CALIFICACIÓN DE IMDb
8.0/10
4 k
TU CALIFICACIÓN
Personas de edades, profesiones y clases sociales distintas responden dos sencillas preguntas: «¿quiénes son?» y «¿qué quieren?».Personas de edades, profesiones y clases sociales distintas responden dos sencillas preguntas: «¿quiénes son?» y «¿qué quieren?».Personas de edades, profesiones y clases sociales distintas responden dos sencillas preguntas: «¿quiénes son?» y «¿qué quieren?».
- Dirección
- Guionista
- Premios
- 1 premio ganado en total
Opiniones destacadas
This one I think either the very first, or one of the first films by Krzysztof Kieslowski I had ever seen and I remember thinking how incredible this was. So simple. No flashy camera work, three questions and some fascinating answers. Asking ordinary working people some simple questions and yet, you get more of an understanding of real life and the plight or happiness or torture or emotion of the human condition than you will find in any other film.
The end is even clever in that it leaves you not knowing whether to feel sad or happy.
I loved this film.
Only gave it a 9 because well...is there really ever a ten?!
The end is even clever in that it leaves you not knowing whether to feel sad or happy.
I loved this film.
Only gave it a 9 because well...is there really ever a ten?!
Cinéma vérité,
Director forced himself to be included in the film. And I think this film can be one of the earliest images that close to today's internet rumbles about the interview from a child to an old man, and this one had its own purity. Not absolutely at all but it's belong to the time of 1980s. It's now here became the shortcut of those realness films, how can we trust directors didn't cut some censored parts out? And now we can revise the quote but Jean-Luc Godard to "24 lies per second". Cinéma vérité,
Director forced himself to be included in the film. And I think this film can be one of the earliest images that close to today's internet rumbles about the interview from a child to an old man, and this one had its own purity. Not absolutely at all but it's belong to the time of 1980s. It's now here became the shortcut of those realness films, how can we trust directors didn't cut some censored parts out? And now we can revise the quote but Jean-Luc Godard to "24 lies per second".
10mariuszw
The idea behind this short film is breathtakingly simple yet its execution by Krzysztof Kieślowski is truly masterful. Each time I watch this documentary I am experiencing a profound sense of being close, touchingly close to another human's heart.
Tender, human dimension of many of these strangers, young, elderly, and some very old, highly educated, and some plain simple -- yet all of them so genuine, so real, and dignified, as never any actor could possibly be, makes me want to embrace many of them and say: "You are my dear brother, you are my beloved sister."
This work of Kieślowski demonstrates perhaps better than ever that the Polish film director first of all was interested in what was Genuine, what was Profound, what was True and Essential. A master of human heart, of human soul, and of camera.
Tender, human dimension of many of these strangers, young, elderly, and some very old, highly educated, and some plain simple -- yet all of them so genuine, so real, and dignified, as never any actor could possibly be, makes me want to embrace many of them and say: "You are my dear brother, you are my beloved sister."
This work of Kieślowski demonstrates perhaps better than ever that the Polish film director first of all was interested in what was Genuine, what was Profound, what was True and Essential. A master of human heart, of human soul, and of camera.
Seemingly dozens of people tackle this question, from an infant who sits there silently, to a woman a hundred years old.
Actually, they don't seem to address the first question, or perhaps in Polish the distinction is not clear. They answer not who they are, but what they are: a potential fireman, or a taxi driver, or a sociologist, or a recent widow or one hundred years old. The answer to the second question also shows an interesting arc: the very young speak of what they want personally, the adults of what they want society to be, and the old and very old.... want nothing. A few more years perhaps.
Actually, they don't seem to address the first question, or perhaps in Polish the distinction is not clear. They answer not who they are, but what they are: a potential fireman, or a taxi driver, or a sociologist, or a recent widow or one hundred years old. The answer to the second question also shows an interesting arc: the very young speak of what they want personally, the adults of what they want society to be, and the old and very old.... want nothing. A few more years perhaps.
In "Gadajace glowy" ("Talking Heads") Krzysztof Kieslowski filmed people of all ages and asked them when they were born, what they are, and what they would like the most in life. The film assembles their responses with straight cuts from youngest to oldest (starting with a baby and ending with a lady of 100 years-old), and with their birth years appearing on screen, going from 1979 until 1880.
But what's so fascinating about this short documentary is how the things said by all the people interviewed are the same things most people, all around the globe, want in their lives, so the film proves that we have a common goal in different stages of life. A kid answers that all he wants in life is to have a car, later a grow man still doesn't know what he wants for his life except to know what it is to be a human being, some people share great aspects of their lives and others a more reserved, quite sad opinions, but in the end all of their statements is to tell that they expect of life better and good things.
It's a very positive film in its simple achievement, way better than "49 Up" a documentary that followed the lives of a bunch of individuals and most of them succeeding in what they were destined to be, others don't. In these last one, I haven't found much use of the information provided, it was depressive and almost pointless. It's good but very forgettable. Now, "Gadajace glowy" is very good and Kieslowski makes a universal work (even though the people interviewed are Polish) that resonates life as it is. Complex and simple at the same time, all people want the same things out of it (and you'll be identified with most of the answers given) but something makes us closer of our destiny, other times very distant, almost impossible. For everything that stands it's a great and unforgettable documentary. Thumbs UP! 10/10
But what's so fascinating about this short documentary is how the things said by all the people interviewed are the same things most people, all around the globe, want in their lives, so the film proves that we have a common goal in different stages of life. A kid answers that all he wants in life is to have a car, later a grow man still doesn't know what he wants for his life except to know what it is to be a human being, some people share great aspects of their lives and others a more reserved, quite sad opinions, but in the end all of their statements is to tell that they expect of life better and good things.
It's a very positive film in its simple achievement, way better than "49 Up" a documentary that followed the lives of a bunch of individuals and most of them succeeding in what they were destined to be, others don't. In these last one, I haven't found much use of the information provided, it was depressive and almost pointless. It's good but very forgettable. Now, "Gadajace glowy" is very good and Kieslowski makes a universal work (even though the people interviewed are Polish) that resonates life as it is. Complex and simple at the same time, all people want the same things out of it (and you'll be identified with most of the answers given) but something makes us closer of our destiny, other times very distant, almost impossible. For everything that stands it's a great and unforgettable documentary. Thumbs UP! 10/10
¿Sabías que…?
- Trivia"Talking Heads" can be found as an extra on the "Camera Buff" DVD.
- ConexionesFeatured in Yo estoy más o menos (1995)
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- Tiempo de ejecución16 minutos
- Color
- Mezcla de sonido
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