El submarino

As good as "Das Boot" is in it's original theatrical form,and in an director Peterson's extended version in the re-release,the TV version,coming in at close to five hours long shows so much more of the day to day life on the boat.The claustriphobic nature of life on a WWII submarine is opened up for us. It delves far more deeply into the personalities and lives of the crew,both on and off the boat.They become real human beings,and we see how hard their lives are while on patrol.As with "All Quiet on the Western Front",the senselessness of war is brought home when see from the losing side. Highly moving

Despite the extra length, I would *strongly* recommend the mini-series version. I first watched this when it came out on TV as a mini-series (293 min, 1985), then recently as the movie version (149 min, 1981), and then the mini-series again.

In cutting the length down for the movie version, what largely remains are action scenes. Retained in the mini-series version are the quieter more reflective, atmospheric scenes, which in my opinion are what most make Das Boot truly AWESOME. These scenes gradually and subtly develop the characterizations of the crew members: their divergent political beliefs, the tensions among them, their cynicism or honor, their bravery or fragility. The submarine itself is a central character too: emerging through the depths like a great lethal whale, or plowing through the spray in rough weather, or floating calmly across the placid ocean surface, all to the backdrop of the haunting and memorable theme music. These subtle atmospheric aspects are what most stayed with me for 30 years. I would also suggest watching it in German with subtitles - one of the things that makes this an unusual WWII movie is that it is from the German perspective, and hearing it in German gives a more intense feel for that Germanic aspect and its special qualities (even if you don't understand German). Das Boot is an amazing experience, and it is well worth immersing yourself in the original full length miniseries version for a memorable and unique experience.

seems like everything is right about this movie/series. the actors are all really good & the camera-work is excellent. great use of colors also... you know it's war, but still you have all the sympathy in the world for the crew. it's like a world of its own inside "das boot". you can't help but feeling claustrophobic when you watch it, especially when the boat dives deeper & deeper to shake of the enemy...then the attack from above starts & you really start holding your breath, it sucks you in, in ways only movies of very high quality can. i watched the long version, but it felt like it was not that long at all, because it was such a thriller. amazing film, a classic.

Das Boot is considered by many one of the best war films ever made. They have been a number of versions, the theatrical cut and the director's cut. The film was financed by German television and the director Wolfgang Petersen converted it into a 6 hour mini-series. The DVD is an epic 4 hour 42 minutes, cut in a seamless fashion.

Das Boot is a rare film, a film that tells a story of World War II from the German perspective. It shows the mission of U-96 in the winter of 1941 when the Battle of the Atlantic is turning towards Britain's favour. Britain is using the convoy system, having more supplies from the American merchant navy and the Britain navy is getting better armed, so starving the nation seems hopeless. The crew are on a simple mission of trying to sink as many British ships as possible whilst avoiding British patrol planes and destroyers, a very tough think to do. The focus of Das Boot is on the experienced war weary captain (Jürgen Prochnow) and Lieutenant Werner (Herbert Grönemeyer), a young war corespondent for the German military and an outside to their world. All the characters are individuals, treated with respected, even the only character who is a Nazi is treated like a human being. This is a complex drama about the moral of warfare and the collective spirit of serving in a submarine. It is a tough world where young men are serving in one of the most dangerous fields of war during World War II. This a conflict where they are long moments of boredom in a close environment. This can lead to conflict within the crew. Whilst when the U-Boat does find a convoy it can be a massive struggle between life and death for the whole crew.

Das Boot is clearly Wolfgang Petersen best work. He shows the claustrophobic environment of what a U-Boat would have been like. It is a noisy environment, and it can lead to conflict within the crew, but also the crew are also close and have to be because they depend on each other. As well as the moments of boredom to show character development and debate the war, Petersen also knew when to add the tension and made Das Boot an instance experience. He also showed his skill with action. Wolfgang Petersen focused on character development, unlike his Hollywood films. He does not villainize either the British or German navies, or the people who fought in the war. Despite Das Boot is based on a fictional novel, it is one of the most accurate portrayal of naval warfare during World War II.

Das Boot has a very 80s score to it, using modern instruments, which surprisingly works, adding to the imagines. I personally would have gone for a more classical score, but that's just me.

A must see.

When a film about World War II has American audiences routing for the Germans, hoping and cheering them on for the success of their mission, one can only become conscious of the ultimate horror and futility of war. One also has watched a helluva movie.

Back in the early 80's I called in sick (along with some friends) to see the opening of Petersen's Das Boot. We were all stunned. Went out for a beer and then returned to the theatre and watched it all over again.

Petersen masterfully developed his cast into a crew who are no longer "the enemy" but fresh faced kids, neither prepared nor aware of the horror that was waiting them. When I first saw "Das Boot" – I was the same age as those kids so it resonated more powerfully than I could have possibly imagined. In this wonderful uncut release of the original German miniseries we're forced to spend even more time with the crew of U-96 and in that time get to knew them better. We see friendships and bonds formed, the irritability that comes with lack of privacy and tension so dense it becomes an almost physical presence. We also get more of the sense of what war really is – immense spans of boredom and ennui interrupted by the occasional horrors of violence and death.

Petersen kept his cast indoors and unshaven during the entire shoot with the resulting effect that the crew actually looks like a group of men who have not seen natural light, or breathed fresh air for 65 days. Additionally, the actors were all put through vigorous physical training so that when racing through the set of a dangerously reconstructed U-Boat, they move naturally with an almost balletic swiftness that is dazzling.

This is masterful film-making of the highest order, with sound and lighting that capture the claustrophobic nature of a submarine, almost suffocating the viewer. The scenes of Das Boot racing through the Atlantic, it's difficult near fatal destruction in the narrow Strait of Gibraltar will have your blood pumping at fever pitch.

The ensemble cast is uniformly excellent, each actor - even ones with little to no dialogue, making bold indelible choices in developing their characters.

Jürgen Prochnow as the Captain gives a remarkable, strong performance, making one believe - from the very beginning - this is a true leader of men.

You have no difficulty believing this crew standing behind this captain's every decision.

Petersen's writing of Herbert Grönemeyer as the eager young reporter, Werner is a masterful creation. Werner becomes the multi-faceted prism through whom we watch and live this story. Part Greek chorus, part conscience of the uninvolved, we join him as an outsider on the inside, becoming participants in this heart rending drama. Grönemeyer's performance becomes the very soul of Das Boot.

"Das Boot" remains one of my all time favorite films and to finally be able to own and see it as Wolfgang Petersen intended is one of the best things to happen since the invention of DVD.