The Tempest

I thought this was very "different" compared to most modern interpretations of Shakespeare and enjoyed it thoroughly. It would not be useful for those studying it at school etc. as it does not show the traditional Shakespeare character interpretations (i.e- Miranda is portrayed quite punky compared to your traditional Shakespeare lady) but for understanding of the play and for the basis of the story it is a very strong piece and fantastic to watch. It does not include also the correct format, as in the layout of acts and scenes as I am currently playing Miranda in a production and most of her lines had been cut and some scenes split and mixed around but it is very useful and I would definitely recommend it as a must-see even if just to say you've seen it! Shakespeare fans would love this!

This movie sucked. I was studying "the tempest' at school recently, and this being the most faithful adaption my teacher could find, we watched it.

Prospero looked more like an incarnation of Doctor Who, Miranda was some kind of seventies punk-brat (no change there, then, for toyah wilcox) and derek jarman clearly held the misguided notion that showing the fullfrontal scene of ferdinand clambering ashore in the buff would be enough to save this crap from descending into seat squirmingly, buttock clenchingly arduous cinema.

however, unsurprisingly, scenes added more for the titillation of the director than for the enrichment of the production will not (shock horror) help this utter trite.

The stuff dreams are made of. A complete retelling of the play as a dream of vengeance: will baffle purists, but will delight the open-minded. A superb effort: great cinematography, acting, and script. 11-stars...***********

The Tempest has been interpreted in many different ways ranging from more or less traditional views as dealing with Art to more post-modern approaches that like to dissect the play along post-colonial, feminist, gender or deconstructionist lines. The reason why Jarman's version left me fairly cold is that I didn't have a clue what he was on about. What is the underlying vision/idea/concept behind this rendering of Shakespeare? The previous reviewers do not get much further than revenge tragedy, punk show, but surely there is more to it, isn't there? This is not to say that there is no vision here, just that I was hard put to discover it. Be that as it may, there are still things to enjoy. The punk flavour is refreshing and funny. Toyah Wilcox as Miranda and Jack Birkett as Caliban are wonderful. I did not much care about Williams as Prospero ... not enough magic I suppose. The switches between the old monastery/castle and the (very English) world outside can be a little unsettling at times, but I guess that is intentional. All in all, interesting but not quite the success I had hoped it might be (particularly after seeing Jarman's Caravaggio).

Derek Jarman's take on Shakespeare makes it into something of a punk symphony, without sacrificing the heart of the play. His cast are mostly very good – especially Heathcote Williams as Prospero, Toyah as Miranda, and Karl Johnson as Ariel – and the bits that are added fit in well, especially Elisabeth Welch's appearance singing ‘Stormy Weather'.

Comedy light relief is provided by Ken Campbell and Christopher Biggins as the shipwrecked drunks finding themselves on Prospero's enchanted island, with Jack Birkett as a creepy Caliban.

The film keeps the interest by using the unexpected – it may miss the point of the quieter moments of the play but makes up for this by its sheer inventiveness. Even the songs are treated well with Johnson's sharp suited sprite showing a mischievous streak which works perfectly. All this is covered with a queer gloss which informs the play with a new perspective.