La más pequeña del mundo

12 and under cinema.

I saw this in the theater when I was 11, liked it, and filed the memory of it under "good movie" in my mental cache. All of it's socio-political subtext --endless stabs at Madison Avenue, mass marketing and gross consumerism: Pat is a pimped-out product whore in the merciless clutches of her scAmway-pushing neighbor, and it eventually begins eating away at her, quite literally-- these bits of 'wink-wink' adult humor sailed right over my Bazooka gum-chomping, 11 year-old head.

The fun in "Incredible Shrinking Woman" was the ignorance to the script's so-called message. What tickled us kiddies in the audience was the sight of a pocket-sized Lily Tomlin sporting plastic Barbie sneakers, bedding down at night on a cot in the Barbie Dream House, and cruising down the hallway carpet in an out-of-control Barbie Dream Car. And when the 10-inch version of Pat attempts to perform her daily chores, such as washing the dishes...hee hee... fun stuff if you're a kid.

This flick resurfaced on cable recently, I was reminded that most of what we liked as 11 year olds is pretty cringe-worthy to us as adults. But I went ahead and watched it anyway because it has 3 things working for it:

-Lily Tomlin

-the nostalgia factor

-& that irritatingly catchy "What would we do without Galaxy Glue?" tune

If I were still a child I would perhaps give it a higher score, but from what I remember it did get a bit lame at times and the effects while good for a kid would not stand up as well now. Still, it was a funny movie about a woman whose husband is like with an ad office or with a company that makes a lot of different products. Whatever he was, his job made it so his wife came into contact with a lot of different products which in turn causes her to start to become smaller and smaller. At first there are just a few subtle signs like her appearance at a window, but soon it becomes very apparent. While she gets shorter and shorter she gains the attention of a rather dangerous person and ends up imprisoned. The film for the most part is funny, kind of strange turns here and there such as the monkey, but hey it was never meant to be a serious film. It does though get a bit to dark in the end for the type of movie it was up until that point. Still, Lily Tomlin is great in the lead role as the shrinking woman and Charles Grodin does an admirable job as the father, though it is a role he can do in his sleep.

Not-so-funny satire of American compulsive consumerism society, based partially on Jack Arnold classic 1957. movie, with several scenes knowingly re-acted completely close to original.

Instead of Grant Williams, here we have Lily Tomlin as everyday housewife slaving for her family and shrinking away, to the delight of media hungry for sensations. Besides being more or less ignored by her family, used that Tomlin simply have to take care of them, she has other serious threats that don't involve cats and spiders but something far more dangerous - humans. Along with quite inane plot, everything is exaggerated: this is not a kind, loving family but a bunch of spoiled brats throwing tantrums, husband and his colleagues are more concerned with profit, Mexican maid is non stop dancing and even neighbors are more concerned about giving interviews than actually giving Tomlin support. Any normal person would pack her bags long ago and run away, but Tomlin - being good wife and self-sacrificing mother - totters on, even as her steps became smaller and smaller. It sounded as a good idea on the paper but is not really funny, perhaps because main character is simply not likable enough - Tomlin is great comedian when given chance to be wicked but as a perpetually serving housewife she is simply annoying (only once, she appears as rude telephone operator "Ernestine" and that minute lightens up the screen). Perhaps great fun for teenagers who delight in obvious jokes but not particularly involving as movie experience and sadly, very far from thrill of 1957. original.

A good idea that doesn't work: a sassy, sweetly-zonked wife and mother discovers to her surprise that all the household and sundry chemicals her advertising-executive husband brings home are making her shrink. Actually, this gloppy-looking comedy does manage to get off on the right foot, with playful and funny glimpses into Tomlin's home-life, but once she shrinks and crosses paths with ready-set villains (not to mention talk show host Mike Douglas...who sings!!), the movie frays and falls apart. It's badly photographed (one of the worst-looking movies of the 1980s--what were they thinking when they watched the dailies?) and allows star Tomlin too much room to stretch her comedic chops (playing kooky characters incognito, Lily is much friendlier and funnier just playing a quirky modern woman). A disappointment for Tomlin's fans, especially since the biggest laugh in the picture is delivered by a gorilla flipping the bird. ** from ****

This is one of Lily Tomlin's best movies. It's kind of corny, but it's supposed to be. Did anyone notice the bright colors, that satire the 70's, like the lime green? It's charming and amusing, and as a kid, I guess when Pat disappeared it was a little scary, but I knew she would be OK, because she was the star of the movie. It was not that scary, I've seen a lot worse. Most of all, it's very entertaining, and not the least bit tedious if you have a sense of humor and a good imagination. When you watch a movie like this, you have to suspend your disbelief and let your inner child out. This is one of my favorite comedies. Lily is great!