Superman acepta sacrificar sus poderes para estar con Lois Lane, sin saber que tres criminales Kryptonianos están intentando conquistar el planeta.Superman acepta sacrificar sus poderes para estar con Lois Lane, sin saber que tres criminales Kryptonianos están intentando conquistar el planeta.Superman acepta sacrificar sus poderes para estar con Lois Lane, sin saber que tres criminales Kryptonianos están intentando conquistar el planeta.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 7 nominaciones en total
Resumen
Reviewers say 'Superman II' features strong performances, especially from Reeve and Kidder, and an engaging romance. Villains like General Zod add significant threat, but the film suffers from an uneven tone due to director changes. Critics note plot inconsistencies and dated effects, though action sequences and themes of love and responsibility are praised. The debate between cuts further complicates reception.
Opiniones destacadas
After the rushing into pre-production of Superman, Superman II footage remained in vaults in Pinewood Studios for the time being. This was where the cast and crew were supposed to pick up filming of Superman II in early February of 1979. However a new order was called in by producer Ilya Salkind. A new director to be exact, and that was the dellima of Superman II. In 1977-78, Richard Donner shot a near estimate of 80 % of Superman II simultaneously with Superman, but that is not the point. The point is that his version was a much more subtle version, which followed the characters emotions from the blockbuster first film, and had an exciting plot of Lois and Superman falling in love, villains killing earth beings, and Superman almost having to risk it all for the world...or the woman he loves! But when director Richard Lester came in to do reshoots and shoot all new scenes, he had a different vision in mind. His version was simple. Make the villains look like dumb butts, while Lois and Superman enjoy an unequal relationship where Lois is given the back seat treatment to mediocre looks and a Superman that would rather make the metropolis people laugh than save the world! As that is what so wrongly happens, we shall go over the facts. Superman and Lois are supposed to have the kind of love that EVERY American dreams of having. Donner insured this in never seen love scenes which would have garnered the film an R-rating. Lester's love scenes are cheap and tacky with hilarious dialogue and no wit to back it up. The villains scenes in the Donner version are cruel, ruthless, and downright evil. In Lester's scenes, the villains pronounce names wrong, look at eachother in stupidity, and act like imbeciles. The film had a good premise going for it: Superman has just saved the world from nuclear destruction and then the villains arrive and start destruction. Meanwhile, Lois and Superman fall in love. That was still the plot, but the myth and mystique which made the original film such a classic are nowhere to be seen here. Instead we get NASA jerks talking about a "curl" in space! Lester was really trashing the mythology with this peice of junk. America had thought that the second Superman film would be a film that they would remember. No such luck as one would have guessed. The film is basically two unfinished films sloppily put together in this turkey! Superman II is NOT without interest. In fact, alot of the scenes are fun to watch because of the action sequences. But it is true what others say, that it seems like Lester was trying at a Beatles/Superman film. Clumsy comedy and stupid chaos ensues as the villains blow through metropolis. Another thing that gets on this writer's nerves is when the townspeople are rooting for Superman in the battle sequence! This villains are trying to kill these people and what do they do? They don't run in fear as they should, but root for Superman when he beats the villains up, calling out rediculous dialogue such as "C'mon! Get 'em Superman!" as if they are present at a high school football match! Too much stupid writing and directing. I will always have respect for Superman II because the whole Superman series has been a part of my better memories in life for a long time. We have yet to see if the true version of Superman will ever be released on DVD, in the form of the Richard Donner cut, as so many fans like to call it. IT is really Ilya Salkinds cut, as he has the contract to the rights of ALL the films(including Supergirl) and their footage. All in all, Superman II fails on a lot of top levels but has the interest for lower levels. Only if Richard Donner's version gets released, will we as an audience and appreciative film viewers get the true experience of Superman II: The Adventure Continues!
This is the best of the Superman movies because of the three villains, played by Terrence Stamp, Sarah Douglas and Jack O'Halloran.
Those three are so good, particularly Stamp, that they make this easily the most memorable of the four films. The scenes with them on the moon, their first encounter on earth and their climactic fight against Superman in the skies above Metropolis are all outstanding.
Once again, Superman goes a little overboard in his romance to Lois Lane (do you believe some reviewers are upset there weren't explicit sex scenes in the film?) Hey, folks, it's just a comic book and it's supposed to be innocent, clean fun. Sorry that turns you off. For the rest of us, this is generally very enjoyable film from start to finish, with no real lulls.
Those three are so good, particularly Stamp, that they make this easily the most memorable of the four films. The scenes with them on the moon, their first encounter on earth and their climactic fight against Superman in the skies above Metropolis are all outstanding.
Once again, Superman goes a little overboard in his romance to Lois Lane (do you believe some reviewers are upset there weren't explicit sex scenes in the film?) Hey, folks, it's just a comic book and it's supposed to be innocent, clean fun. Sorry that turns you off. For the rest of us, this is generally very enjoyable film from start to finish, with no real lulls.
It's really a shame that those jerks the Salkinds fired Richard Donner after he made the first Superman movie into a smash hit. For one thing, the 2nd one could have and would have been better with Donner still at the helm and, quite possibly, "Superman III" and "Supergirl" may not have sucked. The only thing in the movie that Richard Lester really deserves any credit for is directing the 12 minute fight in Metropolis between Superman, General Zod, Non and Ursa. That scene is still fun to watch, even with today's overblown CGI.
Well, #2 is the love story entry in the series as Lois Lane discovers that Superman and Clark Kent are the same guy and she lets him know about her infatuation with him. They go steady in his Fortress of Solitude, he gives up his powers so he can live a normal life with her (which the comic book Superman WOULD NEVER DO) then he has to get them restored after he finds out that the villains General Zod, Ursa and Non are raising hell and taking over the planet. Lex Luther is also back for the 2nd go around.
People keep complaining that the film doesn't explain how Superman got his powers restored. Well, I have an old copy of an ABC Sunday night showing of "Superman II" and, mind you I still haven't bought the DVD, the TV showing implied that Superman used the green crystal - the same one that started off his awakening in the first movie and built the Fortress of Solitude - to restore his powers. And according to an interview I read with Richard Donner, the whole idea was that Superman restored his powers by draining all the crystals in his Fortress of Solitude and lost the ability to contact the ghosts of his parents in the process. Another plot hole I can't get over is how Superman ever fell for the Margot Kidder version of Lois Lane - she's an illiterate, chain smoking scatter brain! Gene Hackman still gives the worst performance of his career as Lex Luther, but hey, it's Gene!
Legend has it that Hackman refused to do "Superman III" because he was outraged over the way the Salkinds had treated Richard Donner.
Christopher Reeve is still a good Superman though, and here he actually has a real threat in the form of cold blooded Terence Stamp as General Zod, who is helped by Jack O'Halloran's mute hulk Non and Sarah Douglas's misanthropic Ursa (she later played the evil queen in "Conan the Destroyer"). And as mentioned above, the fight between Superman and Zod's trio is a knock out. Don't miss Christopher Reeve/Superman throwing Terence Stamp/Zod into the giant neon Coke sign!
Well, #2 is the love story entry in the series as Lois Lane discovers that Superman and Clark Kent are the same guy and she lets him know about her infatuation with him. They go steady in his Fortress of Solitude, he gives up his powers so he can live a normal life with her (which the comic book Superman WOULD NEVER DO) then he has to get them restored after he finds out that the villains General Zod, Ursa and Non are raising hell and taking over the planet. Lex Luther is also back for the 2nd go around.
People keep complaining that the film doesn't explain how Superman got his powers restored. Well, I have an old copy of an ABC Sunday night showing of "Superman II" and, mind you I still haven't bought the DVD, the TV showing implied that Superman used the green crystal - the same one that started off his awakening in the first movie and built the Fortress of Solitude - to restore his powers. And according to an interview I read with Richard Donner, the whole idea was that Superman restored his powers by draining all the crystals in his Fortress of Solitude and lost the ability to contact the ghosts of his parents in the process. Another plot hole I can't get over is how Superman ever fell for the Margot Kidder version of Lois Lane - she's an illiterate, chain smoking scatter brain! Gene Hackman still gives the worst performance of his career as Lex Luther, but hey, it's Gene!
Legend has it that Hackman refused to do "Superman III" because he was outraged over the way the Salkinds had treated Richard Donner.
Christopher Reeve is still a good Superman though, and here he actually has a real threat in the form of cold blooded Terence Stamp as General Zod, who is helped by Jack O'Halloran's mute hulk Non and Sarah Douglas's misanthropic Ursa (she later played the evil queen in "Conan the Destroyer"). And as mentioned above, the fight between Superman and Zod's trio is a knock out. Don't miss Christopher Reeve/Superman throwing Terence Stamp/Zod into the giant neon Coke sign!
Three prisoners of Krypton find they are freed, and soon discover they have powers beyond their dreams, as they make their way to Earth, the saviour rescinds all his worth, the potential to protect, greatly recedes. Lex Luthor makes escape and finds the fortress, where he gorges on Krypton and feeds his malice, connects with Zod, Ursa and Non, they all collude against the one, who has reversed his past mistake, repealed regress. The battle for the world is then established, the man of steel fights for his life, won't be dismissed, in solitude tables turn, fissures open and intern, past memories are removed, with a brief kiss.
In my opinion this movie is still not quite as good as the first movie, it still manages to keep the flavour and charm of the original.
For me what really stood out about this movie was the villains, which are Zod and his gang and Lex Luthor. Terrance Stamp stole the show as General Zod and really sold me on the character's arrogance in relation to Earth. This arrogance was best depicted during the whitehouse scene when upon learning that superman would challenge him, he merely retorts "Who is this imbecile?". What I liked about the Kryptonians in this movie was that all 3 of them were their own character with differing personalities, something which I felt was lacking in Man of Steel (No disrespect to Michael Shannon). Gene Hackman once again is brilliant as Lex Luthor, although for me he was overshadowed by Zod (Which is OK as Zod is the main villain of the movie).
Ken Thorne's score is great and manages to hold up next to the John Williams score of the original.
The special effects, while appearing dated by todays standards are very good for the time and still look very believable. These effects stood out during Superman's fight with Zodd in Metropolis and with the depiction of the Phantom Zone at the beginning of the movie.
Unfortunately this is the last of the Christopher Reeve Superman movies that was of high quality. If you're planning on watching these movies I would recommend that you watch all 4 at least once, but for every subsequent viewing just watch the first 2.
Also RIP Mr Snake, all he wanted to do was say hi
For me what really stood out about this movie was the villains, which are Zod and his gang and Lex Luthor. Terrance Stamp stole the show as General Zod and really sold me on the character's arrogance in relation to Earth. This arrogance was best depicted during the whitehouse scene when upon learning that superman would challenge him, he merely retorts "Who is this imbecile?". What I liked about the Kryptonians in this movie was that all 3 of them were their own character with differing personalities, something which I felt was lacking in Man of Steel (No disrespect to Michael Shannon). Gene Hackman once again is brilliant as Lex Luthor, although for me he was overshadowed by Zod (Which is OK as Zod is the main villain of the movie).
Ken Thorne's score is great and manages to hold up next to the John Williams score of the original.
The special effects, while appearing dated by todays standards are very good for the time and still look very believable. These effects stood out during Superman's fight with Zodd in Metropolis and with the depiction of the Phantom Zone at the beginning of the movie.
Unfortunately this is the last of the Christopher Reeve Superman movies that was of high quality. If you're planning on watching these movies I would recommend that you watch all 4 at least once, but for every subsequent viewing just watch the first 2.
Also RIP Mr Snake, all he wanted to do was say hi
¿Sabías que…?
- TriviaIn a 2004 interview, Margot Kidder claimed that Richard Donner shot enough scenes to make his own cut of the film, and that the unused footage was "somewhere in a vault." A website started a petition for Warner Bros. to allow and sponsor Donner's cut of this movie. The footage was re-edited into Superman II: The Richard Donner Cut (2006).
- ErroresClark is able to survive walking all the way back to the Fortress Of Solitude with only a lightweight jacket, slacks, and wing-tipped shoes.
- Citas
Superman: General, would you care to step outside?
General Zod: Come to me, son of Jor-El, kneel before Zod!
- Créditos curiososOpening credits incorporate an extensive amount of footage from the first Superman movie.
- Versiones alternativasIn late 2006 a new version, Superman II: The Richard Donner Cut (2006), subtitled "The Richard Donner Cut," was released on DVD and Blu-ray by the new rights-holders of the franchise. It reinserts virtually everything that could been salvaged from what Donner shot for his intended original version of the film, such as the infamous Marlon Brando scenes, before the producers sacked him. This version uses less than 20% of material filmed by Richard Lester, and since that left a few gaps in the story with no possibility of re-shoots, Donner had to make do with just about every bit of footage he had shot some 25 years before, including some which had only been shot as screen tests.
- ConexionesEdited from Superman: el film (1978)
- Bandas sonorasPick Up the Pieces
(uncredited)
Written by Roger Ball, Hamish Stuart and Average White Band (as The Average White Band)
Performed by Average White Band (as The Average White Band)
Courtesy of Atlantic Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Superman II - Allein gegen alle
- Locaciones de filmación
- Calgary, Alberta, Canadá(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 54,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 108,185,706
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,100,523
- 21 jun 1981
- Total a nivel mundial
- USD 216,385,706
- Tiempo de ejecución2 horas 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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