CALIFICACIÓN DE IMDb
6.5/10
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En un futuro en el que morir por una enfermedad es increíblemente raro, una mujer terminalmente enferma se convierte en celebridad y un hombre la graba en secreto para un mórbido programa te... Leer todoEn un futuro en el que morir por una enfermedad es increíblemente raro, una mujer terminalmente enferma se convierte en celebridad y un hombre la graba en secreto para un mórbido programa televisivo.En un futuro en el que morir por una enfermedad es increíblemente raro, una mujer terminalmente enferma se convierte en celebridad y un hombre la graba en secreto para un mórbido programa televisivo.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 8 nominaciones en total
Max von Sydow
- Gerald Mortenhoe
- (as Max Von Sydow)
William Russell
- Dr. Mason
- (as William Russel)
Bernhard Wicki
- Katherine's Dad
- (as Bernard Wicki)
Billy Riddoch
- Truck Driver
- (as Bill Riddoch)
Opiniones destacadas
I don't know if it is on video, but I wish I could watch this film again, after 20 years the idea still feels fresh and alive. even though there is truman show, it is not even getting close to the greatness of this film. Today, I have told a writer who is working on a cyberfilm script, to go watch this film first. technology is only a tool (most scifi films tend to forget) in telling the story of 2 suffering souls. The humans are not lost behind the scifi gimmicks, the film is about us humans. watch this film, you really won't be disappoi
I just finished watching this movie in a pitch black room and boy was it dark.Several sequences bordered on the invisible as Harvey Keitel descends into a cameraman´s room 101. Romy Schneider a revelation and spreading compassion on all throughout. The cityscapes are glorious and the faceless people of Glasgow add to the alienation expressed by the script. Excellent shift of pace as Max von Sydow enters to fulfill Romy Schneiders dreams. Great cast, though Harry Dean Stanton under-used, and a sin that this is not more widely recognised.
I saw this film in May 1980, loved it, and immediately became a Harvey Keitel and Romy Schneider fan. I was shocked and saddened to read the next week in the newspaper that Romy Schneider had died suddenly. This was haunting -- especially since in this film she plays a woman who is dying and just wants to be left alone. Harvey Keitel plays a reporter working for a TV station who wants to up their ratings by filming raw drama. Harvey follows her, befriends her, and secretly films her on the run as she falls sicker and falls in love with Harvey. There are wonderful twists in the plot and technology ground breakers. Harvey has a camera lens implanted in his eye but the side effect is that he can never sleep. When I saw the Truman Show, it reminded me of this film from so long ago whose treatment of the subject matter (filming someone's life who is unaware of the fact) was such a new and exciting concept. Check this film out. You will not be disappointed!
In what is said to be a tragically prophetic role, Romy Schneider gives a superb performance as a dying woman at the mercy of a voyeuristic society presided over by a greedy television executive (coldly played by the brilliant Harry Dean Stanton). Also of note is an elegant cameo by the legendary Max von Sydow.
Why this movie has yet to get a rerelease is entirely beyond me. It doesn't help that it's nearly impossible to find in terms of both rental and sale. If you are able to track it down, then do not pass up the chance to see it.
Why this movie has yet to get a rerelease is entirely beyond me. It doesn't help that it's nearly impossible to find in terms of both rental and sale. If you are able to track it down, then do not pass up the chance to see it.
Science fiction films in recent years have been noticeably lacking both credible science and original fiction, but this multi-national production is a startling exception, presenting a complex tale of emotional manipulation that engages the imagination without the crutch of special effects. The intriguing plot, set in a recognizable near future where medical advances have completely eliminated the threat of natural death, follows a young volunteer (Harvey Keitel) who after having experimental micro-cameras implanted into his eyes agrees to follow a woman known to have a rare, incurable disease, in order to record on video her final days for the entertainment of a desensitized and nostalgic TV audience. Despite the morbid premise (anticipating by two decades the current glut of tacky, ersatz 'reality TV' programming) it's a surprisingly life-affirming movie, maintaining a mood of cautious optimism even while prophesying dark days just around the corner.
¿Sabías que…?
- TriviaAt one point in the film, Gerald Mortenhoe (Max von Sydow) tells some historical facts about the Medieval French Composer Robert De Bauleac, while listening to one of his works on a record player. When the film was released, numerous music lovers tried to get a copy of the same record in specialized stores, which could never provide any for a very good reason: Robert De Bauleac has never existed, and the composition heard in the film is Antoine Duhamel's work. However, the concerned piece of music, "Robert De Bauleac's Lament," has been since available as part of the complete movie soundtrack.
- Citas
Vincent Ferriman: Look how shy we've become about death. It's the new pornography.
- ConexionesFeatured in Romy, femme libre (2022)
- Bandas sonorasFor The Love Of The Golden City
Written by Antoine Duhamel, Produced by Gabriel Boustiani
Performed by The London Symphony Orchestra conducted by Harry Rabinowitz
Performed by Roger Mason
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- How long is Death Watch?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Death Watch
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución2 horas 10 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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