Rebelde sin destino

Long before Larry Clark and his "Kids" came along Dennis Hopper (who made that other classic film about doomed youth - Easy rider) directed this brilliant and hard-edged drama about a rebellious young girl, CB whose father (played brilliantly by Hopper) comes out of prison after a horrific auto accident with a school bus. An angry film that perfectly captures the disillusionment of post-punk youth in modern America (even though the film was shot in Canada). CB's hopes for a normal family life are shattered though and it isn't long till things build to a shocking climax as a revelation about CB's father tears the whole family apart. A typically uncompromising film from rebel Hopper with excellent performances and gritty, realistic direction. This film is a must see for all fans of non-compromising realistic film. See it!

Out of The Blue(1980) along with Easy Rider(1969), and Colors(1987) are Dennis Hopper's best movies as a director. One of the best parts of the film is Linda Manz as CeBe who gives a performance that compares greatly with the most famous rebel of all, James Dean. In one way CeBe could be seen as a relative of Jim Stark from Rebel Without A Cause(1955). Out of The Blue begins where Easy Rider ends as it continues the search for an idealize place. It was a terrific film about the Punk Rock generation as Easy Rider was an interesting movie about the hippie generation.

Out of The Blue is comparable to the 1965 Yukio Mishima novel, The Sailor Who Fell From Grace With The Sea. They are both about teens who are angered and disillusioned with the adult world. The two teens both idealize and admire the main male adult of the story. Third, CeBe and Noboru both feel betrayed by their heroes(CeBe's Dad, and the sailer) for not being the person they were expected to be. The ending of this film is one of the most bleakest and nihilistic finalles that I've ever seen.

Actor Dennis Hopper directs this very confronting, symbolic oddball minor art house drama with a very convincing shade peering into the punk rock scene with a raw, but lasting performance by young actress Linda Manz. The film feels rather aimless in a structured sense, centring on the mood swings and angst being drummed out by a wayward teenage girl that uses music (as Elvis is seen as an idol) and the punk scene to getaway from the troubles at home that involve a ditsy, drug-addicted mother (a busy Sharon Farrell) and alcoholic, ex-convict father (a methodically towering Dennis Hopper) that still holds onto a unforgettably tragic wound. It can be a bit of a trek steering more towards interesting than entertaining, as it delves into a well-rounded journey made up of clips involving people, situations and a sense of place. Quite seedy and never did it paint a pretty picture, no matter how hard the characters tried. There's no real choice, but to innocently grow up fast and it becomes a harrowing crash course in destruction, which ends surprisingly to delve out a nastily tearing punch. The script might be blunt, but there's a real natural attitude to the dialogues with an authentic chemistry between the cast in their deliveries. The style is kind of similar to Hopper's benchmark "Easy Riders (1969)", where at times it feels like somebody's home video. Surrounding the air is an excellent old school soundtrack that perfectly complements igniting tones. Hopper does a capable job behind the camera, despite some meandering and forced passages, but even with the minimalist tinge he never loses focused of the story at heart.

First of all, Linda Manz alone is a reason to see this movie. Her presence is a force. She is the epitome of non-actor vibes effectively channeled through an acting performance - her character feels immensely real because she comes from a hard place. She doesn't need to sell a role like this because she has lived it, and that comes through on the screen.

Dennis Hopper puts in a tasteful directing/writing/acting triple whammy delivery here as well. Always intimidating with flashes of endearment and dark humor. He is legend for a reason.

Though the characters are all living menacing lifestyles, you feel at ease with them through the majority of the film, giving the movie a sort of floaty, hangout sort of vibe - but with a dirty, stained surface. But, you can only play with fire for so long. The conclusion comes quickly, or, "out of the blue", if you will, and I've got to say, it hits HARD. Heavy subject matter, delivered in as meaningful a manner as it really could be, and in it's own singular light...

This film will certainly not sit well with everyone, but for those who can appreciate reflections of realistic darkness, this film is a great accomplishment.

Out of the Blue (1980) was a showcase of sorts for two actors. One was an up and coming star (Linda Manz) the other was one who was trying to get back into the limelight (Dennis Hopper). The two have managed to pull off their best performances of their careers. I don't think that either of them could ever top it.

The movie is about a shattered family. A tragic accident has landed Don (Dennis Hopper) is prison for running his Big Rig into a stalled school bus. Several years later, his daughter (Linda Manz) who was also involved in the accident is waiting for her father to come back home. She's a wild kid who has no use for authority and likes to spend her time fantasizing about Elvis Pressely and listening to Punk Rock. Mom (Sharon Farrel) is a mess who lives in a constant state of denial. Linda waits for Pop's to get out of prison because she feels that he'll make everything better. Will he?

A great film. Dennis Hopper's acting shines in this film. He also directs with a stylized flair that was apparent in Easy Rider. This film was made during his "down time". After being ostracized from Hollywood due to the mess of The Last Movie and his off screen actions. This was his last stab at trying to get back into the studio system. Linda Manz is great as C.B. But the real reason to watch this movie is Dennis Hopper, he puts on one hell of a show.

Highly recommended.