El padrastro

When a woman is killed in a car wreck, she leaves behind a husband and a daughter by an exhusband who become the center of gravity of the film. As the step father and beautiful 14 year old nymphet share their grief under the same roof, the girl reveals an uncommon maturity as she insinuates herself into the step father's life by taking on her mother's responsibilities and demanding her place in his bed. What follows is an unemotional, matter of fact, tastefully presented tale of two people whose familial love morphs into something more as they grapple with all the issues which come with their extraordinary and taboo relationship. "Beau Pere" aims for the head and ricochets off the heat but leaves the crotch alone. Not "Lolita" and not a film about pedophilia or seduction, this flick should be an interesting watch for anyone into films about atypical romantic relationships. (B+)

Patrick Dewaere was a wonderful comic actor (see him in Les Valseuses), while Ariel Besse was rather, er, young. Realistically young. I'd have liked this film even better if I hadn't had to endure the horrible dubbing into English (especially for Ariel Besse's character).

Cast is phenomenal. Excellent acting all around. Beautiful direction. I was sad to see that the young actress didn't do too many more films after this one -- because she is phenomenal in this. Great movie ... but not for politically correct American audiences. A film with this kind of delicate poetry can only be made in France.

Blier is not my favorite French director. Too much irony and too much Godard-a-like in his films. But this one is very different. It's written with great intelligence and, like in most of the French Cinema, it had a wonderful sense of reality. The subject is touchy : a man falls in love with a young teenager (14 years old). But here, we have not the classic Lolita. The young girl looks realistic, and so is her feelings. Superb acting and a great musical score.

A gorgeously photographed and steamy tale of forbidden passion.

Boasting a superb lead performance by Patrick DeWaere as a young Frenchman battling to stifle the seductive advances of his breathtakingly beautiful step-daughter, it is grounded by fascinating character detail and an intelligent, focused script that is deeply interested in the complexities of love and desire.

Ariel Besse is the step-daughter and she is a bubbling, nubile cauldron of curiosity and mischief.

Sacha Vierny's moody photography is worthy of a coffee table hardcover and Philip Sarde's score is perfection.

A delicious, provocative, mature tale of sexual politics.