Agrega una trama en tu idiomaA group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.A group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.A group of people spend a weekend at a remote villa. Soon, one by one, they are picked off by a homicidal maniac.
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A group of people spend a weekend at a friend's house.One of the females is killed by a disfigured maniac using a machete.Then he rapes her corpse post-mortem.The other guests becomes worried about the absence of first victim.Soon they are all stalked and murdered by crazed killer.Very entertaining and pretty sleazy Italian giallo/slasher directed by Gianni Martucci,the man behind deadly dull "The Red Monks"."Trhauma" is a very beautiful giallo/slasher obviously inspired by "Halloween".The location used is serene and eerie and when you add some lovely and often fully naked ladies into the mix you have a giallo that was probably a lot of fun to make.Director Gianni Martucci manages to keep things interesting with only his small cast to rely on and fills the plot with gruesome murders.8 out of 10.
I always wondered about the spelling of the title of this film. Turns out it is simply 'trauma' misspelled. Not a great start!
Going into this, you would be forgiven for thinking that it is going to be a giallo but to all intents and purposes this is a slasher film, albeit one with some Italian flavour. It was made in the wake of the enormous success of the American film Halloween (1978), which at the time was in the Guinness Book of Records as the most successful independent film ever made. Unsurprisingly this led to a few films that riffed off its basic idea, Trhauma is one of those. As such, unlike its giallo brethren, it has decidedly less plot to it and it replaces the mystery element with extended stalk sequences. It also seems to be a somewhat lower budget film too, with limited sets, obscure actors and a basic score. The latter compromises mainly of a repetitive synth track but kicks things off with an unexpected upbeat disco number to accompany the credits – well it was the glitter ball age I guess.
The plot-line is set in motion by a short prologue and then the main story kicks in, which is essentially about party guests at a remote villa being killed one by one by a disfigured psychopath. It's not overly graphically violent, with much of the killings happening off-screen, although there was one rather creepy scene of necrophilia. It's mostly unremarkable and not terribly interesting stuff though but there are some aspects that are noteworthy, such as the fact that the killer is paid for his murders in Lego! It also, really isn't difficult working out what's going on behind the scenes and you can work out the 'twist' so easily, you actually wonder if it really is a twist at all. What was less predictable was the jarringly sudden ending. While it was unexpected, it was also not very satisfying either! The movie's run-time is pretty short, which is probably to be expected given the lack of material but was nevertheless a good thing overall.
Going into this, you would be forgiven for thinking that it is going to be a giallo but to all intents and purposes this is a slasher film, albeit one with some Italian flavour. It was made in the wake of the enormous success of the American film Halloween (1978), which at the time was in the Guinness Book of Records as the most successful independent film ever made. Unsurprisingly this led to a few films that riffed off its basic idea, Trhauma is one of those. As such, unlike its giallo brethren, it has decidedly less plot to it and it replaces the mystery element with extended stalk sequences. It also seems to be a somewhat lower budget film too, with limited sets, obscure actors and a basic score. The latter compromises mainly of a repetitive synth track but kicks things off with an unexpected upbeat disco number to accompany the credits – well it was the glitter ball age I guess.
The plot-line is set in motion by a short prologue and then the main story kicks in, which is essentially about party guests at a remote villa being killed one by one by a disfigured psychopath. It's not overly graphically violent, with much of the killings happening off-screen, although there was one rather creepy scene of necrophilia. It's mostly unremarkable and not terribly interesting stuff though but there are some aspects that are noteworthy, such as the fact that the killer is paid for his murders in Lego! It also, really isn't difficult working out what's going on behind the scenes and you can work out the 'twist' so easily, you actually wonder if it really is a twist at all. What was less predictable was the jarringly sudden ending. While it was unexpected, it was also not very satisfying either! The movie's run-time is pretty short, which is probably to be expected given the lack of material but was nevertheless a good thing overall.
Like all my fellow reviewers, I clearly also couldn't resist making a remark about the spelling error in the title. It's just so unfathomable! It's a one-word title and making a film is supposedly a full-time occupation; how is it humanly possible to mess this up? Excellent job done by everyone even remotely involved in this production! In the other user-comments, I read that "Trhauma" is a belated giallo, because it's Italian, and a slasher inspired by Carpenter's "Halloween" because it got released shortly after. This is, however, merely just wishful thinking. In the end, it's nothing but a very lousy and zero-budgeted amateur horror film, made by and starring a bunch of nobodies.
The prologue introduces two 9-ish year old boys playing around in a forestry region. The smallest one is an irritating brat who commands the taller (and mentally underdeveloped) one to climb into a tree. He falls. After the opening credits, we are in the middle of a friends' weekend taking place in the country mansion of a continuously bickering couple. There aren't any proper character introductions or explanation on who these people are, though. In the film's absolute funniest scene, a really fat bloke just steps out of his car, throws off his clothes whilst crossing the garden and jumps into the pool. After that, everyone simply gets butchered by a savage maniac who turns out to be the dim-witted kid from the prologue (you can recognize him by his one missing eye).
Simply put, "Trhauma" is unimaginably bad! There isn't the slightly sign of tension-building, character development or coherence in the script. Due to the nonexistent budget, the murder sequences either occur off-screen or look very pitiable. If I would have to give an explanation on why this movie is still somewhat seen as a cult gem, it's probably because of two minor aspects: 1) there's a repulsive and 100% gratuitous necrophilia sequence and (2) the maniac killer still is the marionette of the same bully kid who rewards the murders with Lego boxes! The acting, directing, editing and cinematography are horrendous, but do stick around just in case in you are interested in witnessing the most moronic ending in horror history.
The prologue introduces two 9-ish year old boys playing around in a forestry region. The smallest one is an irritating brat who commands the taller (and mentally underdeveloped) one to climb into a tree. He falls. After the opening credits, we are in the middle of a friends' weekend taking place in the country mansion of a continuously bickering couple. There aren't any proper character introductions or explanation on who these people are, though. In the film's absolute funniest scene, a really fat bloke just steps out of his car, throws off his clothes whilst crossing the garden and jumps into the pool. After that, everyone simply gets butchered by a savage maniac who turns out to be the dim-witted kid from the prologue (you can recognize him by his one missing eye).
Simply put, "Trhauma" is unimaginably bad! There isn't the slightly sign of tension-building, character development or coherence in the script. Due to the nonexistent budget, the murder sequences either occur off-screen or look very pitiable. If I would have to give an explanation on why this movie is still somewhat seen as a cult gem, it's probably because of two minor aspects: 1) there's a repulsive and 100% gratuitous necrophilia sequence and (2) the maniac killer still is the marionette of the same bully kid who rewards the murders with Lego boxes! The acting, directing, editing and cinematography are horrendous, but do stick around just in case in you are interested in witnessing the most moronic ending in horror history.
Andrea (Gaetano Russo) and Lilly (Domitilla Cavazza) invite a group of friends to spend the weekend at their country villa.
Guest Paul (Timothy Wood) escorts Olga (Anna Maria Chiatante) into the woods to take some photographs. Paul tells Olga to 'drop her dress'; she happily obliges to reveal that she is wearing nothing underneath. Trhauma ticks the nudity box early on.
Paul has an argument with Olga and leaves the woman on her own. She is attacked and killed by a drooling, half-blind loony with a gammy leg (Per Holgher) who makes out with her dead body, taking time out to strangle a dog. Trhauma also quickly establishes itself as sleazy and twisted.
The killer then goes to his home where he meets a mysterious figure who pays him for his nefarious work in plastic building bricks (not even Lego, but some dodgy knock-off rubbish, like you would get down the market): Trhauma takes the weirdness factor up a few notches.
So far, so entertaining.
Unfortunately, the film then turns into a rather routine slasher that clearly takes its cues from John Carpenter's Halloween, but without that film's high-calibre cast or sense of style. Characters wander round the woods and are routinely dispatched by the psycho until only 'final girl' Lilly is left to discover the mutilated bodies littering her property, which might have been fun if there had been some decent gore—but there isn't.
A final 'twist' is extremely easy to predict and the film closes in an incredibly abrupt fashion, leaving me to wonder whether I had a dodgy copy that was somehow missing the real ending.
Guest Paul (Timothy Wood) escorts Olga (Anna Maria Chiatante) into the woods to take some photographs. Paul tells Olga to 'drop her dress'; she happily obliges to reveal that she is wearing nothing underneath. Trhauma ticks the nudity box early on.
Paul has an argument with Olga and leaves the woman on her own. She is attacked and killed by a drooling, half-blind loony with a gammy leg (Per Holgher) who makes out with her dead body, taking time out to strangle a dog. Trhauma also quickly establishes itself as sleazy and twisted.
The killer then goes to his home where he meets a mysterious figure who pays him for his nefarious work in plastic building bricks (not even Lego, but some dodgy knock-off rubbish, like you would get down the market): Trhauma takes the weirdness factor up a few notches.
So far, so entertaining.
Unfortunately, the film then turns into a rather routine slasher that clearly takes its cues from John Carpenter's Halloween, but without that film's high-calibre cast or sense of style. Characters wander round the woods and are routinely dispatched by the psycho until only 'final girl' Lilly is left to discover the mutilated bodies littering her property, which might have been fun if there had been some decent gore—but there isn't.
A final 'twist' is extremely easy to predict and the film closes in an incredibly abrupt fashion, leaving me to wonder whether I had a dodgy copy that was somehow missing the real ending.
I've been trying to find out what the title of the film means, and I think that it genuinely is a spelling mistake! The mind boggles...
This bizarre semi-giallo seems to do everything wrong. The kills happen mostly off-screen. It's full of scenes of people wandering about a house shouting on each other. It's also full of scenes of people arguing with each other. And yet...it's not a total write-off.
First we get a prologue where a pushy kid cajoles a one eyed kid into climbing a tree which then leads to his injury. We then fast-forward to 1980 or whenever, where a guy called Andrea is working on a run down house he bought with his wife's money. They've invited a load of victims to the house to hand around the pool, but no one reckoned on the one-eyed killer stalking everyone in the place.
The best bit of this film I guess is the large Lego set one-eyed killer guy has. It's huge and some mysterious stranger keeps giving him more stuff for it. Best still, when he's trying to work on it, a cat keeps moaning to the point he just cuts the head off the damn thing. Beats taking it to the vets I guess.
This is a strange film in that most of the characters bicker with each other until old one-eye starts doing them all in. The giallo element is almost dispensed with in favour of more slasher elements, but there is a mystery that would be difficult to solve if you've never watched a giallo ever. The ending is truly a head scratcher though.
This bizarre semi-giallo seems to do everything wrong. The kills happen mostly off-screen. It's full of scenes of people wandering about a house shouting on each other. It's also full of scenes of people arguing with each other. And yet...it's not a total write-off.
First we get a prologue where a pushy kid cajoles a one eyed kid into climbing a tree which then leads to his injury. We then fast-forward to 1980 or whenever, where a guy called Andrea is working on a run down house he bought with his wife's money. They've invited a load of victims to the house to hand around the pool, but no one reckoned on the one-eyed killer stalking everyone in the place.
The best bit of this film I guess is the large Lego set one-eyed killer guy has. It's huge and some mysterious stranger keeps giving him more stuff for it. Best still, when he's trying to work on it, a cat keeps moaning to the point he just cuts the head off the damn thing. Beats taking it to the vets I guess.
This is a strange film in that most of the characters bicker with each other until old one-eye starts doing them all in. The giallo element is almost dispensed with in favour of more slasher elements, but there is a mystery that would be difficult to solve if you've never watched a giallo ever. The ending is truly a head scratcher though.
¿Sabías que…?
- TriviaOpening Title card is misspelled: TRHAUMA [sic]
- ErroresOpening Title card misspelled: TRHAUMA [sic]
- Citas
Opening Title Card: TRHAUMA
[sic]
- Créditos curiososEpigram on title immediately preceding final credits, paraphrased from Ecclesiastes 3:17-20, from the Italian: God will judge the righteous and the wicked: for there is a time there for every purpose and for every work. Concerning the estate of the sons of men, that God might manifest them, and that they might see that they themselves are beasts, that a man hath no preeminence above a beast: for all is vanity. The Preacher, son of David, King of Israel.
- Bandas sonorasDance, Baby, Dance
Written by Ubaldo Continiello
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- Tiempo de ejecución
- 1h 12min(72 min)
- Color
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