Dos universitarios americanos en un viaje a pie por Gran Bretaña son atacados por un hombre-lobo del que ninguno de los lugareños admite la existencia.Dos universitarios americanos en un viaje a pie por Gran Bretaña son atacados por un hombre-lobo del que ninguno de los lugareños admite la existencia.Dos universitarios americanos en un viaje a pie por Gran Bretaña son atacados por un hombre-lobo del que ninguno de los lugareños admite la existencia.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio Óscar
- 3 premios ganados y 4 nominaciones en total
- Kermit the Frog
- (material de archivo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The appeal to this film is the combination of horror, suspense, action and humor. The latter actually is the key ingredient because this can become a downright scary movie. The levity here and there is welcome relief. There is just the right amount of contrast between horror and comedy.
For parents wanting to know, there also is a fair amount of rough language and there two sex scenes, one as part of the story and one "on screen" in a porn- movie theater where the two male leads meet late in the story.
Jenny Agutter is the love interest in here, a very pretty woman whom Americans audiences aren't that familiar with. It isn't just her: neither of the two leading (American) male actors in this popular movie ever became stars, either.
An entertaining but silly sequel came out almost two decades later, "An American Werewolf in Paris." I own both movies but much prefer this one.
Especially in DTS sound... It's Scary!!!
Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.
The story unfolds!...And the tension begins!...slowly!
Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.
But the real star of the film is director John Landis!
Along with the Cast!
And make-up artist Rick Baker.
Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.
A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...
Well...everyone's got their opinion.
But this film ranks way up their in horror. A Classic!!
With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.
Grab the popcorn! And Hang On!
The film's sense of humor is definitely because the film's director and writer, John Landis, has directed so many great comedies. If you gave the same premise to a much more serious filmmaker, they probably would have made a straight horror film, subtracting all of the brilliant laughs that Landis gives us. Of course, part of what makes "An American Werewolf in London" so special and so entertaining is how hilarious it is. It's almost unbelievable that a movie with so many horrific and gory moments can also be laugh out loud funny throughout.
Another important part of "An American Werewolf in London" is the use of the acclaimed, award winning special effects, that earned Rick Baker a well deserved Oscar win. The werewolf transformation scene definitely lives up to the high expectations anyone viewing the film for the first time may have. It's legitimately disturbing, and amazingly well done!
In Summary: Top banana
After watching an American Werewolf in London for the first time I found the film to be a clever mixture of comedy and horror which succeeds in being both funny and scary, The film possesses an overriding eagerness to please that prevents it from becoming off-putting. It delivers a good share of scares and dark laughs. Some of the special effects are a little creaky now, but the snap of Landis's editing and the razor's-edge balance of horror and comedy are still fresh. The metamorphoses into the werewolf scenes are spectacular and the beast's rampage through Piccadilly Circus is marvellous. Splendid gory fun. It feels increasingly like a symbol of traveller abroad alienation-what trying to live in a place that isn't home can feel like: confusing, rageful, even physically debilitating.
¿Sabías que…?
- TriviaDue to the controversial lack of recognition for El hombre elefante (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on Las siete caras del Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for Las crónicas de Narnia: El león, la bruja y el ropero (2005).
- ErroresRepeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
- Citas
David: I want you to arrest me, you asshole!
Bobby in Trafalgar Square: There's no call for that kind of language.
David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!
Bobby in Trafalgar Square: That's enough.
David: No! Let go of me!
Alex: David, please!
David: Shakespeare's French! Fuck! Shit! Cunt! Shit!
- Créditos curiososKermit the Frog and Miss Piggy star as themselves.
- Versiones alternativasUniversal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Tiburón (1975)).
- Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
- The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
- All the gunshots and car crash sound effects have been replaced.
- The train in the "London tube" scene can now be heard moving from one channel to another
- Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
- ConexionesEdited into Poppers (1984)
- Bandas sonorasBlue Moon
Music by Richard Rodgers (uncredited)
Lyrics by Lorenz Hart (uncredited)
Performed by Bobby Vinton
Courtesy of Columbia Records
Selecciones populares
- How long is An American Werewolf in London?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Un hombre lobo americano en Londres
- Locaciones de filmación
- Crickadarn, Powys, Gales, Reino Unido(East Proctor)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,565,292
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,786,512
- 23 ago 1981
- Total a nivel mundial
- USD 30,820,576
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1