Agrega una trama en tu idiomaPaul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could ... Leer todoPaul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could make his career, he dedicates himself to winning.Paul Dietrich, at almost 30 years old, is a fading piano prodigy. Heidi Schoonover is a talented young pianist with a promising future. When Paul hears of an upcoming competition that could make his career, he dedicates himself to winning.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 5 nominaciones en total
- Brudenell
- (as James B. Sikking)
Opiniones destacadas
The Main Cast:
Richard Dreyfuss (Paul Dietrich) Amy Irving (Heidi Joan Schoonover) Lee Remick (Greta Vandemann)
Two concert pianists, played by Richard Dreyfuss and Amy Irving, fall in love at a prestigeous competition they are finalists in, but there is much more to the story than that. The film gives an insight as to what takes place in those competitions during which the participants must be aware of and protect themselves from the "competitive edge" of the other pianists. The acting by the entire cast and the directing is exceptional, but what is more exceptional than that is the fingersynching of the actors while appearing to actually play the piano. The late Lee Remick is outstanding as Amy Irving's teacher. A thoroughly enjoyable film with great acting, script, direction and music. A tip of the hat should go to Jean Evensen Shaw and her assistant Dorothy Hull for tutoring the actors about where, when and how to place their fingers on the keyboard. But, since nothing is ever perfect, I can still imagine James Mason, who wasn't in the movie, rapping the knuckles of a few of the pianists because of poor hand position. Richard Dreyfuss was the worst. Amy Irving was perfect! She had her hands always above the keys and did a stellar job of fingersynching the playing of Sergei Prokofiev's Piano Concerto #3, which is actually played by Daniel Pollack. The 5 minutes and 25 seconds Amy Irving spent at the piano during the performance of that piece was one of the highlights of the film. I can't praise this film too highly. However, the end left something to be desired, although not as much as one would think. But I would be remiss in my praise if I didn't at least give the lion's share of the credit to Joel Oliansky for all the hard work he and his crew put into the making of this film and getting it to the public.
Lee Remick is wonderful as the protective mentor of Irving. And Sam Wanamaker is convincing as the Bernstein-like conductor who oversees the competition and rules his own little musical kingdom.
The story has to do with whether or not the two young pianists can compete in the cut-throat world of career-making competitions and still maintain a relationship. The script never becomes too mawkish. And the musical excerpts are a bonus.
Richard Dreyfuss (actually 32) is Paul Dietrich and Amy Irving (actually 26) is Heidi Joan Schoonover. They had met at some random event some time back but now find themselves as competitors in a world-class piano competition. We know there is more than a spark of mutual attraction but while Heidi is more social and relaxed Paul feels he has to be totally focused to win the competition, because of that outlook he often acts like a real jerk. Maybe deep down he is a jerk. But a lovable one.
My understanding is this didn't do well at the boxoffice 40 years ago but viewed today it comes off really well. Both Dreyfuss and Irving shine in their respective roles. The music is nice.
This is 2020 and what is socially accepted has changed, drastically in some cases. Near the end at a party celebrating the winners one contestant, a young man, grabs the butt of an attractive 40-something woman who walks by with her date or husband. She just turns to him and smiles.
The lead roles are well cast with Richard Dreyfuss portraying the talented but desperate musician, Paul, and Amy Irving his gifted & more relaxed competitor, Heidi. I was impressed at the finger synching method used during the piano performances. Though not a musician myself, it seemed convincing to me that these actors were actually playing the pieces. I've remembered all these years that it was a Prokofiev Concerto that Heidi played so brilliantly. Lee Remick is Heidi's teacher, Gretchen, a possessive and demanding taskmaster who naturally does not approve of the budding romance.
The movie is not limited simply to rivals Paul and Heidi, but an assortment of other admittedly rather stereotypical competitors are also featured. This is a drama depicting in general the tension, rivalry, ambition, disappointment & triumph of high stakes competition, whatever the field. Therefore, the themes are something a lot of viewers, even non musicians, can relate to in one way or another. Of course there is a question of potential sacrifice here, as these two competitors have fallen in love. Whatever the chemistry between Paul & Heidi, the romance itself is quite forgettable. The fierce competition rivalry and the backdrop of classical piano are the memorable elements that distinguish this film from all the other love stories out there. This is a must see movie for pianists and indeed all classical music lovers.
¿Sabías que…?
- TriviaIn addition to coaching the film's six "competitors" in piano technique, Jean Evensen Shaw stayed on throughout the production, providing technical advice. Actress Lee Remick recalled that Shaw's help was "invaluable. Remick explained: "She kept us from making awful mistakes for which a real musician would have hooted us off the screen". One such scene was a verbal sparring match between Lee Remick and Amy Irving over Richard Dreyfuss' intrusion in their well-ordered lives. Both women are sipping wine and as the argument escalates, Remick puts her goblet down on the sounding board of a grand piano and rises to confront her student."No, no." Shaw cried out as if in personal pain: "I don't care how excited you are. You must never put food or drink near such a beautiful instrument. You could damage it forever". The scene was re-staged.
- ErroresGreta, a legendary pianist, mentions the "una corda" pedal, but pronounces it "yoo-na kor-da". This is not the proper way and any musician knows it is "oo-na", not "yoo-na".
- Citas
Greta Vandemann: [Lighting a cigarette] Ludwig Von Beethoven taught Carl Czerny, who taught Leschetizky, who taught Schnabel, who taught Renaldi, who taught me. And now the sixth pianist in a direct line from Beethoven is standing here staring at me in her Jordan Marsh mix-and-match.
Heidi Joan Schoonover: You shouldn't smoke.
- Versiones alternativasABC edited 31 minutes from this film for its 1985 network television premiere
- ConexionesFeatured in Sneak Previews: Eyewitness/Tess/The Competition/The Dogs of War (1981)
- Bandas sonorasLove Theme - The Competition (People Alone)
Music by Lalo Schifrin
Lyrics by Will Jennings
Sung by Randy Crawford
Produced & Arranged by Ed Freeman (uncredited)
Courtesy of MCA Records
Selecciones populares
- How long is The Competition?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Competition
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,100,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,287,755
- Fin de semana de estreno en EE. UU. y Canadá
- USD 76,163
- 7 dic 1980
- Total a nivel mundial
- USD 14,287,755
- Tiempo de ejecución2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1