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6.4/10
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Agrega una trama en tu idiomaSmall-time female wrestling team "The California Dolls" and their manager must face the hardships of their sport and their lives to succeed.Small-time female wrestling team "The California Dolls" and their manager must face the hardships of their sport and their lives to succeed.Small-time female wrestling team "The California Dolls" and their manager must face the hardships of their sport and their lives to succeed.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Jonathan Terry
- Akron Doctor
- (as Jon Terry)
Opiniones destacadas
Nice film with Peter Falk (RIP) ...I had seen it before, years ago, didn't remember it though...except the mud wrestling scene and that hot "Iris" aka Vicki Frederick - wow!
I wonder why Frederick didn't make it to a bigger star, she certainly had the looks and talent to be a real 80's sweetheart/hottie...
The movie is a sort of a mixed bag, divided between t&a of female wrestling scenes and story about them trying to make it...perhaps with too much wrestling/backstory depending on one's point of view... The last wrestling scene was something like 20 minutes long, a bit too much perhaps. But I have to say wrestling was well made and ladies were fit, so no big problem, entertaining fair nevertheless.
I liked the 70's feel of it, reminded me a bit about Rocky...well it did have "Paulie" in it. And Columbo, in quite a different role, pulling a fine performance as a sleazy manager. And of course according to this film, wrestling is all real, not a show. Ha! Wonderful find.
7.5/10
I wonder why Frederick didn't make it to a bigger star, she certainly had the looks and talent to be a real 80's sweetheart/hottie...
The movie is a sort of a mixed bag, divided between t&a of female wrestling scenes and story about them trying to make it...perhaps with too much wrestling/backstory depending on one's point of view... The last wrestling scene was something like 20 minutes long, a bit too much perhaps. But I have to say wrestling was well made and ladies were fit, so no big problem, entertaining fair nevertheless.
I liked the 70's feel of it, reminded me a bit about Rocky...well it did have "Paulie" in it. And Columbo, in quite a different role, pulling a fine performance as a sleazy manager. And of course according to this film, wrestling is all real, not a show. Ha! Wonderful find.
7.5/10
Three dots following a sentence usually means... there's more to come... And when the opposite occurs, and the dots proceed the sentence or title, that's pretty much that...
Which sums up the 1981 Peter Falk road movie ...ALL THE MARBLES in which the quirky COLUMBO actor plays Harry, the lowlife manager of a female tag-team wrestling troupe going city to city...
And from the very beginning it feels like we're heading towards a concussion since the ladies are already at the end of their professional ropes: So those dots represent all the work we didn't see, and they really want those marbles, already...
They referring to sexy and voluptuous jocks Iris and Molly, played by brunette Vicki Frederick and blond Laurene Landon, both sick and tired of the nowhere grungy gigs that Harry, in debt with several bookies, keeps tossing them into. Dive arenas (and one mud wrestling carnival) hardly provide enough bread to keep the trio active, stopping at cheap motels with nothing left over for a fancy dinner, which Harry keeps promising...
Other than being a lightweight exploitation replacing the popular roller derby genre with wrestling, ALL THE MARBLES is a showcase for the two Amazon beauties yet also highlights the legitimate acting skills of the more prominent Iris.
In this semi love interest role, much of the plot evolves around Vicki Frederick's character reluctantly staying on board while, deep down, she's madly in love with her endearingly seedy manager. In that particular aspect, Peter Falk, despite being a fantastic actor, is miscast in a role more suited for a younger Henry Winkler or John Ritter type.
Directed by DIRTY DOZEN and KISS ME DEADLY veteran Robert Aldrich, MARBLES is a fairly decent road picture. A number of scenes are shot through a dilapidated car's murky windshield, passing through a melancholy industrial landscape as the trio discuss their next gig, ultimately pitted against a pair of equally talented wrestlers, backed by a mafia wreck played by Burt Young and his bulky henchman Lenny Montana, best known as Luca Brasi from THE GODFATHER.
Meanwhile, Aldrich seems more comfortable with Falk's road-roaming monologues than the pivotal wrestling matches, filmed mostly in benign wide shots. Feeling like part of the live audience or a television viewer, it's difficult to get fully into the struggle of the both women, who not only pay their bruised dues but is why ALL THE MARBLES is worth checking out.
Which sums up the 1981 Peter Falk road movie ...ALL THE MARBLES in which the quirky COLUMBO actor plays Harry, the lowlife manager of a female tag-team wrestling troupe going city to city...
And from the very beginning it feels like we're heading towards a concussion since the ladies are already at the end of their professional ropes: So those dots represent all the work we didn't see, and they really want those marbles, already...
They referring to sexy and voluptuous jocks Iris and Molly, played by brunette Vicki Frederick and blond Laurene Landon, both sick and tired of the nowhere grungy gigs that Harry, in debt with several bookies, keeps tossing them into. Dive arenas (and one mud wrestling carnival) hardly provide enough bread to keep the trio active, stopping at cheap motels with nothing left over for a fancy dinner, which Harry keeps promising...
Other than being a lightweight exploitation replacing the popular roller derby genre with wrestling, ALL THE MARBLES is a showcase for the two Amazon beauties yet also highlights the legitimate acting skills of the more prominent Iris.
In this semi love interest role, much of the plot evolves around Vicki Frederick's character reluctantly staying on board while, deep down, she's madly in love with her endearingly seedy manager. In that particular aspect, Peter Falk, despite being a fantastic actor, is miscast in a role more suited for a younger Henry Winkler or John Ritter type.
Directed by DIRTY DOZEN and KISS ME DEADLY veteran Robert Aldrich, MARBLES is a fairly decent road picture. A number of scenes are shot through a dilapidated car's murky windshield, passing through a melancholy industrial landscape as the trio discuss their next gig, ultimately pitted against a pair of equally talented wrestlers, backed by a mafia wreck played by Burt Young and his bulky henchman Lenny Montana, best known as Luca Brasi from THE GODFATHER.
Meanwhile, Aldrich seems more comfortable with Falk's road-roaming monologues than the pivotal wrestling matches, filmed mostly in benign wide shots. Feeling like part of the live audience or a television viewer, it's difficult to get fully into the struggle of the both women, who not only pay their bruised dues but is why ALL THE MARBLES is worth checking out.
A strange underrated film. brilliant acting and wonderful fight sequences. The film lives in a curious world of endless motel rooms, dislocation and transit (Harry's grubby car/opera soundtrack ...) A curious feature is also that we are asked to believe that pro tag wrestling is "for real." the photography throughout is excellent and the performances are very strong (Falk is superb!)another wonderful, tantalising element is the scant detail we are given of the central characters. Molly = "junkie" ex secretary, Iris = ex lover of Harry, and Harry himself = opera loving ex teacher. the tone of the film is of these (and other) exploited girls, literally fighting for a better life, on the "eternal road" both strong, but a million miles from "independent". occasional comic moments, and moments which bring enormous sympathy and empathy. a classic film. and sadly, I believe, Aldrich's last.
P Hancock. Kent, UK
P Hancock. Kent, UK
This film will be dismissed by most viewers much like I dismiss hip hop music. With the recent revival of pro wrestling, it is a shame that this film stays buried in the MGM/UA film library. All the Marbles, is the story of the California Dolls, 2 very attractive lady wrestlers seeking wrestling work and fame in seedy blue collar cities and towns of Mid America. Their manager is Peter Falk. They hope to leverage their good looks and athletic talents into the major league of pro wrestling. This film had a first rate director, capable cast, and was well written. It was a shame that it failed at the box office. While lady wrestling is not currently mainstream, things are changing, women can be stronger and better trained and more and more people are watching wrestling. Weekly pro wrestling attracts more TV viewers than weekly baseball. Hey MGM, how 'bout putting All the Marbles back on TV.
This is overall an entertaining movie,but I have to admit...the real interest here for me is watching 2 very sexy women wrestling. I've always enjoyed catfighting,and this is one of the few mainstream movies that has that in it. I would someday like to see a racier version of this movie,but i know I'm probably just dreaming. Its been awhile since I've seen this,but i believe there was also a jello wrestling scene in it. One thing I had a little trouble believing was that the lead dark haired wrestler was sleeping with the Peter Falk character...ewwww....highly doubtful. I recommend watching this movie to see if you like it.
¿Sabías que…?
- TriviaLegendary female wrestler Mildred Burke, along with two of her pupils (who appear in the first match while the credits roll), trained the two leads for several weeks. After intensive work, Laurene Landon and Vicki Frederick were able to perform the wrestling action without doubles.
- ErroresAfter the initial match, when Harry and the girls are leaving the Akron Arena, the strap on Molly's duffle bag switches positions from over her shoulder to her front then back to over her shoulder.
- Citas
Fan: [Yelling to Molly, while walking through the arena hall with Iris and Harry] Hey, honey, you look better, with your clothes off!
Molly: [Flips him off]
Harry Sears: I didn't know you were bilingual.
- ConexionesEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 6,468,195
- Total a nivel mundial
- USD 6,468,195
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