CALIFICACIÓN DE IMDb
6.5/10
13 k
TU CALIFICACIÓN
Un recuento de la experiencia de vida del periodista Gonzo Hunter S.Un recuento de la experiencia de vida del periodista Gonzo Hunter S.Un recuento de la experiencia de vida del periodista Gonzo Hunter S.
- Dirección
- Guionistas
- Elenco
Rene Auberjonois
- Harris
- (as René Auberjonois)
Jon Shear
- Billy Kramer
- (as Jon Matthews)
Quinn K. Redeker
- Pilot
- (as Quinn Redeker)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Most negative reviews seem to come from people who saw Depp before Murray. Pity. For serious HST readers or even those who only know The Great Shark Hunt, WTBR offered a comic relief side so sadly lacking in Depp's one-dimensional, cardboard, just quote your lines performance (and I'm a big Depp fan). As for "Murray being Murray" - such a comment can only come from people who saw this after the rest of Bill's work. It was one of the earliest and best - indeed laid the base for much of his 80s and 90s work. Boyle is frenetic, allowing Murray to play sidekick for a change. A great option. HST's written rants were always harsh but always fair, no doubt composed coming off a bender. Who then is to say WTBR's omission of much of these is wrong, rather than simply a portrayal of the benders. We all know what he wrote and how he wrote - I'm glad WTBR chose to portray who HST was and the chaotic situations he put himself in rather than become some art-house naval-gazing about the tortured creative process of a scathingly intelligent commentator. Mind you - I did see it as the second part of a double header with Eraserhead ! Sadly, no video copies of WTBR exist in Australia. Can anyone help me ?
Both of the HST films have problems. This film's problem is that it is too "screenwritten" (Lazlo replacing The Brown Buffalo, "Blast" Magazine replacing Rolling Stone, etc.) and lacks the weird surrealism that a drug-fueled observation of American culture at the end of the 1960s deserves, if not requires.
It does play a bit like Caddyshack, as someone else pointed out, and it's hard to get really invested in the characters. And if you love HST as much as I do, you really do want to get into the characters and in to the story, because it's as important as it is funny. Where the Buffalo Roam is, for the most part, silly. It comes off as more a bunch of sketches than anything else. I did like Bill Murray in the part. The problem is the script, more than anything else.
Fear and Loathing in Las Vegas, by contrast, does well with the surrealism and depravity but fails to make the full point I think Thompson was trying to get across - the decadence and over-the-top performances (especially of del Toro) are distracting, and really all of this is supposed to be about the death of the American dream, and the end of what was (to some) the best decade on record, or at least the one where people thought, for a time, they could make something of American life. Both movies hint at this but don't go into it enough, in my opinion.
Where the Buffalo Roam captures a little of the sadness and the creeping hopelessness of the early 70s (along with an indication of the hangover awaiting that generation in the 70s), but both movies fall far short of Thompson's books and writing in my opinion.
I was particularly saddened that both movies left out the "We're looking for the American dream" bit at the taco stand, because I think that was important, and the F&L Vegas story seems decontextualized without it (in terms of having a fairly serious (and sad) point under all of the humor and excess).
In any case, both movies are worth a watch but ultimately unsatisfying. Thompson is still best read. I think a good film about HST can be made, but the right person needs to be at the helm.
Richard Linklater or John Sayles, perhaps...someone who isn't going to miss the deeper substance underlying and buttressing the humor. That being said, there are far worse movies you could be watching than either.
And like Thompson, it still hasn't gotten weird enough for me.
It does play a bit like Caddyshack, as someone else pointed out, and it's hard to get really invested in the characters. And if you love HST as much as I do, you really do want to get into the characters and in to the story, because it's as important as it is funny. Where the Buffalo Roam is, for the most part, silly. It comes off as more a bunch of sketches than anything else. I did like Bill Murray in the part. The problem is the script, more than anything else.
Fear and Loathing in Las Vegas, by contrast, does well with the surrealism and depravity but fails to make the full point I think Thompson was trying to get across - the decadence and over-the-top performances (especially of del Toro) are distracting, and really all of this is supposed to be about the death of the American dream, and the end of what was (to some) the best decade on record, or at least the one where people thought, for a time, they could make something of American life. Both movies hint at this but don't go into it enough, in my opinion.
Where the Buffalo Roam captures a little of the sadness and the creeping hopelessness of the early 70s (along with an indication of the hangover awaiting that generation in the 70s), but both movies fall far short of Thompson's books and writing in my opinion.
I was particularly saddened that both movies left out the "We're looking for the American dream" bit at the taco stand, because I think that was important, and the F&L Vegas story seems decontextualized without it (in terms of having a fairly serious (and sad) point under all of the humor and excess).
In any case, both movies are worth a watch but ultimately unsatisfying. Thompson is still best read. I think a good film about HST can be made, but the right person needs to be at the helm.
Richard Linklater or John Sayles, perhaps...someone who isn't going to miss the deeper substance underlying and buttressing the humor. That being said, there are far worse movies you could be watching than either.
And like Thompson, it still hasn't gotten weird enough for me.
This movie was great; it wasn't really as much a movie about Thompson, but more of a movie about his and Oscar Zeta Acosta's relationship as friends and partners. It gives a nice idea of what Thompson and Oscar Zeta Acosta's friendship was like, turbulences and all. Although "Fear and Loathing in Las Vegas" captures Thompson's writing, "Where the Buffalo Roam" gives more of a realistic insight on Thompson and Acosta. It also captures different stories from some of Thompson's other work, my favorite being the piece from "Fear and Loathing: On The Campaign Trail '72", Thompson's first hand account of Nixon's campaign for office. This movie is perfect for hardcore Thompson fans or just anyone wanting to learn about the legendary journalist. I give it an 8 out of 10.
I am a fan of Dr. Thompson's work.. I also liked this movie, tho, Fear and Loathing was a much better film.. due to the director, and cast.. Bill Murray was a great choice for this film, tho it was almost too cookie cutter, no real feel of the drugs he was hammering at that time. In F&L you have the grittiness of the drug culture of the 70's, feels more authentic.. Anyhoo, if you are a fan of HST, this is worth the watch.. hey, paid 4$ for the vid, can not go wrong..
I just happened upon this movie while perusing my "Bill Murray" Favorite Actors Wishlist on my Tivo. I had never heard of it before, but since I enjoy reading Hunter S. Thompson's work and having seen Fear and Loathing in Las Vegas, I instructed my faithful DVR to record the movie at 4:30 one Sunday morning. WHAT A GREAT MOVIE!!! I cannot express this sentiment enough. From the dead on impersonation of Dr. Thompson's mannerisms by Bill Murray to the militant antics of 60's radical lawyer Peter Boyle (Lazlo) throughout the movie, these two more than faithfully portrayed the crazy antics well documented in Gonzo journalism. Please, do yourself a favor, if you consider yourself a fan of this genre, or if you just want to see a timeless piece of funny, witty, action filled cinema, find a way to see this woefully under-advertised classic.
¿Sabías que…?
- TriviaTo get into character, Bill Murray spent time with Hunter S. Thompson by drinking, shooting and generally having a great time at Thompson's Colorado ranch. After filming ended, Murray continued to act "Gonzo" through the beginning of the next season of Saturday Night Live (1975), to the annoyance and consternation of cast and crew members.
- ErroresDuring the courtroom scene, 21 minutes and 5 seconds into the film, Thompson sets down his glass which is almost full. A second later, a close-up on the glass shows it sitting on the floor, empty. All further scenes in the courtroom show the glass once again almost full.
- Citas
[Thompson is speaking to a crowd of college students]
Questioner: I was just wondering if you could tell me, um, if you thought drugs and alcohol would make me a better writer.
Dr. Hunter S. Thompson: That's a good question. Let me see...
[the audience cheers as Thompson lights a joint. A few people throw joints onto the stage]
Dr. Hunter S. Thompson: In my case, you know, I hate to advocate drugs or liquor, violence, insanity to anyone. But in my case it's worked.
- Versiones alternativasThe 2017 Blu-ray release from Shout! Factory restores the original soundtrack. Making this the first home media release since the original VHS release to feature the original unaltered soundtrack.
- Bandas sonorasKeep on Chooglin
Written by John Fogerty
Performed by Creedence Clearwater Revival (as Credence Clearwater Revival)
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 6,659,377
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,750,593
- 27 abr 1980
- Total a nivel mundial
- USD 6,659,377
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