Agrega una trama en tu idiomaChang Fung is a young man studying kung fu under the perpetually inebriated Wu Tseng, who seems to have made a few enemies along the way. When a gang of four warriors show up intent on killi... Leer todoChang Fung is a young man studying kung fu under the perpetually inebriated Wu Tseng, who seems to have made a few enemies along the way. When a gang of four warriors show up intent on killing Wu, it is time for Chang to show what he has learned of his trainer's "drunken kung fu"... Leer todoChang Fung is a young man studying kung fu under the perpetually inebriated Wu Tseng, who seems to have made a few enemies along the way. When a gang of four warriors show up intent on killing Wu, it is time for Chang to show what he has learned of his trainer's "drunken kung fu". Will he be able to protect his teacher from the killers?
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Characters are easily sympathized and acting is decent. Dialog flows relatively well & doesn't stall & bore you like many Hong Kong Kung Fu flicks.
Anyone watching 70's Kung Fu Movies for the characters/acting and dialog are setting themselves up for disappointment. How's the fighting?
fight scenes are again quite good. Nothing will ever match Jackie Chan's choreography (DM is some of his best), but this Kung Fu Movie is still ahead of the pack.
also, the requisite 'kung fu chic' in this movie is particularly appealing.
Having said that, I now have to warn the viewer that Wu Ma really slips with this one. An attempt to construct a film continuing the story of Sam the Seed - the master who teaches Drunken Style to Jackie Chan in Drunken Master - the film is misconceived from the start. For one thing, it doesn't make sense to try to do a Sam the Seed film without the actor with whom the part is wholly identified, Simon Yuen.
Secondly, there's no point in making a film about the drunken style without a firm grasp of its basic theory, which has to do with keeping one's limbs utterly relaxed.
Finally, the reason why the real drunken style theory cannot be used in this film is because the Jackie Chan wannabe here is Meng Fei, one of the stiffest fight-performers in the genre, and utterly incapable of the looseness and swagger that makes drunken style so much fun to watch.
Why not call this, "kung Fu of someone who's never been drunk and doesn't know how to act it"? Minor disappointment from Meng Fei (who grew more self-indulgent and less interesting as his career wore on); but a major disappointment from Wu Ma, who should have known better.
Although he only appears in support, Wu Ma's character gets plenty of screen time and ended up being my favourite element of the movie. He gets into various scrapes with his drinking and petty crime and he seems to be having a lot of fun, which translates well to the viewer. Other than the comedy, there's not really much here that wasn't done better in DRUNKEN MASTER, and the fight choreography isn't really up to scratch. The end fight in particular is a bit weak and not the show-stopper we usually get in such a production; the low budget hurts this film quite considerably.
Wu Ma is one of the most famous faces in the history of Hong Kong cinema but not really a famous name, despite it being short and easy to pronounce. He had no martial arts or stunt background when he took the Shaw Brothers acting course in 1962. By 1970 he was directing. In the 1980s and until his death, his career shifted to prolific character actor. In my opinion his career was based on doing what already worked and surrounding himself with the right people such as Sammo Hung and Tsui Hark.
Everything in this movie has been done before and done better. It failed to hold my attention and had I not intended to write a review I would have napped instead. This is only for hard core fans on a slow day.
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- ConexionesReferenced in Frank Zappa: New York and Elsewhere (1980)
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- Kung Fu of 8 Drunkards
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