Il giorno del Cobra

This Eurocrime is simply amazing. Not because its violence as it nearly tops a Terrence Hill & Bud Spencer-movie, but because of the bad acting of Franco Nero which is so hard to believe that this is one of the funniest movies you can imagine. The story is your usual Eurocrime-stuff, but it kind of works and it was great to see Sybil Danning as well.

Both The Shark Hunter and Day of the Cobra feature director Enzo Castellari punching actor Franco Nero in the face. Is this some sort of in-joke?

Nero scruffs up as an Italian private investigator living in San Francisco as some sort off disgraced ex-cop. Down on his luck, he's contacted by Narcotics agent William Berger and given the task of going back to Genoa to track down a sinister figure called Kandisky, whom we see killing a guy who looks like Alan Partridge and stealing a key off him. This Kandisky person seems to be Nero's mortal enemy, and he heads off to Genoa to kick ass.

Once there, he enters a shady world of drug smuggling, imports, and Massimo Vanni wearing dodgy porn moustaches as he tries to track his prey. All is not as it seems, however, as he's followed everywhere, Kandisky starts taunting him by phone, and even glamourous night club ladies might actually be kung-fu expert men in drag.

This one takes a while to get cooking but its plain sailing due to Nero's eccentric Cobra character, who constantly chews gum and leaves it everywhere while bouncing a rubber ball all over the place. There's plenty of action, mostly of the punch up kind at first, but as the story goes on it becomes darker and more violent, with Nero not being able to trust anyone. He does have time to bed Sybil Danning a few times. Or maybe he was checking she wasn't a dude.

I do have a couple of niggles, however. While I'm always up for Nero shooting Massimo Vanni, he'd already shot him in the balls in High Crime, and Nero loses a kid to a speeding vehicle, like he did in the film High Crime. I have a sneaking suspicion that Castellari might have been running out of ideas here, which is why perhaps he moved on to ass-kicking post apocalyptic films.

You can't fault the back up cast here: Big Romano Puppo and Wee Massimo Vanni on hired goon duties, Ennio Girolami, William Berger, even Enzo's daughter Stefania sporting some dodgy looking dreadlocks. It all worked for me.

Like other Enzo Castellari - Franco Nero teamings, this is a case of a routine script directed with flair. Castellari stages plenty of energetic fistfights and chases, and Franco Nero brings some of the qualities that made him a cult favorite - his humor, his athleticism, and of course his accent (IMDB lists the language as Italian, but I think it was filmed, not dubbed, in English). The script, however, is strictly formula stuff; some of the twists I guessed (seriously, is there anyone who has watched even one Italian film before who couldn't guess the fate of Nero's innocent son?), some I did not (Sybil Danning's role turns out to be more important than it appears at first), but generally there is nothing here that you have not seen before. Except maybe for the scene where Nero fights a karate-chopping transvestite, but even something similar to this has happened at least once before - in the beginning of "Thunderball". (**)

My review was written in February 1985 after watching the film on Media Home Entertainment video cassette.

"The Day of the Cobra" is a pleasant surprise: an effective Italian action film, shot in 1980 and imported as a video cassette, bypassing U. S. theatrical release.

Picture harks back to a very fine decade-earlier opus, "Detective Belli", with star Franco Nero comfortably essaying another Bogart-styled police detective on a big narcotics case. Both features include solid acting and action sequence plus serviceable storylines.

Working as a private eye in San Francisco, Larry Stanciani (Nero) is summoned by Goldsmith (Wiliam Berger) of the narcotics bureau to go on a mission to his hometown of Genoa in search of drug kingpin Kandinsky. Unofficial assignment holds the promise of getting Stanciani his police job back -he lost it and was sent to jail years back in a frameup engineered by Kandinsky.

Amidst a series of doublecrosses, solid fight scenes and chases, Stanciani has a run-in with glamorous disco deejay Brenda (Sybil Danning) and disco owner Lola, who turns out to be a transvestite in an effective plot twist, the clue for which is that Lola is the tallest thesp in the cast.

Nero is very good in this role, his hard boiled personality balanced by sentimental scenes with his cute young son. Both Nero and Danning so their own English dialog in a generally well-dubbed (articulation is in English) soundtrack. Pic is a welcome change of pace from director Enzo G. Castellari, who has been making numerous imitative fantasy and science fiction films lately.

The Poliziottesco AKA Eurocrime was in last breath period, even so the Italian producers team up Franco Nero and the iconic director Enzo G. Castellari in this weirdo offering entitled Il Giorno del Cobra, unfortunately the screenwriters draw up a far-fetched plot on sugary American oriented when the hero meets his young son at Genoa in Italy playing baseball together in a lovely homecoming with the right to a kiss on the mouth, well the audience has to stand such foolish moment.

The plot broke the boundaries of sanity when a former cop Cobra (Nero) was in jail framed by his superior has to survives as cheap detective in San Francisco, out of the blue the poker face Chief is back offering to Cobra his old position at Police department if Cobra accepts a hard assignment in Italy to struggle with a strong organization of drug dealers and smuggling trying get a double key of safe-box whereby holds the money of the criminals, thus Cobra has to fight with skilled woman-men or whatever they calling it at early eighties, to relief such suffering entering the gorgeous Sybill Danning daintily in sexy outfits on the story, aftermaths it became better.

Certainly Franco Nero wouldn't proud for this weak flick, let's say bearable just for Nero, Danning and Castellari memory at all, the music score is another low point, the outcome is rather beyond of unsatisfying upon any point of view whatsoever.

Thanks for reading.

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First watch: 1997 / How many: 2 / Source: TV-Youtube / Rating: 6.