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Charles Bronson is an ex-patriot of the United States who travels to the Yukon to escape his past. He gets on the bad side of a group of trappers, kills one of them in self-defense, and is wrongfully accused of murder. Lee Marvin as a veteran Mountie, Carl Weathers, and fresh from training Mountie Andrew Stevens set out to track Bronson down as he tries to escape into Alaska.

The acting in this film is sensational, the settings are true to life, and the story is riveting. A must see!

Death Hunt is directed by Peter Hunt and written by Michael Grais and Mark Victor. It stars Charles Bronson, Lee Marvin, Carl Weathers, Ed Lauter, Andrew Stevens, Scott Hyland, Maury Chaykin and Angie Dickinson. Music is by Jerrold Immel and cinematography by James Devis.

Film is loosely based on the real "Mad Trapper" man hunt that occurred in the Yukon Territory, Canada, 1931.

Directed by the man who helmed On Her Majesty's Secret Service, and starring two of the iconic stars of The Dirty Dozen, it's no surprise to find Death Hunt full of machismo. What transpires is a two part movie, where time is afforded the set up for the first half, and the second half features the man hunt across the Yukon landscapes.

Plot basically sees Bronson as nomadic loner Albert Johnson (The Mad Trapper of lore), who rescues a severely injured dog from a dog fight held by baying locals, much to their displeasure. Unwisely tracking Johnson down and taking him on, one of their number is shot and killed. So in come the legal guys, the RCMP, led by grizzled old pro Edgar Millen (Marvin), who desperately tries to keep things in order as the situation quickly spirals out of control. As Johnson takes to the snowy terrain, with Millen and co in pursuit, a respect begins to form between the two wise heads, with Millen very much aware that there will be only one winner in this hunt.

So it goes, framed by lovely location photography, and with Bronson and Marvin doing what they do best, film plays out as a snowy chase and survive adventure. It's very much fictionalised from the real story, but some instances are real, including the incredible journey that Johnson undertook whilst fleeing his pursuers. Violence slots in and out of proceedings, as does moments of humour, and there's a nice grey area in the narrative that questions who you should be rooting for. In fact Marvin's characterisation of Millen is very enjoyable because he is irked by the cretins he finds himself hunting with.

Some of the support players are under written, so therefore underused, while Dickinson pops in only briefly and purely as a bit of sexy relief from the machismo on show. All told it's a safe and enjoyable movie for fans of the stars and fans of outdoor action/adventure/thrillers. Kind of like First Blood meets The Fugitive who then take Seraphim Falls out for a drink. Only, remember, this was before all those and it has Bronson and Marvin in the locker! 7/10

I enjoyed this film. I thought the movie was entertaining and fun for Lee Marvin and Charles Bronson fans. Bronson does not have much dialogue, but has some good one liners mixed in with some good action scenes. Lee Marvin's character was very likeable. The movie for me served its purpose of entertaining me as is the case with most "action" flicks. It is one of my favorites. If you are a fan of Lee Marvin and have not seen this movie I recommend it.

Here is a story set in Canada about Canadians and yet it was made by the US. I have to ponder why Canada didn't jump on doing this story themselves. If one wonders why Canadian movies are so lame (about failure, disease, depression, weird humor) I would say it is because culturally we have an aversion to examining ourselves in a critical fashion whereas other countries do it quite naturally. England has made films about notorious murders, same with Australia, or Germany (Tenderness of the Wolves), and of course, the US. This story would have been perfect material for a domestic movie--but I can find no evidence that Canada ever sought to make this story themselves. I can understand with the stars involved that they dramatized it and changed the facts, but if it were done with no stars, and kept to the historical story, it still would have been fascinating. But the government film funding bodies don't like stories that present Canada in a negative light. At least in the English side-I know Quebec has covered stories on its history in fictional fashion. I remember the furor over a Canadian murder case when a Canadian producer wanted to make a film about it and was harshly condemned, so the US made it-and Canadian crew people vowed not to work on it. This is seriously screwed up thinking. If Canada wants to develop a normal film industry it needs to be less reserved and more self-examining.... On the film itself, I agree with the sentiments that you wouldn't see this film made today-and if you did, it would star model-types. Character actors have really gone extinct. Some of the melodramatic touches in the film worked for me (the dog, the trapper Bill), others fell flat(the inserted love story). Still, Bronson was effective (you could totally believe he was a rugged mountain man) and Marvin had some good lines (I am sure Canadian government culture ministers would have axed his comment calling the trappers "savages" if it was made in country).

Charles Bronson has less than fifty words of dialogue in this film, since he spends most of it running through the snow on his own pursued by the mounties, but it is still one of his better films from the late seventies and early eighties era.

He plays the real life character Albert Johnson, a fur trapper who killed some people in a dispute over dogs and went on the run in territory which had never been crossed during the ferocious Arctic winter. He successfully got away from them, despite the fact that they had many men, dogs and even an aeroplane to help them to track him down.

This movie version is simple blood and thunder stuff, with a starry cast, some strong language and a handful of sparkling action sequences. It has weak points too, such as the wasted character played by Angie Dickinson, and a few slow patches in terms of pacing. However, when you think that Bronson was mainly working on such dross as The Evil That Men Do, Death Wish II, and Ten to Midnight at this point in his career, this is at least a slightly above-average film worthy of his rugged talents.