Delusion

Slow-moving and pseudo-intellectual horror/thriller that never at one point measures up to its glorious title – the alternate VHS box title that is – "The House Where Death Lives". I honestly hesitated to stop watching the film several times during the first half hour already because it's so boring and absolutely nothing indicates that it might get better anytime soon. The story handles about a young and attractive nurse who moves into the mansion of a wealthy but crippled elderly man (one of the final roles of horror legend Joseph Cotton of "Baron Blood" and "The Abominable Dr. Phibes") to look after him. The man recently lost his son and unwillingly obtained custody over his estranged 16-year-old suspiciously behaving grandson Gabriel. Then there's also three other servants living in the mansion and one mentally unbalanced son that lives locked away in a remote bedroom. One giant big happy family, in other words! The mishmash of personalities soon causes tensions in the house and people start turning up dead. Seriously, the title ought to be changed to "The house where you are bored to death" or something, as this is really one of the most uninteresting and substantially void horror movies I've seen in my entire life. The nurse character is dull and damp (even her sexual hallucinations are tedious) whilst all the other characters are plain and simply irritating. You possibly can't bring yourself to feel sympathy for any of them and you actually just hope they all die quick and gruesomely. There's not a trace of suspense, the supposedly ingenious twist-ending is hugely derivative and the murders are uninspired and bloodless. Bloodless, damned! What's the point of an early 80's horror movie when the set up is dull and the deaths are gore-free? I've seen episodes of my mother's daily soap opera that were more exciting than this turkey. One to avoid at all costs, unless of course you suffers from a bad case of insomnia. Where all medication fails, this movie is guaranteed to put you asleep.

A young nurse named Meredith accepts a job looking after an ageing millionaire in his secluded country home. Almost as soon as she arrives strange events begin occuring. It then becomes apparent that someone is murdering all the occupants of the house and making their deaths look like bizarre accidents. It's left up to Meredith to try and reveal the killer's identity before she ends up next on his list.

Firstly don't be disillusioned by the back of the video blurb that would lead you to believe that DELUSION is 'a chiller in the mould of THE OMEN or REPULSION.' This is pure whodunit? owing more of a knowing nod towards Christie than Carpenter. Although saying that, slasher fans will find the odd thrill here, including one or two decent edge of your seat jolts and a couple of brutal slayings. It looks pretty well budgeted, cleverly shot and the cast do their jobs efficiently. The flicks main problem lies in the fact that it seems to drag far too much in between murders and it began to get a little too tedious towards the end. It's nicely directed and genuinely well acted but lacks the cheese that made most of it's hack and slash counterparts from that era so loveable.

Smart in places, but hardly memorable enough to ever be watched more than once. HOUSE ON SORORITY ROW is a much better effort, rent that instead.

My review was written in February 1984 after a screening at 42nd St. Times Square theater.

"The House Where Death Lives" is a painfully slow-paced and old-fashioned gothic horror film, made in 1980 and originally titled "Delusion". Once-planned for release by the since-defunct The International Picture Show Co., picture has had territorial release over the past two years via Gotham-based New American Films as well as pay-tv exposure, ahead of its current Manhattan debut.

Trite tale unfolds in flashback (bookended by the heroine writing this story to her dad), concerning a young man, introverted nurse Meredith (Patricia Pearcy) arriving at a mansion to take care of crippled Ivar Langrock (Joseph Cotten). Another newcomer to the Fairlawn estate is Gabriel (John Dukakis), Langrock's suspicious-looking 16-year-old grandson who has been living in a commune.

Overly expository opening reels introduce (with a straight face) many cliches of the gothic format: a face seen at an upstairs window of a room that is always kept locked, a heroine prone to wandering inquisitively about the house and grounds, etc. One b one, cast members are dispatched by a sudden bonk on the head from a blunt instrument (it turns out to be a leg from a table) until the final reel reveals who the crazy is. Wedged into the package for the umpteenth time is a case of incest as a long-ago incident and plot motivator.

Director Alan Beattie fails to generate suspense or atmosphere in a picture that remains low-key even during violent scenes. Acting is more than competent, with red-headed, fair-complexioned Patricia Pearcy making a distinctive impression in the rather limited central role and Cotten (in his most recent screen appearance) thoroughly professional in support. Despite its release title linking the film with the overworked "blame it on the house" horror genre, pic's locale is neutrally plain and there are no supernatural overtones.

"Delusion" (also released as "The House Where Death Lives") follows a young nurse who goes to work at the Langrock estate to care for a dying millionaire. After the arrival of the elderly man's troubled nephew, anyone connected to the home begins to die at the hands of an unseen killer.

This pseudo-psychological slasher film has mostly been forgotten, and registers as one of the more obscure of its peers, though not entirely for good reason. It's not a great film by any stretch of the imagination, but it is reasonably well-shot and captures a claustrophobic, isolated atmosphere. The film falls in familiar trappings and does little to distinguish itself, but it does drum up a bit of intrigue with a couple of its murder scenes (each of which are clobbering administered by a loose table leg, oddly enough) which are well-executed.

The acting is a mix of poor to decent, with Joseph Cotten playing the ailing patriarch, and Patricia Pearcy (of 1976's "Squirm"), who here seems to be overplaying catatonia a bit much, though she does a generally serviceable job. I actually found the letter voice-over narration an interesting way to frame the film, and certainly not one used often, especially in slasher films. The finale comes together a bit quickly and feels slapdash in nature, though it's mildly satisfying.

Overall, "Delusion" is a middling slasher film, part psychological thriller and part murder mystery. It's certainly not original, but it is relatively well-shot and has a few moments scattered throughout that drum up a bit of suspense. Its limited locations exhibit what I presume was a low budget, but there is a hazy air about the film that leaves it feeling a bit like a fever dream. Not great, not terrible—certainly unremarkable, but worth a watch from slasher completists. 6/10.

An attractive nurse named Meredith moves to the Langrock estate to take care of her patient:a crippled old man.She falls in love with sixteen year old grandson of Langrock named Gabriel,who returned from some kind of desert commune.A series of brutal murders in the gloom of the night is set in motion...Slow-moving but well-made and competent psycho slasher that often drags.The death scenes mostly involve head bashings and are pretty bloodless.I liked the main performance of Patricia Pearcy as I remembered her from Jeff Lieberman's "Squirm"."Delusion" is worth checking out for completists of 80's US independent horror.6 out of 10.