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5.4/10
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TU CALIFICACIÓN
Criado en un monasterio trapense, el inocente hermano Ambrosio se propone encontrar dinero para salvar el monasterio en bancarrota.Criado en un monasterio trapense, el inocente hermano Ambrosio se propone encontrar dinero para salvar el monasterio en bancarrota.Criado en un monasterio trapense, el inocente hermano Ambrosio se propone encontrar dinero para salvar el monasterio en bancarrota.
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Opiniones destacadas
This flick (one of the least-seen comedies EVER, I believe) tries to be, at once, a slapstick chase comedy, an offensive religious comedy, a leering sex comedy and an expose of evangelists who exploit the faith of their naive audiences! The results are uneven, but not horrible. Apart from the much-mentioned already Andy Kaufman, there is a standout performance by Louise Lasser, as a warm-hearted hooker. Richard Pryor, as God, is underused, though. (**)
While I didn't quite know how to take the film the first time I saw it, after viewing it three different times, and letting a lot of time pass, my ripening sense of humor absolutely adored the hilarious jabs at religion - primarily Christianity - in all its contemporary marketing in the U.S. The bumbling monk from the monastery who just isn't in touch with the real world but must learn how to deal with it; the itinerant preacher in a modified flivver with a steeple and amplified speaker driving around "enticing" money from the crowds he can gather on the street; and the glowing puffery of the TV evangelist - who has more evil behind him than the good he portrays to his public. GREAT HUMOR. Well acted by Marty Feldman, Peter Boyle and Andy Kaufman. Contains a very interesting twist.
-May contain spoilers.
Many people only know Marty Feldman as Igor in 1974's "Young Frankenstein". And, I'll admit, unless one does some research, that's all one can really ever know. It's a shame that his other stuff, such as this film, has gone more unnoticed. Anyway...
"In God We Tru$t", from what I've heard and read really did horribly at the box office, and the critics just seemed to rip it to shreds! It's as if they couldn't find anything good about it. Well, I can. I really enjoyed this film. Maybe it wasn't well received because to me, in this movie, Feldman doesn't play his usual silly, comic relief based roles. I mean yes, he's funny in this film, but he has a much more straight role than in his other films, and yeah...he actually acts and emotes. Also, maybe romantic comedies weren't as big then, who knows? Or maybe the press just didn't think Marty Feldman had the right to play a serious, or semi-romantic role. Regardless, I feel that in this film, Feldman gets to showcase his real acting ability, and he's really great in this movie. And there's great support from the likes of Peter Boyle, Andy Kaufman, Richard Pryor, etc...
Looks-wise, Feldman was not the "conventional leading man", but in this film, I feel he makes it work. His "By the way, I think I love you...do you mind?" is delivered in an absolutely convincing and adorable way...
So yes, maybe this film is more a cute, sweet, sort of movie...but why did all of Marty Feldman's films have to be silly, manic, or zany? I think if anything the fact that he did different things shows his versatility. The concept of this film, a monk who really doesn't belong in the monastery, having to go out into the imperfect and corrupt world, falling in love with a prostitute, etc...I mean, it's great. All I can really see that is wrong with it, is simply the fact that unlike most Feldman movies that make one go, "HA HA!" this may make one go..."Awww".
Some deep lines too, such as "It may not be the best of all possible worlds but it's the only one we've got" and "Doubts are about the only certainties I have right now." Maybe I'm not with the popular opinion, but I enjoyed it and give it 8/10.
Many people only know Marty Feldman as Igor in 1974's "Young Frankenstein". And, I'll admit, unless one does some research, that's all one can really ever know. It's a shame that his other stuff, such as this film, has gone more unnoticed. Anyway...
"In God We Tru$t", from what I've heard and read really did horribly at the box office, and the critics just seemed to rip it to shreds! It's as if they couldn't find anything good about it. Well, I can. I really enjoyed this film. Maybe it wasn't well received because to me, in this movie, Feldman doesn't play his usual silly, comic relief based roles. I mean yes, he's funny in this film, but he has a much more straight role than in his other films, and yeah...he actually acts and emotes. Also, maybe romantic comedies weren't as big then, who knows? Or maybe the press just didn't think Marty Feldman had the right to play a serious, or semi-romantic role. Regardless, I feel that in this film, Feldman gets to showcase his real acting ability, and he's really great in this movie. And there's great support from the likes of Peter Boyle, Andy Kaufman, Richard Pryor, etc...
Looks-wise, Feldman was not the "conventional leading man", but in this film, I feel he makes it work. His "By the way, I think I love you...do you mind?" is delivered in an absolutely convincing and adorable way...
So yes, maybe this film is more a cute, sweet, sort of movie...but why did all of Marty Feldman's films have to be silly, manic, or zany? I think if anything the fact that he did different things shows his versatility. The concept of this film, a monk who really doesn't belong in the monastery, having to go out into the imperfect and corrupt world, falling in love with a prostitute, etc...I mean, it's great. All I can really see that is wrong with it, is simply the fact that unlike most Feldman movies that make one go, "HA HA!" this may make one go..."Awww".
Some deep lines too, such as "It may not be the best of all possible worlds but it's the only one we've got" and "Doubts are about the only certainties I have right now." Maybe I'm not with the popular opinion, but I enjoyed it and give it 8/10.
The late Marty Feldman's most notable directorial effort. The movie features an exceptional portrayal by Andy Kauffman of the Reverend Armageddon...who sports his blond pompador with great authority.
Most notable thing about the movie is the VERY clever writing. Much of the plot action is over the top slapstick, but sometimes the movie gets very sly and smart...especially when Andy is in the spotlight.
Fine funny performances from Peter Boyle and Louise Lasser.
"The meek shall inherit the earth" "Yeah, but only when the strong are through with it."
Most notable thing about the movie is the VERY clever writing. Much of the plot action is over the top slapstick, but sometimes the movie gets very sly and smart...especially when Andy is in the spotlight.
Fine funny performances from Peter Boyle and Louise Lasser.
"The meek shall inherit the earth" "Yeah, but only when the strong are through with it."
Marty Feldman got another chance to write and direct a movie, and this one is a little less funny. Still, it provides a humorous view of televangelists and other religious organizations in their neverending pursuit of money over spirituality. Andy Kaufman, as televangelist Armageddon T. Thunderbird, is simply brilliant (which is not always the word used to describe him) and Feldman, Lasser, and Boyle also provide vivid characterizations. I enjoyed this film, even though Feldman gave Richard Pryor very little to do and the film runs out of steam near the end. Nevertheless, there are some big laughs, and any fans of Feldman should enjoy. Definitely worthwhile renting if you can find it. Not quite on the level as the equally irreverent "Life of Brian," but is quite good, too. My rating: 7/10 stars.
¿Sabías que…?
- TriviaTo prepare for his role as Armageddon T. Thunderbird, Andy Kaufman practiced preaching on city streets. During filming, he never broke character.
- ErroresWhen Brother Ambrose pushes the table in at the dinner the wire used to pull it to its place is visible.
- Citas
Armageddon T. Thunderbird: Money can't buy happiness! Only POWER can do that!
- Bandas sonorasGood For God
Written and performed by Harry Nilsson
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 5,215,015
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,008,150
- 28 sep 1980
- Total a nivel mundial
- USD 5,215,015
- Tiempo de ejecución1 hora 37 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was In God We Tru$t (1980) officially released in India in English?
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