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IMDbPro

Gloria

  • 1980
  • PG
  • 2h 1min
CALIFICACIÓN DE IMDb
7.1/10
13 k
TU CALIFICACIÓN
Gena Rowlands and John Adames in Gloria (1980)
When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.
Reproducir trailer2:57
2 videos
52 fotos
GangsterCrimeDramaThriller

Cuando la mafia mata a la familia de un niño, su vecina Gloria se convierte en su tutora reacia. En posesión de un libro que quieren los gánsteres, la pareja se da a la fuga en Nueva York.Cuando la mafia mata a la familia de un niño, su vecina Gloria se convierte en su tutora reacia. En posesión de un libro que quieren los gánsteres, la pareja se da a la fuga en Nueva York.Cuando la mafia mata a la familia de un niño, su vecina Gloria se convierte en su tutora reacia. En posesión de un libro que quieren los gánsteres, la pareja se da a la fuga en Nueva York.

  • Dirección
    • John Cassavetes
  • Guionista
    • John Cassavetes
  • Elenco
    • Gena Rowlands
    • Buck Henry
    • Julie Carmen
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    13 k
    TU CALIFICACIÓN
    • Dirección
      • John Cassavetes
    • Guionista
      • John Cassavetes
    • Elenco
      • Gena Rowlands
      • Buck Henry
      • Julie Carmen
    • 84Opiniones de los usuarios
    • 36Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 4 premios ganados y 5 nominaciones en total

    Videos2

    Official Trailer
    Trailer 2:57
    Official Trailer
    Gloria: What Kind Of Man
    Clip 1:02
    Gloria: What Kind Of Man
    Gloria: What Kind Of Man
    Clip 1:02
    Gloria: What Kind Of Man

    Fotos52

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    Elenco principal61

    Editar
    Gena Rowlands
    Gena Rowlands
    • Gloria Swenson
    Buck Henry
    Buck Henry
    • Jack Dawn
    Julie Carmen
    Julie Carmen
    • Jeri Dawn
    Tony Knesich
    • 1st Man…
    Gregory Cleghorne
    • Kid in Elevator
    John Adames
    John Adames
    • Phil Dawn
    Lupe Garnica
    • Margarita Vargas
    Jessica Castillo
    • Joan Dawn
    Tom Noonan
    Tom Noonan
    • 2nd Man…
    Ronald Maccone
    • 3rd Man…
    George Yudzevich
    • Heavy Set Man
    Gary Howard Klar
    Gary Howard Klar
    • Irish Cop
    • (as Gary Klar)
    William E. Rice
    • TV Newscaster
    Frank Belgiorno
    • Riverside Drive Man #5
    J.C. Quinn
    J.C. Quinn
    • Riverside Drive Man #4
    Alex Stevens
    Alex Stevens
    • Riverside Drive Man #7
    Sonny Landham
    Sonny Landham
    • Riverside Drive Man #8
    Harry Madsen
    Harry Madsen
    • Riverside Drive Man #6
    • Dirección
      • John Cassavetes
    • Guionista
      • John Cassavetes
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios84

    7.112.7K
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    Opiniones destacadas

    nyc1223

    Super Movie!

    This is one of my favorite movies of all times. Gena Rowlands is a powerhouse actor in this gutsy film about survival, courage and compassion set in the fast-paced, gritty New York City of the 70s. The acting all-around is exceptional. The film is riveting from beginning to end. You get swept up in Gloria's dilemma right away. The scene where she has to decide whether to save herself and turn the kid over to his assassins is very believable as you can see and feel how desperate one would be in such a dire situation. Another great scene is at a Penn Station coffee shop where she confronts the stalking mobsters at a nearby table. You can hear a pin drop in that restaurant as she stands there saying, "I'm Gloria. My hand is on my gun in my purse!" Yet another great scene is the crowded subway where she literally throws punches with one of the mobsters who has caught up with her. Everyone in that graffiti-laden subway car presses against the walls trying to get away when Gloria pulls her gun. She says as she gets off: "Ya punk! Ya Punk. Ya let a sissy beat you, huh? You punk! Go ahead, punk!." Then the subway car closes and she and the kid get away yet again. So, get lots of popcorn, turn off the phones and curl up in bed with the lights off for this one!
    9lushgreen_2003

    "He Don't Even Speak English..."

    A genre-bending odyssey, full of dank, dark alleys, filthy side streets, buses, taxi cabs, trains and subways, John Cassavetes' film "Gloria" is perhaps the most impersonal of his personal work, which surely inspired Luc Besson's 1994 action-packed "Leon," the film explores the development of the mother-son bond under extreme circumstances.

    One of Gena Rowland's most underrated performances, Gloria stands shoulder to shoulder with other iconic heroines of American cinema; such as Dietrich's Shanghai Lily and Uma Thurman's Beatrix Kiddo.

    Cassavetes explores new narrative possibilities unlike any other of his contemporaries. Though there always seems to be a surplus of emotion, dialogue or trivialities in his work - and I'm not the first to make such an observation - Cassavetes maintains his focus, which is of course, to show us a slice of life, however extreme or crazy it may appear to an audience.
    noreaster13

    An American Classic

    There must be a million woman like Gloria. They never got educated but they're smart. They're good looking, but not enough to get that gangster boyfriend to leave his wife. They hostess or maybe they just are table dressing for as long as they can. They make enough to have a decent apartment, and they hock the gift jewelry and furs and stick the money in a safe deposit box for the day they just can't do it any more. Can't smile and nod and be sweet, and the goombas look to the younger girls for attention. They try to keep quiet and keep their nose clean and ignore the young punks that treat them a little worse every year.

    But life can mess up your plans, as it does for Gloria when it dumps an orphaned kid in her lap and some of her p***ed gangster pals at her door. And the decision she makes to save the kid's life means she can never go back.

    "Gloria" isn't really about stuff like violence or mobsters or guns at all. It's about the hopes and wishes and loneliness of a life that represents the lives of many invisible woman. Gloria has always been a "broad" as she says. Never the Madonna, to be worshipped and respected. Always the Whore to be stepped on. And it sucks to be at the mercy and whim of men. Especially cruel, stupid thugs who don't have the brains or guts to do anything but lie, cheat, steal, and kill women and children.

    Gloria reluctantly gives up her old life. She gave years of her life to these slobs and she doesn't want to lose the little she got for her troubles. She just wants peace and quiet and to be left alone. Why give it up to help some annoying kid?

    But when she makes the decision to do just that, her rage and resentment explode.

    Gena Rowlands gives a flawless performance that burns bright and makes the viewer feel the rage of those who hide their intelligence and personality and try to "get by" in a world of lesser men. Gloria's got more balls and brains than any of the suits that run the racket. And now she's going to prove it.

    "Gloria" is what happens when adults make movies for adults. No childish chatter, no idealized and airbrushed world, no moralizing and preaching. This movie has blood in its veins.
    10katgyrl

    Gena Rowlands gives a subtle yet powerful performance as a woman confronted with a life or death decision

    As the title character in 'Gloria' Gena Rowlands gives a subtle yet powerful performance which gives this John Cassavettes film its soul and its focal point.

    On the advent of Sharon Stone's re-characterization of 'Gloria' in the 1999 Sidney Lumet re-make it bares mentioning that while Ms. Stone is wonderfully talented the passionate yet understated performance that Gena Rowlands gives in the original can't & won't be topped.

    As a woman confronted with a life or death decision, to save her own or that of a child orphaned by the mafia, Ms. Rowlands brings us a character that we can all relate to, a woman caught at the crossroads of her life.

    If you've ever had to make any sort of 'Should I stay or should I go' life changing desicion and you're thinking of seeing the current re-make I encourage you to rent the original as well, you won't be disappointed!
    8Krustallos

    Flawed But Brilliant

    I caught this on TV once and was blown away by its energy and spontaneity. Gena Rowlands is as good in it as everyone says, with some real surprises. The point about the kid coming out with "grown up" mock-heroic phrases at some points is that he's picked all that stuff up from the movies and listening to his parents' gangster friends. It's supposed to be funny - he keeps shouting "I'm the Man" when he patently isn't.

    The movie takes action/gangster movie genre conventions by the scruff of the neck and shakes them till interesting stuff falls out. The editing and cinematography are great. New York looks gritty but beautiful.

    True the film is kind of rough round the edges, I guess down to Cassavetes' improvisatory style, however it's a lot more accessible than most of his work and you should see it if you get the chance.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Actress Gena Rowlands once said of her ex-gun moll character: "When I read the script, I knew I wanted a walk for her. I wanted something that, from the minute you saw me, you knew I could handle myself on the streets of New York. So I started thinking about when I lived in New York, how different I walked down the street when there was nobody but me. It was a walk that said, they'd better watch out."
    • Errores
      When Phil boards the train, the shot has been reversed, as evidenced by backwards lettering on the signs on the train and the platform.
    • Citas

      Phil Dawn: You're my mother. You're my father. You're my mother. You're my whole family. You're even my friend, Gloria. You're my girlfriend too.

    • Conexiones
      Featured in Sneak Previews: Why Would I Lie?, Terror Train, Gloria, Private Benjamin (1980)

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    Preguntas Frecuentes

    • How long is Gloria?
      Con tecnología de Alexa
    • Who's this Mr. Tanzini?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de octubre de 1980 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Gloria (1980) on Internet Archive
      • Sony Movie Channel (United States)
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • One Summer Night
    • Locaciones de filmación
      • Trinity Church Cemetery - 770 Riverside Drive, Manhattan, Nueva York, Nueva York, Estados Unidos(ending scene at Pittsburgh cemetery)
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 4,059,673
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 33,767
      • 5 oct 1980
    • Total a nivel mundial
      • USD 4,062,212
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 1 minuto
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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