Un orbe verde, encarnación del mal supremo, aterroriza a una joven con una antología de historias extrañas sobre fantasías oscuras, erotismo y horror.Un orbe verde, encarnación del mal supremo, aterroriza a una joven con una antología de historias extrañas sobre fantasías oscuras, erotismo y horror.Un orbe verde, encarnación del mal supremo, aterroriza a una joven con una antología de historias extrañas sobre fantasías oscuras, erotismo y horror.
- Premios
- 4 premios ganados y 2 nominaciones en total
- Hanover Fiste (segment "Captain Sternn")
- (voz)
- (as Roger Bumpass)
- …
Opiniones destacadas
It doesn't matter if none of this makes complete sense or if it's even that good in terms of plot construction. This is Heavy Metal!
The concept of this 1981 animated experiment is two-fold: show good and evil in a constant state of flux, and bring to life the richness and erotic energy of the popular animated magazine. Add to that some science fiction, a slight reverence for history (in the beautiful ghoul scene in the WWII B-17) and a juvenile insight into drugs and sex, and you have the definition of my '80s youth culture.
I was one of those kids who'd sneak an issue of Heavy Metal, found on the magazine stands in the local drug store next to the grocery store where my father did his weekly shopping, inside another magazine and stare at the drawings, looking for some violence and humor ... and naked women with bi g breasts. I did the same thing whenever I got my hands on a National Lampoon and, if I was lucky, Hustler.
It's pre-pubescence at its hormonal best! And seeing it again as an adult brings all that excitement back to me. Every story, every piece of music ... God, every shot for that matter -- they all bring me back to being 10 years old and wrestling with my older cousin as she tried to block my eyes when the chick Harry Canyon picks up off the street strips and slides into bed with him to the tune of Journey's "Open Arms."
This movie wasn't meant to be cinematic greatness. It was meant to be a boy's fantasy and his coming of age. Sometimes we take these things too seriously. A good movie is a good movie, and a good memory is a good memory. Let's leave it at that ... and let me get a whiff of that stuff the spaceship pilots have lined along the floor...
The animation is dated with the 70s style. The material is violent and full of scantily clad women. It is sexist and juvenile. It just does it with such abandon that it fully develops what it promises. It revels in the big boobs women in tiny outfits and muscle bound men. It's grotesque. It's got good music. It's a cult classic and fully deserves to be.
I think one reason that this movie was looked forward to for so long is that it was unavailable for so long. I remember around 1984 when a release was planned, and a dispute with the multiple musicians caused it to be pulled. But thankfully this was finally resolved, so we can own it again.
I bought a pirate copy when i was in Japan in 1988 (On Beta no less), and almost played it to death. And having been a fan of the comic when I could find it, I think it told the stories very well. I admit that the "green sphere" link was silly and did not work, and that the original "carousel" concept would have been much better (watch the DVD release for details on this). The simple fact that I have bought 3 copies of this time and still own all 3 of them says something about the movie.
Harry Canyon, Den, and Taarna are the be the most remembered pieces of this movie. Each in itself could even be fleshed out to hour long length, and still be enjoyable. So Beautiful, So Dangerous is enjoyable, and Harold Ramis and John Candy steal the show with their voices ("Hey man, you got any of that plutonium niborg left?"). And I admit, the film version of the story was MUCH more enjoyable then the original one from the comic.
PS: Watch for the cameo of a destroyed USS Enterprise. I love pointing that out to people that miss it.
¿Sabías que…?
- TriviaThe home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
- ErroresThe two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
- Citas
Prosecutor: Are you Captain Lincoln F. Sternn?
Stern: [haughtily] I am.
Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...
[pauses to check the criminal record]
Prosecutor: ...and one moving violation. How do you plead?
Stern: [haughtily] Not guilty.
- Créditos curiososThe rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
- Versiones alternativasBecause of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
- ConexionesFeatured in OTT: Episode #1.8 (1982)
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Heavy Metal
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 9,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 546,545
- Fin de semana de estreno en EE. UU. y Canadá
- USD 204,660
- 10 mar 1996
- Total a nivel mundial
- USD 547,563
- Tiempo de ejecución1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1(original ratio)
- 1.85 : 1