Una misteriosa mujer rubia mata a uno de los pacientes de un psiquiatra, y luego va en busca de la única testigo.Una misteriosa mujer rubia mata a uno de los pacientes de un psiquiatra, y luego va en busca de la única testigo.Una misteriosa mujer rubia mata a uno de los pacientes de un psiquiatra, y luego va en busca de la única testigo.
- Premios
- 1 premio ganado y 10 nominaciones en total
Anneka Di Lorenzo
- Nurse
- (as Anneka De Lorenzo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I believe it was one of the best works of Mr De Palma. I like the story it was wonderful & I it took me almost after 75 min of watching movie to take guess who could be the mysterious killer and when I find out I got quiet excited although 10 minutes later everybody knew who's the killer. but all in all I enjoyed that and I could call it one of the best Mystery, Thriller movies I have ever seen of curse with breath taking ending. I should say the acting of Michael Caine & Nancy Allen were perfect.
When you compare what Brian De Palma was doing in the 80's to what passes for entertainment today, his films keep looking better and better. "Dressed To Kill, "Blow Out", "Body Double", "Scarface" and "Carlito's Way" are all superb works of a cinematic craftsman at the peak of his powers. The guy had a long run of better than average films. This is pure Hitchcock with an 80's dash of lurid perversion, an affectionately told tale of lust and murder with plenty of twists, huge helpings of style, a stunning Pino Donaggio score, and a trashy, giallo-inspired plot. De Palma's love of complex camera-work and luscious, blood-smudged visuals helps overcome the logical holes while the terrific performances of Dennis Franz, Keith Gordon (a good director in his own right), Nancy Allen (De Palma's wife at the time) and Michael Caine make every scene special. Let the virtuoso take you on a surreal, scary, erotically charged odyssey and you'll enjoy every frame of "Dressed To Kill".
Brian de Palma's erotic suspense psycho thriller/horror has more than just a nod to Hitchcock's classic "Psycho" (1960), however I do not wish to give away any spoilers so I won't say what de Palma has lifted from Hitch's movie. Psycho is easily the better of the two movies but Kill is far more graphic, both in terms of sex and nudity and violence/gore. Very low body count but the lift scene is incredibly bloody. The movie looks great and has some very good suspense. Michael Caine, Angie Dickinson and Nancy Allen are the lead players but Dennis Franz as vulgar New York cop Detective Marino gets my vote as best character. Heavily cut on VHS and for TV but the Blu-ray is uncut, highly recommended. Good looking movie, I enjoyed it but just found the killer reveal to be not very plausible, shame really, I'd like to have scored it higher but it gets a pretty solid 7/10 from me.
'Dressed To Kill' was Brian De Palma's third Hitchcockian thriller, and his most successful. I don't necessarily mean artistically successful, but it still remains one of his best known movies, and is the one on which his reputation as "that Hitchcock" guy mainly rests on. De Palma has made all kinds of movies in his long career but it says a lot for the impact 'Dressed To Kill' had on audiences for him to be stereotyped like that by many movie lovers. In 'Sisters' De Palma paid tribute to 'Rear Window', in his underrated 'Obsession' it was 'Vertigo', and this time around 'Psycho' is the major inspiration. Some critics of De Palma complain he is more interested in style over substance, and in 'Dressed To Kill' there is some truth in that. You will probably guess the murderer after the first 20-25 minutes, then think to yourself "no, that's just a red herring and there will be an unexpected twist later on". You might then be a bit let down when the your initial guess turns out to be correct after all, but there are enough thrills and dazzling sequences throughout to keep most thriller fans happy. Michael Caine and Angie Dickinson are both pretty good in their respective roles, but Nancy Allen ('RoboCop') gives the real outstanding performance in the picture. De Palma would subsequently give her another good role in 'Blow Out' opposite John Travolta. Also strong are Keith Gordon (who went on to star in John Carpenter's 'Christine') and Dennis Franz ('NYPD Blue') in supporting roles. Personally I don't think 'Dressed To Kill' is as good as 'Sisters', but I still think it's first rate exploitation thriller and definitely worth watching. Not De Palma's most interesting movie by a long shot, but still one of his most watchable.
Alfred Hitchcock's Psycho may be one of the most influential movies ever-for a start it was at least partially responsible for the whole subgenre of 'slasher' movies and the shower scene has inspired more homages than you can count. Brian De Palma's thriller Dressed To Kill is basically a semi remake of Psycho,right from the structure of it's story to it's villain right down to certain specific scenes. It's also an absolutely stunning piece of audience manipulation and perhaps more importantly a cracking thriller. Watch this film knowing about the Psycho element and as long as you don't mind some graphic sex and violence you should have a whale of a time. In fact,to a modern audience it may very well be more effective than Psycho {and this is coming from a big Hitckcock fan}.
De Palma's intentions are apparent right from the beginning,which shows a naked woman, played by Angie Dickinson 'enjoying herself' in a shower,with huge close ups of her breasts {not Angie Dickinson's though}. A man suddenly surprises and assaults her. Than we cut to Angie and her husband having loveless sex on a bed. This whole opening sequence has it all-the Psycho reference,the slight twisting of that reference,the dreamy eroticism,the sudden shock,the surprise. It shows De Palma,more than anything else,playing with his audience,manipulating them like puppets on strings. Yes,like Hitckcock,but sometimes going further. Basically,if you like this opening sequence,you will enjoy the rest of the film.
While there definitely IS a plot {quite a familiar one,but you should know this by now},it is Dressed To Kill's set pieces that stand out,that show De Palma's brilliance. There's a dreamlike and subtly erotic sequence in an art gallery where Dickinson is picked up by a stranger,an incredible murder in a lift which is shocking without showing THAT much blood,a thrilling chase in an underground train station where the heroine is pursued not just by the killer but for a while by a gang of youths,a very scary ending about which I won't go into {except that it features another shower scene!}but where the tension is ramped up to an incredible degree. Here,De Palma is BETTER than Hitchcock.
Although the best scenes are those without dialogue,where De Palma just lets Pino Donnaggio's lush,darkly beautiful score take over the sound,there is quite a bit of fun to be had in the often deliberately humorous dialogue,and the really rather cute relationship between nerdy Keith Gordon and tough as nails Nancy Allen,who make a great team. The identity of the killer is not exactly hard to spot,perhaps more work could have been done here,but going by the cheeky attitude of the film in general this may have been intentional.
When Dressed To Kill originally came out it was heavily criticised for being misogynist,especially with the first third of the film {just in case you HAVEN'T seen Psycho,I won't go into detail}. I've always believed that this part of the film is about the possible dangers of indulging one's fantasies. De Palma is NOT a misogynist anyway really,think of the many memorable heroines of his films. Even if you disagree, see Dressed to Kill to see an oft criticised but occasionally brilliant director at the height of his powers.
De Palma's intentions are apparent right from the beginning,which shows a naked woman, played by Angie Dickinson 'enjoying herself' in a shower,with huge close ups of her breasts {not Angie Dickinson's though}. A man suddenly surprises and assaults her. Than we cut to Angie and her husband having loveless sex on a bed. This whole opening sequence has it all-the Psycho reference,the slight twisting of that reference,the dreamy eroticism,the sudden shock,the surprise. It shows De Palma,more than anything else,playing with his audience,manipulating them like puppets on strings. Yes,like Hitckcock,but sometimes going further. Basically,if you like this opening sequence,you will enjoy the rest of the film.
While there definitely IS a plot {quite a familiar one,but you should know this by now},it is Dressed To Kill's set pieces that stand out,that show De Palma's brilliance. There's a dreamlike and subtly erotic sequence in an art gallery where Dickinson is picked up by a stranger,an incredible murder in a lift which is shocking without showing THAT much blood,a thrilling chase in an underground train station where the heroine is pursued not just by the killer but for a while by a gang of youths,a very scary ending about which I won't go into {except that it features another shower scene!}but where the tension is ramped up to an incredible degree. Here,De Palma is BETTER than Hitchcock.
Although the best scenes are those without dialogue,where De Palma just lets Pino Donnaggio's lush,darkly beautiful score take over the sound,there is quite a bit of fun to be had in the often deliberately humorous dialogue,and the really rather cute relationship between nerdy Keith Gordon and tough as nails Nancy Allen,who make a great team. The identity of the killer is not exactly hard to spot,perhaps more work could have been done here,but going by the cheeky attitude of the film in general this may have been intentional.
When Dressed To Kill originally came out it was heavily criticised for being misogynist,especially with the first third of the film {just in case you HAVEN'T seen Psycho,I won't go into detail}. I've always believed that this part of the film is about the possible dangers of indulging one's fantasies. De Palma is NOT a misogynist anyway really,think of the many memorable heroines of his films. Even if you disagree, see Dressed to Kill to see an oft criticised but occasionally brilliant director at the height of his powers.
¿Sabías que…?
- TriviaAngie Dickinson said the scene where her character gets seduced in the back of a taxicab was filmed on-location in New York City, where several gawkers observed the scene and shouted, "Right on, Police Woman!" (referring to her previous television role as the title character on La mujer policia (1974)).
- Errores(at around 55 mins) Peter Miller looks in the visor of his Super 8 camera. The format of the visor is 'Cinemascope', which never has been really possible with S8. Later, when the resulting movie is seen, it is in the standard 4/3 format.
- Citas
Liz Blake: Do you want to fuck me?
Dr. Robert Elliott: Oh, yes.
Liz Blake: Well, why don't you?
Dr. Robert Elliott: Because I'm a doctor and...
Liz Blake: Fucked a lot of doctors.
Dr. Robert Elliott: ...and I'm married.
Liz Blake: Fucked a lot of them, too.
- Versiones alternativasNBC edited 14 minutes from this film for its 1982 network television premiere.
- ConexionesEdited into Pasión a 24 cuadros por segundo (2003)
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Detalles
Taquilla
- Presupuesto
- USD 6,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 31,899,000
- Total a nivel mundial
- USD 31,900,256
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