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Loulou

  • 1980
  • TV-14
  • 1h 50min
CALIFICACIÓN DE IMDb
6.6/10
3.9 k
TU CALIFICACIÓN
Loulou (1980)
DramaRomance

Una esposa aburrida deja a su marido por un delincuente de poca monta desepleado.Una esposa aburrida deja a su marido por un delincuente de poca monta desepleado.Una esposa aburrida deja a su marido por un delincuente de poca monta desepleado.

  • Dirección
    • Maurice Pialat
  • Guionistas
    • Arlette Langmann
    • Maurice Pialat
  • Elenco
    • Isabelle Huppert
    • Gérard Depardieu
    • Guy Marchand
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    3.9 k
    TU CALIFICACIÓN
    • Dirección
      • Maurice Pialat
    • Guionistas
      • Arlette Langmann
      • Maurice Pialat
    • Elenco
      • Isabelle Huppert
      • Gérard Depardieu
      • Guy Marchand
    • 18Opiniones de los usuarios
    • 38Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 nominaciones en total

    Fotos75

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    Elenco principal18

    Editar
    Isabelle Huppert
    Isabelle Huppert
    • Nelly
    Gérard Depardieu
    Gérard Depardieu
    • Loulou
    Guy Marchand
    Guy Marchand
    • André
    Humbert Balsan
    • Michel
    Bernard Tronczak
    • Rémy
    • (as Bernard Tronczyk)
    Christian Boucher
    • Pierrot
    Frédérique Cerbonnet
    • Dominique
    Jacqueline Dufranne
    • Mémère
    Willy Safar
    • Jean-Louis
    Agnès Rosier
    • Cathy
    Patricia Coulet
    • Marité
    Jean-Claude Meilland
    • Jean-Claude, le gars du casse
    Patrick Playez
    • Thomas
    Gérald Garnier
    • Lulu
    Catherine De Guirchitch
    • Marie-Jo
    Jean Van Herzeele
    • René
    Patrick Poivey
    Patrick Poivey
    • Philippe
    Xavier Saint-Macary
    • Bernard
    • Dirección
      • Maurice Pialat
    • Guionistas
      • Arlette Langmann
      • Maurice Pialat
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios18

    6.63.8K
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    Opiniones destacadas

    petershelleyau

    and Nelly

    Director Maurice Pialat's film is more an exercise in star power than any presentation of narrative, with Isabelle Huppert leaving her husband Guy Marchand for the leather-clad ex-con ruffian Loulou played by Depardieu. Even though the tone takes its cue from the character of Loulou as a womanising drifter, the low key seemingly improvised rambling scenes are preferable to the gab-fests of Eric Rohmer, who is responsible for the negative connotations associated with French films by Americans. This film is actually mistitled since although it is Depardieu that is the catalyst for Huppert to change her life, the story is more hers than his. Or perhaps it is that the representation of her crumbling marriage that is more dramatically interesting than Depardieu's "loafing". If Loulou's character is sketched thinly that may to keep him as an enigma, the mysterious bad-boy that women always seem to prefer. At one point Huppert says of Depardieu, "I prefer a loafer who f**ks, to a rich guy who bugs me". And although we can see how limiting Depardieu's world is to Huppert, we also understand her attraction to him, highlighted by a silent image of the couple stumbling down a street in a drunken embrace. Pialat's best moments involve scenes of violence interrupting - a family get together soured by jealousy, the loud music of a disco drowning out shouting, and a brawl between Depardieu and Marchand in a courtyard with a following drink together as evidence of the French form of civilised behaviour. Huppert also has an early scene with Marchand where the camera follows his pursuit and humiliation of her, and here Huppert's anger invalidates the myth of her as a passive performer. The film also shows us footage of her laughing, which is unusual since her situations are usually so glum, and she is funny when she yells in shocked reaction to being hit, in the famous love scene where the bed collapses, and when she falls in the street by accident. Pialat also gives Marchand a laugh by having him resort to playing the saxophone in depression.
    pjksfo

    Great dialogue, even better if you understand the original

    Given the exhaustive and thoughtful review by the previous poster, I won't be redundant. This movie contains one of the best lines I've ever heard: As Nelly rides away with LouLou on his motorcycle, Andre poutfully spouts (rough english) "But you can't discuss books with him!"; Nelly replies "I don't discuss books, I read them!".

    Priceless.
    7raskimono

    Loulou is loo-loo.

    This is quite a dull movie. Well-shot with realistic performances especially a very good one from Depardieu as a cad and bad boy with realistic locations mood and art-house connotations all over, it fails because the director takes no position, stand or critical commentary on the topic he stipulates. One of France's revered and regular working partner on films with Depardieu - I believe they made 7 together - Pialat fails to engage. It seems to be a treatise on why women fall for the bad boy who will hurt when they have a ready caring boyfriend and good-hearted husband around. Isabelle Hupert who plays the philanderer with nonchalant distinction offers opprobrium answers like "I don't know"; "I like his arms"; "I like the way he makes love" to her inquiring husband who tries to kick her out of the house but palliates and reconsiders because... I assume he loves her. So he accepts and hope for what? That she will one day wake up and come to her senses. Things like this are not answered in Pialat's condescending docu-drama style with long speeches and even longer scenes that don't add up. I know the answers do not add up but please take a stand. Jules et Jim, this is not. The final shot as cold as the movie we have just watched is a heartache and headache only to the most forgiving.
    7Bunuel1976

    LOULOU (Maurice Pialat, 1980) ***

    Well-made but basically dreary low-life melodrama which, according to the accompanying interview with lead Isabelle Huppert, writer/director Pialat infused with a good deal of autobiographical detail; given the mainly unsympathetic characters involved, it doesn't do him any compliments - and he does seem to have been a troubled man, as Huppert also says that Pialat often disappeared for days on end during the shoot!

    The acting is uniformly excellent, however; despite their relatively young age, Huppert and co-star Gerard Depardieu (as the title character!) were already at the forefront of modern French stars - a status which, with varying degrees of success, they both still hold to this day.

    I have 3 more of Pialat's films in my "VHS To Watch" pile, albeit all in French without English Subtitles; due to this fact but also LOULOU'S oppressive realism - in spite of its undeniable artistic merit - I can't say that I'm in any particular hurry to check them out now...
    6gavin6942

    Modern French Film

    Maurice Pialat's portrait of contemporary France mocks prosperity as a substitute for social and sexual revolution. Nelly abandons her bourgeois friends and a steady relationship for the unemployed layabout Loulou, whose charms include focusing his energy into sex.

    As noted, this film was directed by Maurice Pialat. For the average person, the name Pialat means nothing. But he may be one of the best French directors of the last 25 years, what might be called the post-New Wave, perhaps. And "Loulou" in retrospect may be his most accessible work because it stars Isabelle Huppert and Gérard Depardieu, two of the biggest French stars of their era.

    I don't have much to say on the film itself because it was not a story that appealed to me. Technically well-made, and an interesting showcase for Depardieu if you like seeing him in bed. But not my sort of plot.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      The first of four collaborations between director Maurice Pialat and actor Gérard Depardieu. They would later reunite in Police (1985), Bajo el sol de Satán (1987) and Le garçu (1995).
    • Citas

      Loulou: [Pierrot and Marité are having sex] I'm hungry. Hey, Big Ass, fry me some potatoes!

      Pierrot: She's no maid!

    • Versiones alternativas
      The New Yorker Films American DVD release is the edited version eg the first sex scene between Loulou and Nelly is much longer in the video edition.
    • Conexiones
      Featured in Sneak Previews: Victory/Condorman/Loulou/Under the Rainbow (1981)
    • Bandas sonoras
      Célimène
      (David Martial (as D. Martial) - Gilles Sommaire (as G. Sommaire) )

      par David Martial (as D. Martial)

      Disques CBS. Editions Bagatelle

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    Preguntas Frecuentes

    • How long is Loulou?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 3 de septiembre de 1980 (Francia)
    • País de origen
      • Francia
    • Sitio oficial
      • Gaumont (France)
    • Idioma
      • Francés
    • También se conoce como
      • Der Loulou
    • Locaciones de filmación
      • La-Queue-en-Brie, Seine-et-Marne, Francia(lunch party)
    • Productoras
      • Action Films
      • Gaumont
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 1,343
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 50 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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