Applegate made her screen debut. With that out of the way, this movie gets off to an incredibly bad start. We're on the train when a number of stupid events take place and not a single one of them makes any sense. The second man the snake goes after has a shot of the snake where we can easily see the glass between it and the man. What's worse is that this piece of glass is not only seen but it's extremely dirty from previous takes The story itself is all over the place as it's never quite clear what's going on as we got Satan taking the body of a snake but then we have the Druid plot thrown in for whatever reason. As in JAWS, we have the evil mayor who wants to keep the story on the quiet side so that a dog track can come to town. The performances are all bland to poor but we don't necessarily come to a movie like this for the performances. For the most part the snake attack scenes are rather tame but there are a few quick shots of blood. We get one stupid scene after another but in the end there's no doubt that this here is one of the worst rips of either JAWS or THE EXORCIST.

This movie is never really sure if it wants to be one of those, "Nature is going to totally kill you" movies or a "Satan is behind everything" movie. So it tries to be both and we aren't really sure who our protagonist is, the drunken Priest or the Dashing Herpatologist.

So there's a town where an evil demonic snake takes control of all the other snakes and start randomly biting people. But the Snake is really Satan, trying to get the last of the priests from the line that drove him out of Ireland. Or something. If you were confused, so were the directors and writers.

The Jaws element is that they are keen to open a dog racing track even though people in the town are being randomly bitten by snakes.

The movie is kind of a meandering mess, ending in a cave where the drunken priest confronts Satan-snake... and frankly, it's kind of a letdown. I take back what I've said about all the over the top CGI sequences in movies, at least they have something going on.

JAWS OF SATAN begins on a train carrying dogs for the new dog track, and one snake. What sort of snake? Why, a cobra. What kind of cobra? A devil cobra! We know this because of its powers. Powers, I say! Powers that kill! Kill! Killll! By the time it gets off the train, it's all alone.

Enter Father Tom Farrow (Fritz Weaver). At a party, a psychic named Evelyn Downs (Diana Douglas) is busy "picking up vibes", and knows a lot about Father Farrow's family history. His lineage has made him a prime target for Satan! This means he's doomed!

DOOOMED!!

Enter Dr. Maggie Sheridan (Gretchen Corbett), who's investigating the killer-devil-snake deaths. Of course, there's political tension, due to the opening of the pivotal dog track, so no one wants the bad publicity associated with killer-devil-snake deaths! Dr. Sheridan calls in an expert. More k-d-s deaths occur, causing mayhem.

Indeed, the Evil One has come to town by train, and taken the form of a cobra, in order to kill people. He's also recruiting other snakes to do his bidding. Just like in the bible! Even Dr. Sheridan is attacked, and wails like a banshee-on-fire, causing romance to bloom between her and the snake expert.

The absurdity increases exponentially, as Farrow discovers the terrible truth of his family tree. He must now face off against The Serpent, or the dog track is finished!

Watching adults pretending to take all of this seriously is a joy to behold! Norman Lloyd nearly steals the show, during his heart attack scene! Luckily, he's already at the cemetery! This all leads up to the slithery, slippery, snake-den showdown, complete with organ accompaniment.

THE MORAL OF THE STORY IS: Snakes are eeevil tools of Satan, and must be destroyed!

THE IMPORTANT QUESTION REMAINS: "Why doesn't Satan like dog racing?".

My friends, much mirthful fun is contained herein...