Highpoint

It just makes you wonder what the screenwriter was thinking. Okay lads, we'll have sword fighting, car chases and crashes, a pony and trap chase, people flying into water in their vehicles and slowly sinking, horses and oooh, I know, let's get some laughs with people sneezing and getting trapped in lift doors. Just as you can't quite believe what you're watching, we have s peeded up sequence with people talking speeded up like Benny Hill used to do. Why Christopher Plummer, just why? Richard Harris had the oddest accent I've heard in a while. Thank goodness for Beverley D'Angelo who at least looked amazing. There's a line during the showdown on the CN Tower that says "Leave them, they're idiots" Advice I probably should have taken!

Obscure Canadian comedy (belatedly released in 1984 after sitting in the canister since 1980) with Harris as a mild mannered accountant who inadvertently saves the life of drunken Beverly D'Angelo, resulting in being employed by the family matriarch (Reid) to manage their ill-gotten gains. Meanwhile, estranged brother and former heir to the fortune (Plummer) is desperate to get his hands on the stash, as are two hoodlums (Chaykin and Rubinek) working for mobster Peter Donat, and the CIA (Gammell).

Some amazing car chases and a rousing finale atop Toronto's Needlepoint tower (hence the title) are action bookends to what is an engaging, humorous and action-filled 85 minutes. The stunt-work is addictive and enough itself to warrant another viewing (particularly the nail-biting climax).

Chaykin and Rubinek make a likable pair of nitwit goons, and the appearance of Harris, Plummer and D'Angelo lend a certain prestige that can't easily be ignored. Not especially sophisticated in its humour (largely slapstick and situational), "Highpoint" earns a laugh or two without pretense or self indulgence and I found it highly entertaining. Arguably Harris' best of a bad lot during the eighties, if that's a useful benchmark.

The Canadian movie "Highpoint" is a strange movie. On one hand, it wants to be a serious homage to the kind of thrillers Alfred Hitchcock made. But on the other hand, it also wants to be a kind of spoof of those Hitchcock movies. Needless to say, mixing the two tones results in quite a mess. It's obvious that the filmmakers tried to save this in the editing room, but the different tones still result in an inconsistent feeling. It doesn't help that each tone isn't very well done. The mystery angle isn't very clear, and the comedy is painfully unfunny (they even try doing a chase sequence Keystone Kops style.) The movie looks a lot better than most other Canadian movies from the same period (it obviously had an ample budget), but its slickness doesn't hide its unsatisfying soul. Only for viewers who really want to see how Canadians would do Hitchcock... or who want to see Christopher Plummer sport a ridiculous-looking moustache.

It came as a shock to me when I read all the negative reviews. I just watched this show today Sunday May 31st. 2020 & thought it was an excellent movie. See it if you can you won't be sorry.

I saw this movie while studying in Edinburgh in the 80's. Loved it too. A light and fairly fluffy storyline with the prerequisite villain and good guy formula to the fore. However, the "highpoint" for me was the car chase featuring an MGB GT convertible doing some very silly stuff. Great action, and a spectacular end to this chase. Also, one little line from the movie is still quoted by my brother and I all these years later - when Harris goes to make a tricky maneuver in his car, he tells his passenger to put on her safety belt as he's about to do a "Brodie", and then yanks on the handbrake and spins the car in the middle of the road. Fun film, dated now but the CN Tower stunt is scary when you realise that someone actually did the jump, AND got paid handsomely for the privilege.