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Gente corriente

Título original: Ordinary People
  • 1980
  • R
  • 2h 4min
CALIFICACIÓN DE IMDb
7.7/10
59 k
TU CALIFICACIÓN
POPULARIDAD
4,222
689
Timothy Hutton, Donald Sutherland, and Mary Tyler Moore in Gente corriente (1980)
Ver Official Trailer
Reproducir trailer2:26
2 videos
99+ fotos
Psychological DramaDrama

La muerte accidental del hijo mayor de una familia, tensa profundamente las relaciones entre la madre, el padre y el hijo menor lleno de culpa.La muerte accidental del hijo mayor de una familia, tensa profundamente las relaciones entre la madre, el padre y el hijo menor lleno de culpa.La muerte accidental del hijo mayor de una familia, tensa profundamente las relaciones entre la madre, el padre y el hijo menor lleno de culpa.

  • Dirección
    • Robert Redford
  • Guionistas
    • Judith Guest
    • Alvin Sargent
    • Nancy Dowd
  • Elenco
    • Donald Sutherland
    • Mary Tyler Moore
    • Judd Hirsch
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    59 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,222
    689
    • Dirección
      • Robert Redford
    • Guionistas
      • Judith Guest
      • Alvin Sargent
      • Nancy Dowd
    • Elenco
      • Donald Sutherland
      • Mary Tyler Moore
      • Judd Hirsch
    • 390Opiniones de los usuarios
    • 88Opiniones de los críticos
    • 86Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 4 premios Óscar
      • 21 premios ganados y 14 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    'Ordinary People' | Anniversary Mashup
    Clip 1:33
    'Ordinary People' | Anniversary Mashup
    'Ordinary People' | Anniversary Mashup
    Clip 1:33
    'Ordinary People' | Anniversary Mashup

    Fotos302

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    Elenco principal49

    Editar
    Donald Sutherland
    Donald Sutherland
    • Calvin Jarrett
    Mary Tyler Moore
    Mary Tyler Moore
    • Beth Jarrett
    Judd Hirsch
    Judd Hirsch
    • Dr. Tyrone Berger
    Timothy Hutton
    Timothy Hutton
    • Conrad Jarrett
    M. Emmet Walsh
    M. Emmet Walsh
    • Salan - The Swim Coach
    Elizabeth McGovern
    Elizabeth McGovern
    • Jeannine Pratt
    Dinah Manoff
    Dinah Manoff
    • Karen
    Fredric Lehne
    Fredric Lehne
    • Joe Lazenby
    James Sikking
    James Sikking
    • Ray
    • (as James B. Sikking)
    Basil Hoffman
    Basil Hoffman
    • Sloan
    Quinn K. Redeker
    Quinn K. Redeker
    • Ward - Beth's Brother
    • (as Quinn Redeker)
    Mariclare Costello
    Mariclare Costello
    • Audrey - Ward's Wife
    Meg Mundy
    Meg Mundy
    • Grandmother
    Elizabeth Hubbard
    Elizabeth Hubbard
    • Ruth
    Adam Baldwin
    Adam Baldwin
    • Stillman
    Richard Whiting
    • Grandfather
    Scott Doebler
    • Buck Jarrett
    Carl DiTomasso
    • Van Buren
    • Dirección
      • Robert Redford
    • Guionistas
      • Judith Guest
      • Alvin Sargent
      • Nancy Dowd
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios390

    7.759.4K
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    Opiniones destacadas

    9Wardman3

    Stunning insight into a family falling apart.

    "Ordinary People" deserved its Oscar. There was such fierce competition in 1980 that winning the award was a real honor. The movie should have shared honors with "Coal Miner's Daughter".

    Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.

    Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.

    Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.

    Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.

    Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.
    10will1410

    This movie saved my life

    I was 16 years old in 1984 when I first saw this movie. I was also clinically depressed and suicidal. I had been on antidepressants for about a year (in the pre-prozac days) and I happened to see this movie on Showtime or HBO - almost by accident. Timothy Hutton perfectly captures what it's like to be depressed as a teenager. And Judd Hirsch and Hutton perfectly capture the patient/therapist relationship. There are also a few perfect little scenes that capture the problems of a family that can't communicate. Especially memorable is the scene where Calvin tells Beth about the shoes he wore to Buck's funeral. This film captures all of the important moments like this that truly demonstrate the problems the family is having. After seeing it, I read the book and I knew that if Conrad could go on, so could I. I watch this movie once every few years. It really means a lot to me.
    10longislandjoe

    The epitome of the broken family genre.

    Ordinary People is an extraordinary motion picture for five reasons. The outstanding direction of Robert Redford, and the brilliant acting of Mary Tyler Moore, Donald Sutherland, Timothy Hutton and Judd Hirsch.

    This movie is set in suburban Chicago. The family is an upper-middle class foursome, the parents and their two sons. The eldest son, Buck, is killed in a boating accident. The other son, Conrad, survives but is riddled with guilt. His mother, Beth, who idolized her deceased first born, is cold with her surviving son. She looks at him and is reminded of the pain. Instead of nurturing her surviving child she distances herself from him. Conrad attempts suicide and spends time in a mental hospital. Calvin, the understanding father, is torn between his wife and son.

    Dr. Berger, a psychiatrist, is hired by the family to help the troubled young man. The scenes between Hutton and Hirsch are amongst the best in the movie. He helps Conrad understand his mother's pain and shortcomings and to stand on his own. Conrad tries to keep his family together and realizes, almost with relief, that the family's problems are caused by Beth's "burying all her love with Buck".

    This is a fascinating motion picture. The direction and the performances are superb. It is an intelligent, moving and honest examination about a family torn by grief and pain. Don't miss it!
    10triple8

    Unforgettable

    I saw Ordinary People when I was very young and had a very difficult time with the storyline.However, even then I think I knew I was watching something simply remarkable. Even after all these years, it's impact has not lessened, which I guess is a mark of an incredible movie. The movie is among the most disturbing I've ever viewed and the performances, at least to me, are among the best. I can't imagine viewing this movie without feeling absolutely drained afterwards and I think I may have been a bit to young to fully appreciate it, but I can't imagine giving this anything but a 10, it was absolutely flawless in it's storytelling.

    I do think though, that a certain element of maturity is needed to view this, there are few I know who have not been touched or upset by the story and if one is to young or just not in the right mood to handle the heaviness(as I wasn't at the time),they may not be able to fully appreciate it. I still know people who cannot sit through this and I understand why but I hope this movie will be viewed by many who can handle it, it's impact is fierce, all the performances are incredible and Mary Tyler Moore's performance is among the best of any female lead ever.
    10planktonrules

    One of the finest and most true to life movies ever

    I might consider putting this movie in my top 10 list of best movies. It's absolutely amazing that for his directorial debut, Robert Redford created such a masterpiece. Now it was not all due to him, as the story was so well-written and the acting is dead on for all the characters. Part of the reason I love it so much might be because I was a psychotherapist before becoming a school teacher (mid-life crisis, you know). And, having worked with dysfunctional families, this movie gets it right time and time again. Therapy is not a miracle cure that takes effect almost immediately (like in GOOD WILL HUNTING) and the parents BOTH have a strong role in keeping the family sickness alive. Donald Sutherland is the enabler who denies there is a problem--even after one son dies by accident and the other attempts suicide. He also cannot face that the family's dysfunction is mostly controlled and maintained by his very disturbed wife, played wonderfully by Mary Tyler Moore. She is not mentally ill but has a very sick personality, as she is cold as ice emotionally and deals with problems through massive amounts of denial as well as stuffing her anger WAY down deep. Timothy Hutton is, despite his being the patient, the healthiest one in the family, as his suicide attempt is a strong cry for help. Finally, Judd Hirsch plays the therapist--and one of the most realistically portrayed therapists on film. He has no miracle cure but tries his best to get Hutton, and later Sutherland, to work hard at uncovering their dysfunction. Again and again and again, the viewer is rewarded by a brutally honest script that is about people who would be real--not Hollywood's idea of "people". The film is neither manipulative nor condescending--this is the way more films SHOULD be.

    In addition, as I have watched the film several times, I keep noticing just how perfect the direction was. How wonderfully framed the shots were, how wonderfully the music fit in and how unflinching the movie dealt with pain. In particular, I love the scene with Sutherland at the psychiatrist's office as he talks about his marriage....and his eyes keep looking away and avoiding the doctor as he says how much he loves her. And the great Christmas photo scene--it just screams out "this is real!!". For this to be Robert Redford's directorial debut is absolutely amazing and he surely earned that Best Director Oscar.

    FYI--although this movie is rated R, it is only for language. There are a few REALLY CHOICE WORDS used here and there, but otherwise this is a great movie for teens. If filmed today, this would no doubt be a PG-13 film. I am a very conservative parent, and yet I found this to be totally acceptable for my 15 year-old. It's a great film to watch WITH your kids and discuss what you see.

    I cannot recommend a film more highly.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
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    Argumento

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    • Trivia
      Timothy Hutton's father, actor Jim Hutton, died just months prior to filming. However, Hutton stated he did not use his mourning as a basis for Conrad's depression. Also, actress Mary Tyler Moore's only son, Richie Meeker, accidentally shot himself a month after the film's release. Moore was also separated from her husband, producer Grant Tinker, during filming.
    • Errores
      The golf scene is set on the 18th hole of the golf course but they are seen leaving the practice green (multiple holes in the putting surface are visible).
    • Citas

      Beth Jarrett: Calvin? Why are you crying? Can I, uh... can I get you something?

      Calvin "Cal" Jarrett: I don't...

      Beth Jarrett: What did you say? Calvin, what did you say?

      [Calvin sighs heavily]

      Beth Jarrett: Tell me.

      Calvin "Cal" Jarrett: You are beautiful. And you are unpredictable. But you're so cautious. You're determined, Beth, but you know something? You're not strong. And I don't know if you're really giving. Tell me something. Do you love me? Do you really love me?

      Beth Jarrett: I feel the way I've always felt about you.

      [pause]

      Calvin "Cal" Jarrett: We would have been all right if there hadn't been any... mess. But you can't handle mess. You need everything neat and easy. I don't know. Maybe you can't love anybody. It was so much Buck. When Buck died, it was as if you buried all your love with him, and I don't understand that. I just don't know, I don't... maybe it wasn't even Buck. Maybe it was just you. Maybe, finally, it was the best of you that you buried. But whatever it was... I don't know who you are. And I don't know what we've been playing at. So I was crying. Because I don't know if I love you anymore. And I don't know what I'm going to do without that.

    • Conexiones
      Edited into Give Me Your Answer True (1987)
    • Bandas sonoras
      Canon in D major
      Composed by Johann Pachelbel

      Arranged for mixed voices by Noel Goemanne

      Additional arrangement by Jean-François Paillard (as Jean-Francois Paillard)

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    Preguntas Frecuentes19

    • How long is Ordinary People?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de septiembre de 1980 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Ordinary People
    • Locaciones de filmación
      • Lake Forest High School - 1285 N. McKinley Road, Lake Forest, Illinois, Estados Unidos
    • Productoras
      • Paramount Pictures
      • Wildwood Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 6,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 54,766,923
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 170,335
      • 21 sep 1980
    • Total a nivel mundial
      • USD 54,766,923
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 4 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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