La ciudad de los muertos vivientes

Okay, someone has to say it : Fulci's movie are chock-full of mistakes, unlogical things that goes bump in the scenario and scenes you might laugh at (even worse than my beloved Dario Argento on this ground) But… for the true afficionadoes, this holds riches beyond belief. As most Italian oddities, it's hard to tell were the genius starts and the hack sets in - or is it the other way round ? There IS something in those movie, that makes me - and others - watch them over and over again though I should be too old for this, though I know their defects which suddenly turns into qualities. This movie is the most Lovecraftian of all Fulci's movies, and it's true there is in Lovecraft purple prose and stuff that might be laughed at. But isn't it what grotesque is all about, this no man's land between the pits and the nirvana ?

"The Gates of Hell" is another masterpiece directed by one of the best horror directors Lucio Fulci.Fulci,who sadly died in 1996,was a real artist.Anyway this film concerns a priest committing suicide and opening the gateway to Hell,allowing the dead to rise from their graves and feed on the living.Christopher George("Pieces")tries to stop them.The gore effects made by Gino de Rossi are excellent(maggots,rotting flesh,lots of squished brains etc.)Giovanni Lombardo Radice gets an electric drill through his head,and there's also a notorious scene of woman(Daniela Doria)vomiting up all of her internal organs in a really nauseating torrent of blood and guts.The plot is weak,but the film is highly atmospheric and imaginative.Again brilliant director Lucio Fulci created a masterpiece of pure horror!10 out of 10-not to be missed.

Like most of Fulci's horror movies and Italian horror in general, plot and logic take a back seat to gore and stunning visual set pieces. I don't think that 'City Of The Living Dead' quite reaches the heights of Fulci's best ('The Beyond') but apart from a few dull patches it comes closer than you would expect. The simplistic story, which tips it's hat to H.P. Lovecraft, is really just an excuse for another zombie move, and regardless of his shortcomings, Fulci certainly came up with some of the most repulsive and horrible zombies ever, so this is essential viewing to fans of the genre. The movie includes two unforgettable gore sequences ( the drill and vomit scenes), a chilling scene in a graveyard, and an odd, unexpected ending. Recommended to fans of Italian horror. Others might be puzzled if they haven't experienced the style/period before, it's quite a trip!

We the audience are thrown right into Lucio Fulci's horror tale directly from the start as we witness Father Thomas (Fabrizio Jovine) hang himself at a cemetery and the death of Mary Woodhouse (Katerine MacColl) at a deliciously artsy (thanks to Fulci) seance. Before Mary dies she is screaming about the city of the living dead. Mary is not dead and is revived once she is laying within her tomb in the ground. A pretty good scene where journalist Peter Bell (Christopher George) must get her out of her coffin...with a pick axe. Fulci wouldn't have it done any other way. Because of the suicide of Father Thomas though a gate to hell has been opened allowing the dead to walk the earth again. So, Mary and Peter are off to find it and close it.

To me why I rated it higher is because of Fulci. Yes, it is a gory horror film. I mean that is a must when talking about a Fulci horror film. But, it is in his ability to create the atmosphere in the film. He uses shadows wonderfully in this film and while mixed with some swallowing fog and a nice score from Fabio Frizzi you have a nice dark setting for the horror to take place. He also with the assistance of course with co-screenwriter Dardano Sacchetti weaves the story at times without much dialogue. Which when you know what is going on I love in films.

Also starring Michele Soavi (who went on to direct CEMETERY MAN) and Lucio Fulci himself as the coroner Dr. Joe Thompson. Any gore hounds out there give it a try you might like what you see.

This film is probably an accidental masterpiece, but a masterpiece nonetheless. Fulci is one of my idols, but I don't think he was a really good filmaker. It was his lack of coherency and almost childlike need to gross you out that made his best films so beloved. Gates of hell is the best of the lot. The film is basically one long wierd, surreal treatise one death and the horror of violent death in particular. Listen to the layered, terrifying soundtrack - wind howls, babies scream, stones grind, skulls break... The much talked about gore is not just gore but completely outlandish, brilliantly excecuted (no pun intended) operatic set pieces that come out of nowhwere and are truly, deeply repulsive. The prog rock score is just as yummy. The non linnear plot creates one of the best pieces of horror/surrealism I've ever seen. The ending is blood chilling because it doesn't make sense. See this movie more than once and realize it's so called faults are part of the reason it's so goddamned great!