Sorry!

The premise of Sorry shares a lot of ground with The Prisoner: A man is kept, against his will, by forces who want to monitor and control his every move and all aspects of his life. Except that instead of a British government agent, it's a downtrodden librarian and instead of a cabal of shadowy extra-government forces, it's his mum.

In one episode,the bars crashing shut motif from The Prisoner is referenced in Sorry so the writers definitely drew a lot of inspiration from the Sixties show. Overall, an amusing sitcom that benefits from terrific central performances and not a creepy weather balloon in sight.

This was one of my favourite sitcoms during the 1980s.

Timothy Lumsden is played by the irrefutible Ronnie Corbett. Is a man in his early 40s living at home with his parents.

I know it's hard to believe but poor old Tim can't leave the qualities of home his inescapable mind isconstantly under the influence of his mother, played by Barbara Lott who plays the part so brilliantly. She was made for the part. I Loved her character immenseley.

William Moore plays the father, who is also under her spell. He's number three in the show and often helps the hilarity of the show.

As the series progressed I always rooted for Timothy to find true love as he did try but somehow couldn't get away.

A great show back then and seems even better today, nice to watch humour and fun without all the vulgarity and swearing that seems to be required these days.A great cast and a simple but great plot, takes you out of the stresses of modern life for half an hour and puts a big smile on your face.This show has stood the test of time even my kids love it. Surely there's life still left in sorry! even more so today with kids staying at home well into their 30's. Although the rest of the cast were brilliant and now sadly incomplete i still think Ronnie Corbett could carry on from where he left off, what a great thought! Would love to know were it was filmed.

I passed on this little gem the first time around but now I'm older, I am really enjoying it.

Another reviewer put it best for me... "Not too keen at the time, but looking back, a little masterpiece."

And that's exactly how I feel about this. Mind you, I still hate the opening credits and theme song. Just awful, both then and now!

As a youngster, I loved listening to Ronnie Corbett's monologues in 'The Two Ronnies'. This for me was the best bit of the show. He'd be telling an anecdote or a joke and get endlessly sidetracked into other areas of conversation. It was a hilarious and masterful comedy routine. It looked ad-libbed but every utterance was very carefully written and rehearsed.

This series is almost like those monologues as a youthful Ronnie Corbett gets the lions share of the lines and the rest of the cast show up with the intention of sidetracking him from what he wants to do!

The main character is a 41-year-old man still living at home with his domineering mum and submissive father. Although his life hasn't turned out the way he thought it would, he's pretty upbeat about his lot and stumbles onwards and upwards through a series of unoriginal challenges. There's nothing inspirational or groundbreaking about this British comedy... just lots of gentle humor.

If you like Ronnie Corbett or nostalgic British comedy, you could do a lot worse than re-visit this charming program. Would you believe that this program ran for SEVEN years?

Ronnie Corbett's oft-criticised solo project SORRY! was never one of my favourite comedies as a youngster, but in retrospect it's quirky, quietly charming, nicely acted and often amusing. It's not laugh-out-loud stuff but neither is it the 'cosy' comedy some people accuse it of being - in fact, some episodes, like the one where Timothy (Corbett) wishes he'd never been born (and, courtesy of an extended dream sequence, sees what his world would be like had that been the case) or the intricate spoof on Patrick McGoohan's sixties psychedelic drama THE PRISONER in the episode where Timothy plans to get married, indicate that SORRY! was in fact a lone outpost of eccentric British surrealism that just happened to be shown during prime-time on BBC1. Almost everyone remembers the infectious theme tune and the wine bar neon graphics that went with it, it's just a shame the same level of respect has not yet been afforded to the series as a whole.