Noche infernal

I love slasher films and this is one of my favorites....it seems one of the biggest complaints about 'Hell Night' is the lack of blood. Am I the only one here who remembers two other horror classics that have little bloodshed....'Halloween' and 'Texas Chain Saw Massacre' and before you disagree....watch them again. And notice that all the times that Leatherface smacks heads with the hammer and carves bodies with his chainsaw- very little blood hits the ground.....even 'Prom Night' shows black screen when someone is getting hacked up with an axe... And not all slasher films have to have the 'guess who the killer is' theme....in 'Halloween' we knew it was Michael Meyers and 'Chain Saw Massacre' we knew it was Leatherface and his family.... Back to 'Hell Night'...I thought everybody gave really good performances throughout...Linda Blair and Vincet Van Patten standout the most. I enjoyed the background story about the house's history...the house itself was an excellent setting. Character interaction was interesting...it didn't seem like pointless time filler. The killers were alot more scary than most of the slasher villains...plus the fact that they didn't get a lot of screen time which added to the suspense. A very under-rated slasher film. 'Hell Night' and almost any slasher film post 1979 are called 'Halloween' rip-offs...but, remember 'Black Christmas' came out years before 'Halloween'

Overlooked this one when it was released but after seeing the DVD on sale and reading some positive comments on this site decided to part with my cash. Was I disappointed? No. Once you get past the cheesy opening with its gloriously B-movie style credits it turns into one of the more interesting stalk and slash films of the 80's. The set up is simple - 4 frat pledges have to spend the night in a mansion with a sinister past and a killer on the loose... who will survive? Do we care? Well yes, these kids are surprisingly likeable and, by cleverly putting them in pre-20th Century fancy dress in a candle lit house, removes them from the contemporary teen horror genre. The killings are pretty conventional – decapitation etc.– but the film then builds up to a tense and exciting final 30 minutes with a few surprises and a brilliantly staged ending. I'm probably over-praising this film somewhat but my expectations were low and my rewards were a decent 6.5/10!

Linda Blair, everybody's favorite head-tolling girl, stars as an extremely cute college girl named Marti. Together with 3 other students, she's locked overnight in a haunted mansion as some sort of fraternity initiation rite. The house used to be inhabited by a family of weirdoes (figures…) and the deformed son is believed to still dwell around in the tunnels underneath the mansion's basement. While the other fraternity members are playing pranks to increase the eeriness, the real killer comes to interfere…

Of course, you can't really refer to this 'Hell Night' as being a good film. It's an 80's slasher, produced in-between two 'Halloween'-films. The only reason of this film's existence is to raise more money, so you can't be too demanding for plots, logic or credibility. In it's own specific category, this is a more than decent film. I can name you over a thousand similar films that are worse but only a few that are better. It's amazing what a competent director (Tom DeSimone – specialized in 'Women Behind Bars'-flicks) and a devoted cast (Linda Blair!!) can achieve. There are quite a few suspenseful sequences in Hell Night and the gore is not exploited for once. The settings are decent but sometimes underexposed, which is a bit of a shame. Overall, this a lot more tolerable than the average flick in which teens are slaughtered by the dozen.

Basic Plot = four pledges must spend the night in Garth Manor, twelve years to the day after the previous resident murdered his entire family. Two of the pledges, Marti (Linda Blair, The Exorcist) and Jeff (Peter Barton), ignore the rumours that the now-deserted mansion is haunted by a crazed killer, until one-by-one, members of their group mysteriously disappear. Could this be part of the fraternity prank or is it a demented former tenant seeking revenge? When the seemingly innocent rite of passage turns deadly, these college students will do anything to survive Hell Night." Hell Night is a fun way to waste a couple of hours, a definite popcorn flick which isn't a bad thing, the cast are clearly having fun with they're roles, Suki Goodwin, as Denise, is a scream; providing the film's main comedy moments without really grating. She sails through the film on a wave of booze, Quaaludes (whatever happened to those?) and double-ententes. Linda Blair is also as effortlessly likable as you'd imagine, as the slightly tomboyish girl (with the handy mechanic skills).

Hell Night never fails to be entertaining,It's the fun early 80's slasher flick - designed for retro thrills, fun scares and popcorn munching. It takes itself seriously enough to stop from descending into self-parody funny to talk about innocence in a film where a bunch of people get carved up in creative ways, but HELL NIGHT is a perfect twilight genre example of the slasher flick before it descended into self parody and rapidly shrinking budgets.

What impressed me the most about this "slasher" movie is I honestly cared about the characters and felt bad when they died! That never happens with me & horror movies-- usually the characters are annoyingly lamebrained oversexed fools and I can't wait for them to get axed. HELL NIGHT has much going for it, including an amiable atmosphere, enthusiastic & easy-going performances (especially by the Boom Mic, who I thought deserved an Academy Award for his brief but frequent appearances), decent sets (including the outdoor ones, a bit reminiscent of The Shining), and villains who I swear looked straight out of SCOOBY DOO. (Not that that's a BAD thing, but it's just not too scary.) I honestly thought the script was well-constructed and funny and character exposition was given in an unobtrusive but helpful way (i.e. Linda Blair working as a mechanic.) There is absolutely nothing new or groundbreaking in HELL NIGHT, but it's a sterling example of how to polish up an old apple and make it look appealing and new-- and taste good. (Sorry for that awful metaphor...) Contrary to what others might tell you, Vincent Van Patten really grew on me, and I loved that surfing scene. He's my boy! Rating: 7/10.