Jauría humana

Here is a story set in Canada about Canadians and yet it was made by the US. I have to ponder why Canada didn't jump on doing this story themselves. If one wonders why Canadian movies are so lame (about failure, disease, depression, weird humor) I would say it is because culturally we have an aversion to examining ourselves in a critical fashion whereas other countries do it quite naturally. England has made films about notorious murders, same with Australia, or Germany (Tenderness of the Wolves), and of course, the US. This story would have been perfect material for a domestic movie--but I can find no evidence that Canada ever sought to make this story themselves. I can understand with the stars involved that they dramatized it and changed the facts, but if it were done with no stars, and kept to the historical story, it still would have been fascinating. But the government film funding bodies don't like stories that present Canada in a negative light. At least in the English side-I know Quebec has covered stories on its history in fictional fashion. I remember the furor over a Canadian murder case when a Canadian producer wanted to make a film about it and was harshly condemned, so the US made it-and Canadian crew people vowed not to work on it. This is seriously screwed up thinking. If Canada wants to develop a normal film industry it needs to be less reserved and more self-examining.... On the film itself, I agree with the sentiments that you wouldn't see this film made today-and if you did, it would star model-types. Character actors have really gone extinct. Some of the melodramatic touches in the film worked for me (the dog, the trapper Bill), others fell flat(the inserted love story). Still, Bronson was effective (you could totally believe he was a rugged mountain man) and Marvin had some good lines (I am sure Canadian government culture ministers would have axed his comment calling the trappers "savages" if it was made in country).

Charles Bronson has less than fifty words of dialogue in this film, since he spends most of it running through the snow on his own pursued by the mounties, but it is still one of his better films from the late seventies and early eighties era.

He plays the real life character Albert Johnson, a fur trapper who killed some people in a dispute over dogs and went on the run in territory which had never been crossed during the ferocious Arctic winter. He successfully got away from them, despite the fact that they had many men, dogs and even an aeroplane to help them to track him down.

This movie version is simple blood and thunder stuff, with a starry cast, some strong language and a handful of sparkling action sequences. It has weak points too, such as the wasted character played by Angie Dickinson, and a few slow patches in terms of pacing. However, when you think that Bronson was mainly working on such dross as The Evil That Men Do, Death Wish II, and Ten to Midnight at this point in his career, this is at least a slightly above-average film worthy of his rugged talents.

Charles Bronson is an ex-patriot of the United States who travels to the Yukon to escape his past. He gets on the bad side of a group of trappers, kills one of them in self-defense, and is wrongfully accused of murder. Lee Marvin as a veteran Mountie, Carl Weathers, and fresh from training Mountie Andrew Stevens set out to track Bronson down as he tries to escape into Alaska.

The acting in this film is sensational, the settings are true to life, and the story is riveting. A must see!

I enjoyed this film. I thought the movie was entertaining and fun for Lee Marvin and Charles Bronson fans. Bronson does not have much dialogue, but has some good one liners mixed in with some good action scenes. Lee Marvin's character was very likeable. The movie for me served its purpose of entertaining me as is the case with most "action" flicks. It is one of my favorites. If you are a fan of Lee Marvin and have not seen this movie I recommend it.

I had fond memories of watching Death Hunt as a teenager and I thought it would be worth revisiting.

Charles Bronson plays, Albert Johnson, a solitary trapper who becomes the target of revenge after rescuing a dog from a cruel fight. He also slaps some manners into the owner in the process.

Feeling emasculated and weakened the man gets a gang together and turns up at Albert's cabin to teach him a lesson. A gunfight ensues, and in one of the men gets a belly full of lead. Sgt. Edgar Millen, played by Lee Marvin, of the Mounty police has the grim task of cleaning up the mess and bringing order. He takes one look at the situation and can see that it was the fault of trigger-happy hotheads, but with one man dead he has no choice but to Albert in. It's the law.

He refuses, of course, and it kickstarts a chain of events that leads them on a chase across the snow-covered mountains of Yukon in Northern Canada. Things get out of hand when a bet in a local tavern has every gun-toting buffoon in the county joining the posse.

Watching Death Hunt it's hard not to think of First Blood or The Fugitive. You'll find elements of both here. Made in 1981 this is without doubt one of last great Charles Bronson movies. It's also, given the fact that he only has three lines dialogue, one of his best performances. Lee Marvin is a commanding presence, as ever, but looks tired. Those years of boozing and smoking have obviously caught up with him. Then there's Angie Dickensian, playing the part of the only woman in the movie and I think that's the only reason she was there.

While this is based on a true story, all signs indicate that this was a very, very loose interpretation of the events of the real Albert Johnson.