Arturo, el millonario seductor

From the beginning of this movie it seems apparent that the role of Arthur was meant to be played by a much younger actor. By the end, it's clear that nobody other than Dudley Moore could have done it so well. Looking back, one remembers the sappy Christopher Cross theme song (does anyone remember Christopher Cross?) and oh-so-80's clothing and sets with an unavoidable nostalgia. But the triumvirate of Moore as Arthur, Liza Minnelli as Linda, and Sir Johnny G as the butler Hobson, dripping with sarcasm and at the pinnacle of his considerable talent, make this more than a throw-away farce.

All the best lines belong to Gielgud, and the Academy Award was hardly adequate for such a legendary performance. Moore's lovable drunk would wear thin in later years, but here it is a fresh and delightful tour de force in the most politically incorrect way. Liza is flawless, but one hates to see her in a non-musical role, for fear of squandering such an immense talent. But the chemistry, the synergy between these legends is palpable.

The laughs never get old. It is, however, a tragedy that the DVD is not available in cinematic aspect.

Whenever I remember Arthur, a movie released over 40 years ago, Christopher Cross's theme comes to mind. Anyway, Dudley Moore quite hilarious in Arthur and Liza Minelli gave the soft edge needed to round out the movie.

The sequel was so and so.

Arthur has always been a personal film for me for two reasons. A good friend of mine who worked on the film as an extra and to help out with the horses during the stable scene just recently passed away. If you look fast you can see Frank Graham during the restaurant scene in the background while Dudley Moore and Jill Eikenberry are in conversation. Frank was a champion equestrian and will be missed by all who knew him.

Secondly though, I actually knew a real life Arthur Bach. He was not quite as wealthy as Arthur, but spent 47 years of his life basically as a kid. His parents tightly controlled his purse strings, but his rent and utilities were paid for in a basement apartment in Greenwich Village. He spent a good deal of his time getting himself intoxicated on various spirits and making a public spectacle of himself, just like Dudley Moore does.

The wonder with Arthur is why anyone would bother with him wealth of not. But that's the other half of the equation. My friend was a most charming person when you got to know him. In fact it was almost a compulsion to be charming. He couldn't buy a newspaper or magazine without trying to establish some level of relationship with the vendor. He spent his life being a perfect party guest. The term wastrel which was in common use in the 19th century would apply to him.

And that's what Dudley Moore is, a wastrel. Unlike my friend Moore has John Gielgud to clean up after him. That's a full time job as we see demonstrated in Arthur. My friend also never found a Liza Minnelli, a male Liza Minnelli in fact because he was gay. Still Moore's portrayal of Arthur Bach is deadly accurate and so real for me.

Arthur, 20th century wastrel, is being forced to marry another trust fund baby in Jill Eikenberry. Since he won't work for a living, the threat of being cut off is quite real for him. He only has his butler Hobson played by John Gielgud and chauffeur Bitterman played by Ted Post to pour his troubles out to. We should all have such troubles.

John Gielgud in his nearly century of life certainly did better work than in Arthur on film and in fact Gielgud is more prominently known for his stage performances. Yet 1981 was a year of sentiment at Oscar time. The Academy gave Henry Fonda and Katharine Hepburn Oscars for On Golden Pond and Gielgud the Best Supporting Actor Award essentially for the work of a lifetime. That man was amazing, still at his craft almost to the end.

So to Frank Graham who worked in the film and to Jackie Weiss, a genuine real life Arthur, I dedicate this review.

If you look back on the romantic comedy genre you can see that it's really gone downhill these days. Rom-coms of the 21st century have no heart, no soul, and certainly no brain. Arthur is a film that represents a more illustrious and heartfelt age of romantic comedies. Dudley Moore plays Arthur, a charming, funny, and lovable millionaire who also happens to be a compulsive drunk. He spends his days taking hot baths in a bathtub big enough for an elephant as well as driving around town living an exciting and carefree life. But his drunken antics are pulled to a halt when his father tells him that unless he marries the girl his family has arranged for him to wed his unlimited funds will be cut off. But that very same day Arthur meets the girl of his dreams and must make a life changing choice.

Arthur is a film with a lot of heart. Its storyline is sincere and its characters are believable. You'll instantly fall in love with the wild and exuberant Arthur, but more so his sarcastic and witty servant Hobson, played by John Gielgud in a magnificent Oscar winning performance. Liza Minnelli plays Linda, Arthur's love interest and she does just as excellent job and delivers a heartwarmingly funny performance with the rest of the cast.

Arthur also reminds us of a time when comedies didn't have to be so crude to be funny. Laughs are always about shock value these days, but Arthur manages to be clever and it's comedy comes from an intelligent script and great actors. Arthur isn't hilarious but it's sufficiently entertaining and is good for plenty of sincere laughs. Obviously the film as a whole is no masterpiece, but as far as romantic comedies go it's better than anything we might see today. It's a little sappy, very predictable, and it's characters are pretty easy to dissect on the base level. But Arthur isn't striving to be much. It's aim is to make us laugh and give us a heartwarming story. It does both of these things, so I would say it is a very successful film.

Delightful movie. Side splitting laughs at times, heart warming at others. Sir John Gielgud is wonderfully funny and poignant as Hobson, Arthur's butler. My favorite scene is where he goes to Liza Minnelli's house to talk to her, you really sympathize for him and her. Memorable song "The best that you can do", and unforgettable characters make this a feel-good memorable movie. Definitely on my Top 30 of all time. 10/10